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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Beyond the Swatch: How can the Science of Materials be Represented by the Materials Themselves in a Materials Library? | 3174 | Zoe Laughlin |
PhD |
2010 |
King's College London | Mark Miodownik, Alan Read |
Division of Engineering / Materials |
materials, objects, materials science, materials library, swatch, cubes, tuning forks, bells, spoons, encounter, performativity, stuff, things |
| Artificial Intelligence and Art | 3165 | Penousal machado |
PhD |
2006 |
University of Coimbra | Amílcar Cardoso |
Artificial Intelligence |
Artificial Intelligence, Evolutionary Art, Biology Inspired Art, Generative Art, Computational Creativity |
| Art, Art History and Systems-Theory | 3163 | francis halsall |
phd |
2004 |
university of glasgow | david hopkins, richard hooker, matthew rampley |
history of art |
systems theory, luhmann, art, history, modern, postmodern, historiography, chaos theory, complexity, cybernetics |
| Arresting Beauty: The Perfectionist Impulse of Peale's Butterflies, Heade's Hummingbirds, Blaschka's Flowers, and Sandow's Body | 3157 | Ellery Foutch |
PhD |
2011 |
University of Pennsylvania | Michael Leja |
History of Art |
perfection, temporality, botanical models, photography, specimen boxes, plaster casts. Titian Peale, Martin Johnson Heade, Rudolf Blaschka, Eugen Sandow |
| An Experimental Research into Inhabitable Theories | 3152 | Claudia Westermann |
PhD |
2011 |
University of Plymouth | Roy Ascott, Mike Phillips |
School of Art and Media |
architecture, poetics, cybernetics, logics, 2nd order, discourse, transdisciplinary |
| Ambivalent Animal | 3150 | Geoffrey Thomas |
PhD |
2010 |
Georgia Institute of Technology | Jay D. Bolter |
Digital Media |
Animality, Animal Studies, Art & Design, Philosophy, Art & Technology, Digital Media, Media Studies, Post-structuralism |
| Aesthetics, Writing, Networked Computers | 3143 | Joerg Mueller |
PhD |
2005 |
European Graduate School (EGS) | Dr. Wolfgang Schirmacher, Avital Ronell, Diana Davis |
Communications |
aesthetics, aisthesis, computer, computing, intuition, cultural technology, writing, senses, sensible, complexity, logic of sensation, affection, cellular automata, Universal Turing Machine, cybernetics |
| Aesthetic Complexity: Practice and Perception in Art & Design | 3140 | Guy Birkin |
PhD |
2010 |
Nottingham Trent University | Judith Mottram, Terry Shave; Andrew Dunn |
Fine Art |
Aesthetics, complexity, art, perception, information theory, data compression, aesthetic measure, experimental psychology |
| A Portfolio of Original Compositions | 3131 | Orestis Karamanlis |
PhD |
2010 |
Queen's University Belfast | Paul Wilson |
Department of Music & Sonic Arts |
Composition, Music, Electroacoustic, Acousmatic, Electronic Music |
| A developmental system for organic form synthesis | 3129 | Benjamin Porter |
PhD |
2011 |
Monash University | Jon McCormack, Alan Dorin |
Computer Science |
Morphogenesis, Developmental Model, Physical Simulation, Tetrahedral Mesh, Computer Graphics |