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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Tanya Sheehan | 3419 | Tanya Sheehan |
PhD |
2005 |
Brown University | K. Dian Kriz, Mary Ann Doane; Jennifer Tucker |
History of Art and Architecture |
portrait photography, medicine, cultural authority |
| Contemporary Urban Media Art - Images of Urgency. A Curatorial Inquiry | 3763 | Tanya Toft |
PhD |
2017 |
University of Copenhagen | Martin Zerlang |
Department of Arts and Cultural Studies |
Urban media art, perception, time, urban media aesthetics, drone light shows, presence, Virtual Reality, late 19th/early 20th Century city planning, flânearie, curatorial practice, environmental sensibility, big data and data visualization, the media cit |
| The Yorkshire Soundscape Project: multi-disciplinary approaches to a sound artist’s experience of landscape within the framework of soundscape ecology and composition | 3771 | Tariq Emam |
PhD in Music by Composition |
2017 |
University of Hull | Rob Mackay, Matt Barnard (m.barnard@hull.ac.uk |
Music |
soundscape, composition, acoustic ecology, soundscape ecology, Yorkshire dales, music, world soundscape project, archive, audio archive, psychogeography, national parks, geopolitics, nature, electroacoustic, ambisonic, stereo |
| in vitero: Exploring an interspecies aesthetic of care | 3281 | Tarsh Bates |
MSc (Biological Art) |
2012 |
The University of Western Australia | Ionat Zurr |
SymbioticA/Biological Art |
aesthetics of care; interspecies; alterity; model organisms; estrangement; intimacy; performance; biological art |
| A postcolonial critique of industrial design: A critical evaluation of the relationship of culture and hegemony to design practice and education since the late 20th century. | 3528 | Taslima Begum |
Doctor of Philosophy |
2015 |
University of Plymouth | Dr. Michael Punt, Robert Pepperell, Prof. David Smith |
Arts and Humanities, Design Philosophy |
Industrial design, technology, postcolonial studies, culture and hegemony, design history, theory, practice and education, trans-cultural, inclusivity, globalisation |
| The Politics and Poetics of Coexistence: Experiments At The Intersection Of Art And Environmental Engineering | 3543 | Tega Brain |
Masters of Art (research) |
2012 |
Queensland University of Technology | Keith Armstrong, Grant Stevens |
Creative Industries |
Art, Practice-Led Research, Environment, Ecology, Interdisciplinary, Science, Engineering, Culture, Media Art, Speculative Design, Critical Design, Sculpture, Installation, Video Art, Performance, Collaboration, Visualisation, Information, Experiment, Dat |
| The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp | 3465 | Tegan Bristow |
Masters in Digital Arts (MA) |
2007 |
University of the Witwatersrand | Christo Doherty |
Digital Arts - Interactive Digital Media |
Sublime, Interactive Digital Installation, Nature and Technology |
| Audiovisual Installation as Ecologically Performativity | 4121 | Teresa Connors |
PhD |
2018 |
The University of Waikato | Ian Whalley, Kenneth Fields |
Music/Interdisiplinary |
Audiovisual Installation, Nonlinear processes, Ecological Performativity |
| Falling between worlds: The comings and goings of a virtual itinerant wayfarer in a creative community | 4254 | Tess Baxter |
PhD |
2021 |
Lancaster University | Charlie Gere, Jen Southern |
Contemporary Art |
Digital Art, virtual worlds, video art, machinima, Fan Cultures, creativity, Internet, Anthropology, Sociology, Art, Visual, Film, Printmaking, Media, video games, Literature, Literary Studies, Multidisciplinary, Practice Based Research |
| Im-Medea: Posthumanism and Remediation in Music Theatre | 4040 | Thanos Polymeneas-Liontiris |
PhD |
2019 |
Unoversity of Sussex | Thor Magnusson, Nicholas Till |
Media, Film & Music |
Posthumanism, Cybernetics, Remediation, Music Theatre, Cybernetic performance ecosystems, human installations |