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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Apprenticeship 2.0: Crafting with Hybrid Textiles in Virtual Reality | 4144 | Bolor Amgalan |
MFA Design and Technology |
2020 |
The New School | Harpreet Sareen, Anezka Sebek, Loretta Wolozin, Anna Harsanyi |
School of Art, Media and Technology/Design and Technology department |
hybrid craft, virtual reality, yarn simulation, textiles, embodied interaction, creativity support tool |
| Aquabatics as new works of Live Art | 3156 | Sarah Jane Pell |
Doctor of Philosophy (Visual Art) |
2006 |
Edith Cowan University, Western Australia | Assoc. Domenico de Clario, Janine Schwarz, Dr. Adrian Heathfield |
Communication & Creative Arts Industries/ Contemporary Arts |
Contemporary Performance, Art & Science, Aquabatics, SubSpace Arts, Human performance, behaviour and limits in extreme environments, Live Art, BioTech Art |
| Arcades, let's plays, and avant-gardes : perspectives for analysing and developing videogame exhibitions for arts audiences | 4253 | Emilie Reed |
PhD |
2019 |
Abertay University | William Huber, Robin Sloan, Clare Brennan |
School of Design and Informatics, Department of Games and Art |
Videogames, Exhibitions, Museum studies, Interactive art, Art History, Game studies |
| Archimusic, A New Poïesis: A Method for Archimusical Synthesis | 3997 | F. Myles Sciotto |
Ph.D. |
2018 |
UCSB | Marcos Novak, JoAnn Kuchera-Morin, Prof. Curtis Roads |
Media, Arts & Technology / Digital Design |
Archimusic, Architecture, Music, Graphic Notation, |
| Architecture as optical machine. A visual deformation through light. | 3526 | Eleni-Ino Theodorou |
MA Arts et Technologies de l’Image Virtuelle |
2014 |
Universite Paris 8 (France) & Athens School of Fine Arts (Greece) | Chu-Yin Chen, Manthos Santorinaios |
Department ATI/ Arts et Technologies de l'Image |
Architecture, Projection Mapping, Light, Art & Technology, Interactivity, Interactive Art, Virtual |
| Arresting Beauty: The Perfectionist Impulse of Peale's Butterflies, Heade's Hummingbirds, Blaschka's Flowers, and Sandow's Body | 3157 | Ellery Foutch |
PhD |
2011 |
University of Pennsylvania | Michael Leja |
History of Art |
perfection, temporality, botanical models, photography, specimen boxes, plaster casts. Titian Peale, Martin Johnson Heade, Rudolf Blaschka, Eugen Sandow |
| Art after the Algorithmic Revolution: A Semiotic Approach to Digital Art | 3158 | Isabella Lomanto |
Master of Science (M.Sc.) |
2011 |
University of Applied Sciences Bremerhaven, Germany | Dr. Frieder Nake, Dr. Andrea Sick |
Digital Media |
digital art, semiotics, aesthetics, algorithmic sign, algorithmic revolution, interactivity |
| Art and Architectural Design in 3D User-Generated-Content Virtual Worlds: A Case Study on Second Life® | 3159 | Umut Tasa |
MA |
2009 |
Yildiz Technical University, Istanbul | Tulin Gorgulu |
Interactive Media Design |
metaverse, user-created-content, virtual worlds, art, architecture, collaboration, open-source, interactivity |
| Art and Biotech: Bay Area Networks, 1965-85 | 4200 | Megan Hines |
PhD |
2021 |
Stony Brook University | Katy Siegel, Zabet Patterson, Andrew Uroskie, Fred Turner |
Art History and Criticism |
media art, biotechnology, video art, performance, computer art |
| Art and Cybernetics. From the world as an interface to the multi-plane system in the time-now | 4299 | Selcuk Artut |
2021 |
Universidad de Castilla-La Mancha (UCLM) | José Ramón Alcalá Mellado |
Art |