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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Tracing the History and Theory of Conceptual Art and Technology: the Case Study on Harold Cohen | 4044 | Merve Sahin |
Master of Arts |
05/01/20 |
San Francisco Art Institute (SFAI) | Meredith Tromble, Frank Smigiel (Reader), Vanessa Chang(Reader) |
History and Theory of Contemporary Art |
creativity, conceptual arts, art and technology, art criticism, harold cohen, history and theory, formalism, clement Greenberg, jack burnam, cybernetics, language, Aaron, drawing, coloring, visual imagery, semantics, syntax, mysticism, Alan Turing, mimick |
| Data Persuasion: Employing a Trustworthy Nudge System in Social Connection via Re-Definitions of Experience, Ownership and Trust in the Future AI-Driven Servicescapes | 3788 | Minwoo Kim |
Master of Arts |
06/01/17 |
Royal College of Art |
Service Design |
||
| Labyrinth Psychotica Simulating Psychotic Phenomena | 3703 | Jennifer Kanary Nikolov(a) |
PhD |
07-09-2016 |
Plymouth University | Mike Phillips |
Media Arts |
psychosis simulation |
| Le son plastique : empreindre le flux et l'inouï. Sonification et audification dans l'art de l'installation | 3799 | Lorella Abenavoli |
PhD |
07/01/17 |
Université du Québec à Montréal | Louise Poissant, Jocelyn Robert |
Faculté des Arts |
Sonification. Audification. Parameter Mapping Sonification. Installation. Sound art. Audio art. Sound installation. So(g)nification. |
| Naturalism in Synthetic Aesthetics | 3774 | David Martinez-Moreno |
Low-Residency Masters in Fine Arts |
07/2017 |
School of the Art Institute of Chicago | Tyler Coburn, Jens Hauser |
Art and Technology/Low-Residency MFA |
Bonsai, BioArt, Synthetic Aesthetics, Nature, Naturalism, Entropy, negentropy |
| Therapeutic Robots in Media Arts Context | 4141 | Gohar Vardanyan |
MA |
08/12/19 |
Aalborg University, Denmark | Associate Elizabeth Jochum/Aalborg University, Denmark |
School of Communication, Art & Technology/Media Arts Cultures program |
robotic art, therapeutic robots, social robots, mimesis, performance, media arts |
| Behind the Silicon Curtain: Computer Art in the Eastern Bloc | 3637 | Todor Bozhinov |
Master of Arts |
09/01/15 |
University of the Arts Bremen | Dr. Frieder Nake |
Digital Media |
computer art, history, computing, Eastern Bloc, Iron Curtain |
| Bishojo simulator: a social network simulator of fictional female AI agents | 4145 | Yuqian Sun |
MFA |
1 |
Goldsmiths, University of London |
Department of Computing |
Intelligent narrative, digital storytelling, machine learning, virtual human, digital intimacy |
|
| Digital Capture and Visualization of Ancient Human Crania for Archaeological Interpretation | 4087 | Faye Olsgard |
Art In Science MA |
10 June 2020 |
Liverpool John Moores University | Mark Roughley, Caroline Wilkinson |
Art In Science |
digital capture, archaeology, crania, visualization, non-destructive, non-invasive |
| The neuroscience of musical creativity using complexity tools | 3747 | Shama Sarwat Rahman |
PhD |
10/01/13 |
Imperial College London | Kim Christensen, Henrik J Jensen, Joydeep Bhattacharya |
Physics/Neuroscience/Music |
Creativity Neuroscience Complexity Mathematics Brain Patterns Ideation Music Improvisation Interpretation Jazz Classical Piano |