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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Synthetics: an Archaeology of the Electronic Image in Australia, 1955-1975 | 3418 | Stephen Jones |
Ph.D. |
2006 |
University of Technology, Sydney (UTS) | Helen Grace |
Art History / Cultural Theory |
Art & Technology, electronic art, systems theory, video art, kinetic art, conceptual art, computer art, digital art, interaction, collaboration |
| stories in between: a dissertation | 3410 | drew davidson |
ph.d. |
2001 |
university of texas at austin | sandy stone and ron greene, lynn miller, john slatin, joni jones, richard shiff, paul gray |
communication studies |
stories, narrative, media, games, comics, web, hypertext, performance |
| Does Studying Music and Sound Design Enhance Academic Abilities in Undergraduate Non-Music Majors? A Phenomenological Approach | 3759 | Kathryn Evans |
PhD |
2016 |
University of Texas at Dallas | Roger Malina |
Arts and Technology |
Sound design, Phenomenology, STEM to STEAM, Music in education, Musical analysis, Music--Instruction and study, Music--Psychological aspects, Music theory |
| The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art | 3447 | Michael Austin |
Ph.D. in the Humanities - Aesthetic Studies (Arts and Technology) |
2011 |
University of Texas at Dallas | Frank Dufour, Robert Xavier Rodriguez |
Arts and Technology |
phenomenology, music, sound art, interface, Unités Sémiotique Temporelles, musicology, aesthetics |
| The materiality of digital art: practices of integration of everyday objects into sociopolitical media artworks | 51287 | Caterina Antonopoulou |
PhD |
2021 |
University of the Aegean | Nikos Bubaris |
Department of Cultural Technology and Communication |
Media art; Materiality; Object of everyday use; New media; Digital art; Critical, socially engaged, tactical art; Human - Computer interaction; Physical computing; Internet of Things; Open Technologies; Digital Commons; Networks of more-than-human entities; Sociopolitical artworks |
| The materiality of digital art: practices of integration of everyday objects into sociopolitical media artworks | 51287 | Caterina Antonopoulou |
PhD |
2021 |
University of the Aegean | Nikos Bubaris |
Department of Cultural Technology and Communication |
Media art; Materiality; Object of everyday use; New media; Digital art; Critical, socially engaged, tactical art; Human - Computer interaction; Physical computing; Internet of Things; Open Technologies; Digital Commons; Networks of more-than-human entities; Sociopolitical artworks |
| Behind the Silicon Curtain: Computer Art in the Eastern Bloc | 3637 | Todor Bozhinov |
Master of Arts |
09/01/15 |
University of the Arts Bremen | Dr. Frieder Nake |
Digital Media |
computer art, history, computing, Eastern Bloc, Iron Curtain |
| Computer Generated Text and Hybrid Writing: Creative and Ethical Dimensions | 4310 | Geoff Davis |
MPhil |
n/a |
University of the Arts London | Mick Grierson |
Creative Computing Institute |
Human-computer collaboration; co-creativity; generative art; writing support; natural language processing; text generation; writing tools, creativity support tools; user interface; user experience; future of jobs; employment; automation; story generator |
| Sounds Are Objects - Understanding Creativity with Sound through Embodied Cognition | 3964 | Leon Radschinski-Gorman |
MA Art and Science |
2017 |
University of the Arts London | Susan Aldworth |
Cognitive Science |
Embodied, Cognition, Conceptual, Metaphor, Synaesthesia, Crossmodal, Audiovisual, Creativity, Sound |
| Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art | 3661 | German Alfonso Nunez |
PhD |
2016 |
University of the Arts London | Michael Asbury |
Transnational Art, Identity and Nation Research Center / Art History and Theory |
digital art, art history, social history, cultural history, postwar art, contemporary art, art theory, social history of art |