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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Visual Imagery and Concept Formation About Environmental Issues Through Creative Photography | 3506 | Iris Bergmann |
PhD |
1998 |
Southern Cross University | John Geake |
Education |
photography, visual mental imagery, cognition, modes of information processing, environmental, kinaesthtic mode, enactment |
| Design of virtual three-dimensional instruments for sound control | 3203 | Axel G.E. Mulder |
Ph.D. |
1998 |
Simon Fraser University | Tom Calvert, Christine MacKenzie, Barry Truax |
Kinesiology |
gestural control, virtual reality, musical instrument, input device, three-dimensional, visualization, sonification, real-time |
| New Images for a New Medium - a case study of SITO Interactive Arts website | 3329 | Lenara Verle |
Master of Arts in Communication |
1999 |
PUCRS - Pontificia Universidade Catolica do Rio Grande do Sul, Brasil | Flavio Vinicius Cauduro |
Communications |
Interaction, Internet, WWW, art, collaborative art, interactive art. |
| Immersive Ideals / Critical Distances | 3276 | Joseph Nechvatal |
Ph.D. |
1999 |
University of Wales College, Newport, Wales, U. K. | Roy Ascott, Jamie Brassett, Mike Punt |
Centre for Advanced Inquiry in the Interactive Arts (CAiiA) |
Immersion, Virtual Reality, Viractuality |
| Hypertext-based Art Education: Implications for Liberatory Learning in High School | 3271 | Pamela G. Taylor |
Ph.D. Art Education |
1999 |
The Pennsylvania State University | Brent G. Wilson, Marjorie Wilson, Dr. Jeanne Brady, Dr. Patricia Amburgy, Dr. Jamie Myers |
Art Education |
hypertext, art education, liberatory, critical theory |
| Erotecha: Electronic Intimacy in the Computer-based Interactive Narrative | 3231 | Brigid Costello |
Master of Visual Arts |
1999 |
University of Sydney | Geoffrey Weary |
Electronic Temporal Arts |
interactivity, narrative, computer art |
| Design: interface of contemporary culture | 3204 | Adriana de Souza e Silva |
Master of Arts (MA) |
1999 |
Federal University of Rio de Janeiro (Brazil) | Katia Valeria Maciel Toledo |
Communication and Image Technology |
graphic design, deconstruction, typography, Internet, multiuser environments |
| Surrogate Self | 3416 | Peter W. Coppin |
Master of Fine Arts |
1999 |
The University of Toronto | Simon Penny, Steven Kurtz, Bryan Rogers |
Fine Arts (Electronic and Time Based Media) |
telepresence, telepresence art, telerobot, robotics art, electronic media, cyborg, surragate self |
| Surrogate Self | 3416 | Peter W. Coppin |
Master of Fine Arts |
1999 |
Carnegie Mellon University | Simon Penny, Steven Kurtz, Bryan Rogers |
Fine Arts (Electronic and Time Based Media) |
telepresence, telepresence art, telerobot, robotics art, electronic media, cyborg, surragate self |
| Synthetic Creatures of Media Arts: Biorobots and Other Biotechnological Entities as an Art Practice of Hybrid Ecology | 4095 | Daria Vdovina |
Master of Arts in Media Arts Cultures |
2 December 2019 |
School of Communication, Art & Technology, Aalborg University | Associate Morten Søndergaard, Laura Beloff, laura.beloff@aalto.fi |
Synthetic creatures, biorobot, In Vitro Intelligence, hybrid ecology, ALife, Cartesian duality, embodiment, sentient technology, moist media, biological arts, coexistence |