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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
Small Universe: Exploring Microorganisms in Water From an Artistic Perspective | 4064 | Jingying Zhen |
Master of Arts |
May of 2020 |
University of Northern Colorado | Anna Ursyn, Andrew Svedlow |
Art and Design |
Digital Media, Microorganism, Artist perspective, Bio-Art |
Computer Generated Text and Hybrid Writing: Creative and Ethical Dimensions | 4310 | Geoff Davis |
MPhil |
n/a |
University of the Arts London | Mick Grierson |
Creative Computing Institute |
Human-computer collaboration; co-creativity; generative art; writing support; natural language processing; text generation; writing tools, creativity support tools; user interface; user experience; future of jobs; employment; automation; story generator |
Bio Forms | 4156 | natalie alima |
P.h.D |
ongoing |
RMIT | Jon McCormack, Roland Snooks |
Architecture |
Mycelium, feedback systems, material agency, adaptive fabrication |
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THE STRANGE DANCE: 9 EVENINGS: THEATRE & ENGINEERING AS CREATIVE COLLABORATION | 3684 | Robin Oppenheimer |
Dr. of Philosophy |
Spring 2011 |
Simon Fraser University | John Bowes, Jim Bizzocchi, Thecla Shiphorst |
School of Interactive Arts and Technology |
Art-and-Technology Histories; Creative Collaboration; Cybernetics; Boundary Object; Collaboration Aesthetic; Experiments-in-Art-and-Technology |
Bodily Resonance: Exploring the Effects of Virtual Embodiment on Pain Modulation and the Fostering of Empathy toward Pain Sufferers | 4229 | Xin Tong |
PhD |
Spring 2021 |
Simon Fraser University | Diane Gromala, Chris Shaw, Dr. Dave Fracchia |
Interactive Arts and Technology, Human-computer Interaction |
chronic pain; virtual reality; virtual embodiment; sense of ownership; sense of agency; empathy |