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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Seeing Angels and the Spiritual in Film - An Interdisciplinary Study of a Sensuous Experience | 3400 | Martha Blassnigg |
Masters of Arts (for Cultural Anthropology and Film Theory) |
2000 |
University of Amsterdam | Patricia Pisters / Jojada Verrips |
Film Theory / Cultural Anthropology |
film angel cinema mind clairvoyance spirit |
| Optimal Design of Water Distribution Networks Using Harmony Search | 3345 | Zong Woo Geem |
Doctor of Engineering |
2000 |
Korea University | Kim JH |
Department of Civil and Environmental Engineering |
Music Improvisation; Harmony Search Algorithm; Hydraulic Network Design |
| Mimesis as the Representation of Types: The Historical and Psychological Basis of an Aesthetic Idea | 3315 | Michael Ranta |
Ph D |
2000 |
Stockholm University, Sweden | Margaretha Rossholm Lagerlöf |
Department of the History of Art, |
Art theory, aesthetics, cognitive psychology, experimental aesthetics, history of aesthetics, mental representation, aesthetic preference, pictorial representation, prototypicality, schema theory, emotion theory, categorization, behaviourism |
| InquirySpace: an Immersive Document in the Style of the 'Opera Reductio' | 3283 | Kenneth Fields |
Doctor of Philosophy in Media Arts |
2000 |
University of California Santa Barbara | Curtis Roads, Victoria Vesna, Jack Loomis, Stephen Pope, JoAnn Kuchera-Morin |
Music, Art, Cognitive Science, Computer Science |
Mediawork, Semiotics, Presence, Immersive, Inquiry |
| Burning the Interface : artists' interactive multimedia 1992-1998 | 3180 | Mike Leggett |
MFA (Hons) |
2000 |
University of New South Wales | Bonita ELY, Bill SEAMAN |
College of Fine Arts |
multimedia, media art, interactive media, CD-ROM |
| Bioglyphs: generating images in collaboration with nature's events | 3175 | Daro Montag |
PhD |
2000 |
University of Hertfordshire, UK | Michael Biggs |
Art |
Art, Ecology, Reconstructive postmodern, indexical, process, event |
| Sounds You Can Touch | 3408 | Robert J. Gluck |
Master of Fine Arts |
2001 |
Rensselaer Polytechnic Institute | Neil B. Rolnick, Mary Anne Staniszewski, Curtis Bahn, Andra McCartney |
Arts Department: Integrated Electronic Arts at Rensselaer (iEar) |
installation sound interactive religion electronic music judaism |
| Inhabited Content: An exploration into the role of the viewer through the realisation of In Conversation and other works. | 3282 | Susan Collins |
PhD |
2001 |
The University of Reading | Stephen Buckley |
Fine Art |
interactive, network, viewer, conversation, performance, networked performance, responsive, chatroom, chatbot, dialogue, online, site-specific, public space |
| In Finity - A dissertation on Inbetween Worlds | 3279 | A.S. Sajith |
M.F.A. Painting |
2001 |
University of Hyderabad, India | K. Laxma Goud |
Fine Art/Painting |
fineart, myth, painting, spirituality, science |
| Evolving Performance Control Systems for Digital Puppetry | 3234 | Andrew Joseph Alexander Gildfind |
Doctor of Philosophy |
2001 |
RMIT University | Ghassan Al'Qaimari, Michael Gigante |
Computer Science |
Performance animation, motion capture, performance control systems, puppetry, interactive evolution, genetic programming, adaptive user interfaces, usability, human-computer interaction |