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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Codex Endogenous: Visualizing the Self | Alexa Bonomo |
MFA |
2020 |
University of California, Davis | Jiayi Young |
Design |
Data Visualization, Quantified Self, Journaling, Mental Health, Memory |
|
| Algorithmic Landscapes: the use of Artificial Intelligence for Poetic Creation | Matheus Montanari |
Master's |
2020 |
University of São Paulo | Gilbertto Prado |
School of communication and arts |
Algorithms |
|
| Repoliticizing the Depoliticized: Experimental Ethnography and Social Practice in Chinese Media Art | Yuxiang Dong |
PhD |
2022 |
Virginia Commonwealth University | Jennifer Rhee |
Media, Art, and Text |
Chinese media art, contemporary art, depoliticization |
|
| Digital Textiles: tactile expression in a virtual environment | Majli af Ekenstam |
MFA |
2021 |
University of Borås | Ulrik Martin Larsen |
Faculty of Textiles, Engineering and Business |
Design, textile, digital textile, virtuality, 3d software |
|
| Portfolio of Original Compositions | Brona Martin |
PhD |
2015 |
University of Manchester | Professor David Berezan |
Novars Research Centre, Faculty of Humanities |
Electroacoustic Composition, Soundscape Composition, Acoustic Ecology, Multi-channel works, Community engagement |
|
| Finitude, Possibility, Dimensionality: Aesthetics After Complexity | Mattia Paganelli |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Centre for FIne Art Research, Birmingham School of Art |
Aesthetics, Contemporary Art, Complexity Theory, Diffraction, Dimensionality, Emergence, Feedback Loop, Finitude, Logic of Sense, Materiality, Possibility, |
|
| The Arena Spectacular from Ben Hur Live to Isles of Wonder: Adaptation, Post-cinema and the Postcivil | Richard Whitby |
PhD |
2016 |
Birkbeck, University of London | Barry Curtis |
The London Consortium |
arena, post-civil, adaptation, architecture, entertainment, digital, cinema, Ben-Hur, Batman, Olympics, regeneration, post-cinema |
|
| Diffracting Painting: 'Mattering' as Reconfiguration of its Making, Understanding and Encountering | alberto condotta |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Birmingham School of Art |
Aesthetics; Art Theory; Complexity Theory; Deconstruction; Painting; Theory and Practice of Visual Art; Art Encounters; Mattering; Practice-led Art Research; Sense of Self; Agential Realism; Diffraction; Phenomenology of Art; Radical Matter; Homage Art; Phenomenological Analysis of Art; Phenomenology of Painting |
|
| The archive as a digital aesthetic form | clio flego |
Master Degree |
2019 |
Donau-Universität Krems | Mark Wright, Oliver Grau |
Image Science / Media Arts Cultures |
Data visualisation, archive interface, database aesthetics, digital heritage, technology as a cultural mediator, immersive and interactive space,human-computer interactions, human perception cognition, knowledge production |
|
| Becomings of Digital Poetry - the carrier of memory in slow media practice | Tiio Suorsa |
Master's |
2021 |
Universität für künstlerische und industrielle Gestaltung Linz | Christa Sommerer |
Interface Cultures |
digital poetry, video art, memory, in-betweenness, slow media |