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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Reimagining Japanese Zen Garden with wave simulation | 4325 | Eiji Sumi |
MFA |
2021 |
King Monkut's Institute of Technology | Nigel Power |
Design and Planning |
Contemporary Art, Wave Simulation and Visualization, Art-Science, Nature and Artificiality, The modernity of Japanese Garden. |
| Cyber "Space": Exploring the Potential for Cyberdelic Art to Alter Implicit Ecological Perception | 4317 | Anna Linnea Strøe |
MA Art and Science, Distinction |
2021 |
Central Saint Martins, University of the Arts London | Heather Barnett |
Art and Science, Fine Arts Pathway |
Cognitive Neuroscience, Virtual Reality, Immersive Art, Philosophy, Spatial Cognition, Altered Consciousness |
| Reanimator/Reflection: Creating Mirrors through Time with AI, Sound, Video and Live-generated Art in the Dark Age of the COVID-19 Pandemic | Eric Millikin |
Master of Fine Arts |
2021 |
Virginia Commonwealth University | Bob Paris, Paul Rucker, Semi Ryu, Wes Taylor |
Fine Arts / Kinetic Imaging |
artificial intelligence art, art and technology, sound art, video art, generative art, COVID-19, horror literature |
|
| Real and Imaginary Places: The Experience of Sound, Memory, and Space | 4315 | Cathleen Rose Grado |
M.F.A |
2021 |
University at Buffao | Mark Shepard, Cort Lippe, Reinhard Reitzenstein |
Media Study/Sound Art |
sound art, sound experience, architecture, listening, presence, installation |
| Craft Fiction | 4314 | Karen Modrei |
MFA |
2021 |
Konstfack, Stockholm | Andrea Peach |
Craft, Textiles |
craft process, dialogue, fiction, domestic knitting machine, empathy, language, technology, techno-hippie, heteroglossia |
| Digital light as a factor in the formation of technogenic sensuality (on the example of the works of Refik Anadol) | 4313 | Olga Shchedrina |
M.A. |
2021 |
Russian State University for the Humanities (RSUH) | Irina Zakharchenko |
Cultural Studies |
media theory, media studies, digital light, technogenic sensuality, techno-human condition, light art |
| Large String Array | 4312 | Cameron Fraser |
Doctor of Philosophy |
2021 |
University of Washington | Juan Pampin |
DXARTS |
sound art, installation, automatic instrument, structure borne sound |
| Dark Design: Methodology for Ethics of Generative Modeling Practices in Biodesign Based on Machine, AI and Animal Ethics | 4311 | Matej Vakula |
Ph. D. |
2021 |
Kathryn High, Shawn Lawson, Oron Catts, Robert Nideffer |
Electronic Arts / Bioart |
bioart, biodesign, bioethics, ai ethics, machine ethics, animal ethics, generative modeling, biotechnology, organ printing, tissue printing, bioprinting, sciart, nonhuman, posthuman, anthropomorphism, correlationism, transhumanism, neural, embryonic stem |
|
| Stage lighting: An investigation of the relationship between text and lighting design | 4308 | Lia Michali |
MA |
2021 |
Hellenic Open University | Melina Mascha |
Lighting Design |
Stage Lighting; Lighting Design; Dramaturgy |
| Cornelius, Nicholai, Phil and me | 4305 | Daniela Elneff |
Master of Science |
2021 |
Aarhus University | Morten Breinbjerg |
Communication and Culture |
Plant-bioacoustic, acoustic ecology, sound experiments, poetic sound composition, poetical thinking, post-phenomenology, rhythm-analysis |