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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Realtime and Accurate Musical Control of Expression in Voice Synthesis | 3380 | Nicolas d'Alessandro |
Applied Sciences |
2009 |
University of Mons | Thierry Dutoit |
Signal Processing |
realtime, voice synthesis, tablet, wacom, handsketch, performance, hci |
| The Sensorial Invisibility of Plants: An Interdisciplinary Inquiry through Bio Art and Plant Neurobiology | 3461 | Laura Cinti |
PhD |
2011 |
University College London (UCL) | Mark Lythgoe |
Slade School of Fine Art (in interdisciplinary capacity with the Centre for Advanced Biomedical Imaging) |
bio art, plants, plant neurobiology, art science, interfaces, sensoriality |
| Unraveling the Fundamental Aspects of Enzyme-powered Microrobots | Xavier Arqué |
PhD |
2023 |
University of Barcelona | Samuel Sánchez |
Smart Nano-Bio-Devices Lab (Prof. Samuel Sánchez) in the Institute for Bioengineering of Catalonia (IBEC) |
Microrobot, Nanorobot, Self-propulsion, Active Navigation, Microscopy Visuals, Active Motion, Enzyme, Biocatalysis, Active Matter, Micromotor, Nanomotor, Biochemistry, Silica, Urease, Catalase, Microswimmer, Nanoswimmer |
|
| WORLD SENSORIUM: The THEORY, PRACTICE and SIGNIFICANCE of THE WORLD SOCIAL OLFACTORY SCULPTURE | 3510 | GAYIL NALLS |
PhD |
2007 |
University of East London, London, England | Lizbeth Goodman (Ba, MA, MLitt, PhD), Phillipa Beale, Central Saint Martins and Duncan Turner, UEL |
SMARTlab Digital Media Institute & MAGICGamelab |
aesthetics, aromatherapy, art, behaviour and olfaction, consciousness, crowd theory, culture and scent, emotion and smell, environment field collection, essential oils, ethnographic methodology, ethnographic olfactory, fragrant pharmacy, healing, mass aes |
| Computer Vision and Contemporary Visualities: Compositions of Seeing and the Visible Between Technics, Science, and Art | 3627 | André Goes Mintz |
M.A. |
2015 |
Universidade Federal de Minas Gerais | André Guimarães Brasil |
Social Communication / Image Pragmatics |
computer vision; dispositif; image; observer |
| Your love hurts down to my bones: exploring public understandings of dengue fever in Medellin, Colombia, through an anthropology-art-science investigation | 3781 | Alejandro Valencia-Tobon |
PhD in Social Anthropology with Visual Media |
2016 |
The University of Manchester | Rupert Cox, Maia Green |
Social Sciences / anthropology, art, biology |
Dengue; anthropology; art; science; ethnographic conceptualism; ethnography by design; fever; health campaigns; knowledge; mosquito; participation |
| Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice | 3718 | Winnie Soon |
Ph.D |
2017 |
Aarhus University | Geoff Cox, Jane Prophet and Dr. Christian Ulrik Andersen |
Software Studies |
software; art; culture; liveness |
| "Alternative” Storytelling : spoken voice and narrative in sound-based works | 4070 | Hyeon Min Kim (aka Una Lee) |
PhD |
2019 |
Queen's University Belfast, Sonic Arts Research Centre | Paul Stapleton, Franziska Schroeder |
Sonic Arts |
interdisciplinary, autobiography, portfolio-based |
| Effortful Interaction: A New Paradigm for the Design of Digital Musical Instruments | 3542 | Nicholas Ward |
PhD |
2013 |
Queen's University Belfast | Gascia Ouzounian, Sile O’Modhrain |
Sonic Arts |
Digital Instrument design, human movement, design methodology |
| The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation | 3432 | Tom Davis |
Ph.D |
2008 |
Queen's University, Belfast. | Pedro Rebelo |
Sonic Arts |
Complexity, Embodiment, Ecology, Sonic Art, Sound Installation, Enaction |