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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Palenque Design: Children's Discovery Learning Experience in an Interactive Multimedia Environment | 3826 | Kathleen S. Wilson |
Ed.D |
1988 |
Harvard University | Howard Gardner |
Cognitive Developmental Psychology and Digital Media Design |
Interactive Multimedia, virtual travel, immersive environments, virtual space, movie mapping, surrogate travel, UI/UX design, digital characters, discovery-based learning, archeology, ancient Maya, digital video, 360 degree pans, digital tools |
| "Being and Becoming: Physics, Hegemony, Art and the Nomad in the Works of Ezra Pound, Marcel Duchamp, Samuel Beckett, John Cage and Thomas Pynchon." | 3668 | Martin E. Rosenberg |
Ph.D. |
1990 |
University of Michigan Rackham Graduate School | Stuart McDougal, William R. Paulson, Ann Herrmann; Julie |
English Language and Literature |
Physics, Philosophy, Literature, Art, Theater, Music, Bergson, Deleuze, Thomas Pynchon, Ezra Pound, Samuel Beckett, John Cage, |
| Thought, Expression and Hypermediacy | 3474 | Carlos Alberto Augusto |
MA |
1993 |
Simon Fraser University | Barry Truax |
Communication |
Interactive multimedia, Thought and thinking |
| The Father in All of Us | 3435 | Lisa Nigro |
MFA |
1994 |
The University of Texas at Austin | Margo Sawyer |
Art/Sculpture |
installation art, mixed media, interactive art, sculpture, feminist, gender issues |
| A World Exhilarating and Wrong | 3139 | Antoinette LaFarge |
M.F.A. |
1995 |
School of Visual Arts, New Yor | Grahame Weinbren |
Computer Art |
performance, online performanc |
| COLOR in Black and White; An investigation of Vividness in Color and in Architecture | 3187 | jack rees |
Master of Science in Architectural Studies (MSAS) |
1996 |
University ot Texas, Austin | Michael Benedikt, Robert Mugerauer |
Architecture -- Interdisciplinary Studies |
color; architecture; Claude Monet; Balthasar Neumann; perception; atmospheric physics; philosophy; painting; Kansas landscape |
| The enigma of the dancing pancha-loha (five metal) icons: archaeometallurgical and art historical investigations on south Indian bronzes’ | 3433 | Sharada Srinivasan |
Ph.D. |
1996 |
Institute of Archaeology, University College London, University of London | Ian Glover, Dafydd Griffiths |
Department of Materials Science and Conservation/Archaeometallurgy and Archaeomaterials |
South Indian metal icons, art history, archaeometallurgy, lead isotope analysis, finger-printing |
| Reverence and Reference: Meaning in Virtual Reality | 3646 | Julieta Aguilera |
MFA |
1997 |
University of Notre Dame | John Francis Sherman, Jean Dibble, Martina Lopez |
Art, Art History & Design |
VR, Design, Language, Representation |
| On Earthquakes (Ueber Erdbeben - Ein Versuch zur Erweiterung seismologischer Darstellungsweisen) | 3340 | Florian Dombois |
PhD |
1998 |
Humboldt-University Berlin (Germany) | Hartmut Boehme, Hans-Werner Schuett |
Cultural History |
Erdbeben, terraemotus, tremblement de terre, earthquake; art and science; sonification, audification |
| Hypermedia Systems: The Creation and Interpretation of Concept-based Art | 3270 | Dew Harrison |
PhD Fine Art |
1998 |
CAiiA, University of Wales, UK | Roy Ascott, Mike Punt, Dr Suzette Worden |
Interactive Art |
Conceptual Art, Marcel Duchamp, Hypermedia, Mind-mapping |