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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Movies on the hemispherical screen: Fulldome, animation and experimentation | Vitor Lacerda |
PhD |
2022 |
Universidade Federal de Minas Gerais (UFMG) | Maurício Silva Gino |
Programa de Pós-Graduação em Artes |
Fulldome; Hemispherical Screen; Expanded Cinema; Planetarium |
|
| Untying the knot of dance expertise: Enabling kinesthetic transfer in technologically-mediated spaces | Shannon Cuykendall |
PhD |
2022 |
Simon Fraser University | Thecla Schiphorst |
School of Interactive Arts and Technology |
Dance Expertise; Dance Technology; Kinesthetic Interaction; Enaction |
|
| Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement | Matthew Harkness |
PhD |
2022 |
The University of New South Wales | Katherine Moline |
Art and Design |
Bioplastics, 3D Printing, Maker Culture, Critical Making, Co-design, Actor-Network Theory, Sustainability |
|
| Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement | Matthew Harkness |
PhD |
2022 |
University of New South Wales | Katherine Moline |
Art and Design |
Bioplastics, 3D Printing, Maker Culture, Critical Making, Co-design, Actor-Network Theory, Sustainability |
|
| Application and evaluation of affective adaptive generative music for video games | Cale Plut |
PhD |
2022 |
Simon Fraser University | Philippe Pasquier |
School of Interactive Arts and Technology |
Generative music, Video games, Computational Creativity, Metacreation, Emotion, Game Music, Game Design |
|
| PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to Virtual Worlds | Tina Sauerlaender |
PhD |
2022 |
University of Arts | Christa Sommerer |
Interface Cultures |
Self-Representation, Visual Arts, Digital Art, Performance Art, VR Art, Performing Identities, Identity, Self-Portraiture, History of Self-Portraiture, Art History, Renaissance |
|
| Diagrammatic Media / Subjectivity—Ecology—Event / Generating Organizational Techniques Through Creative Practice for a Post-Medi | Garrett Johnson |
PhD |
2022 |
Arizona State University | Xin Wei Sha |
School of Arts Media and Engineering |
Aesthetics, ethics, Computer Science, Anxiety, diagram, Guattari, Interdisciplinarity, Research-Creation, slow |
|
| Networks of Experience: Interactive Digital Art in the 21st Century | Emily Lawhead |
PhD |
2022 |
University of Oregon | Kate Mondloch |
History of Art & Architecture |
Contemporary art; Digital art; Interactivity; Network theory; New media |
|
| Remembrance: Magma | Chanee Choi |
PhD |
2022 |
University of Washington | Afroditi Psarra |
Digital Arts and Experimental Media |
digital art, |
|
| KNOTTING THE MEMORY//ENCODING THE KHIPU_: Reuse of ancestral Andean technologies as new experimental sound interfaces in the fra | Laddy Cadavid Hinojosa |
Master's |
2022 |
Kunstuniversität Linz | Christa Sommerer |
Interface Cultures |
Decolonial aesthetics, ancient Andean technologies, Khipu, Yupana, Experimental sound performance, NIME. |