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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Electronic art in the 20th century. The case of Frank J. Malina A STEAM methodology educational program for primary school children | 4119 | Kiriaki Genitsaridou |
9.5 |
2019 |
Hellenic Open University | Korakidou Veroniki, Moullou Theodora |
Applied Arts |
Electronic art, Lumino kinetic art, Light design, Light art, Media art, visual perception, STEAM, Frank J. Malina, History of art, 20th century |
| An Experimental Study of the Impact of the Physical-Chemical Damage of the Albumen Prints Photographs as a Result of Display, Storage and suitable Treatment Methods – Applied on Selected Objects | 4107 | Rasha Ahmed Shaheen |
93/100 |
2017 |
Catania University, Italy | Mona Fouad Ali, Politi Giuseppe, Ahmed Belal |
Physics and Chemisrty |
Ismael Pasha, Photographs archive, Royal Vehicle Museum, Albumen photographic prints, Physical-chemical degradation, USB microscope, UV photography, Biological examination, SEM-ADX analysis, Ultraviolet-visible spectroscopy, FTIR-ATR analysis, Display and |
| ocean_v1 | 3338 | Wolf Nkole Helzle |
Akamatsu received his Ph.D. in fine arts from Kyoto City University of Arts |
2006/2008 |
International Academy of Media Arts and Sciences (IAMAS), Ogaki, Japan | Dr. Frieder Nake, Bremen, Germany |
Interactive Media Installation |
ocean, faces, interactive, mirror, database, camera, 60 fps, media art, collaboration, face recognition, eye detection, visitor, humanity |
| Realtime and Accurate Musical Control of Expression in Voice Synthesis | 3380 | Nicolas d'Alessandro |
Applied Sciences |
2009 |
University of Mons | Thierry Dutoit |
Signal Processing |
realtime, voice synthesis, tablet, wacom, handsketch, performance, hci |
| Digital Capture and Visualization of Ancient Human Crania for Archaeological Interpretation | 4087 | Faye Olsgard |
Art In Science MA |
10 June 2020 |
Liverpool John Moores University | Mark Roughley, Caroline Wilkinson |
Art In Science |
digital capture, archaeology, crania, visualization, non-destructive, non-invasive |
| The Commercialisation of Space Flight will lead to a New Renaissance | 3427 | Nigel Banks |
BA Hons Fine Art |
2011 |
Plymouth, UK | Eileen Rosamond |
Fine Art |
Space Flight Commercialisation Overview Artists World Leaders New Renaissance |
| Protein Sculptures | 3370 | Julian Voss-Andreae |
BFA |
2004 |
Pacific Northwest College of Art | Chris Gander |
Sculpture |
Biology, Sculpture, Modernism, Genetics, Proteins, Technology, Biochemistry |
| Scholar: Cognitive Computing Approach for Question Answering | 3395 | Rivindu Perera |
BSc (Hons) Software Engineering |
2012 |
Informatics Institute of Technology, University of Westminster | Udayangi Perera |
Department of Computer Science |
Question answering, Natural Language Processing, Information Extraction, Knowledge management, Cognitive computing, Unsupervised knowledge acquiring |
| Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation | 3212 | Sergi Jorda |
Computer science and digital comunication |
2005 |
Universitat Pompeu Fabra | Xavier Serra |
Departament de Tecnologia / Computer music |
computer-music, hci, music instrument, improvisation |
| Visualizing the Temporal Space of Narratives | 3916 | Sean Yeager |
Critical Studies |
2019 |
Pacific Northwest College of Art | Shawna Lipton, Taylor Eggan, Brian McHale |
Narratology, Digital Humanities, Disability Studies |
narrative, narratology, temporality, digital humanities, natural language processing, disability studies, autism, neuroqueer |