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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Embodied Worldmaking | 4216 | Timothy Wood |
PhD |
2021 |
University of California, Santa Barbara | JoAnn Kuchera-Morin, Marcos Novak, Marko Peljhan |
Media Arts and Technology |
performance, somatics, live coding, media arts, technology, virtual reality, embodiment, ecology |
| How to Make Immersive Technologies More Equitable: Confronting the Medium’s Inherited Legacies and Role as Empathy Machine | 4212 | Anna Gedal |
MA in Media Studies |
2021 |
The New School | Fabiola Hanna, Amir Husak |
Media Studies |
Immersive technologies, Cultural production, Early 20th-century amusements, Colonial legacies, Antiracist allyship, Design justice |
| Project knole: An Autocosmic Approach To AuthoringResonant Computational Characters | 4211 | Robert Sherman |
PhD |
2021 |
Bath Spa University, UK | Kate Pullinger, Leon Watts |
Creative Writing and Human-Computer Interaction |
ai, storytelling, videogames, installation, heritage |
| Towards a Feelosophy of Art | 4208 | Laura Hyunjhee Kim |
PhD |
2021 |
University of Colorado Boulder | Mark Amerika, Lori Emerson |
Intermedia Art, Writing and Performance |
Art, Emotion, Feelosophy, Performance, Remix, Speculative Nonfiction |
| A Relational Ecology of Photographic Practices: Towards a Non-anthropocentric Approach to Photography | 4207 | Jacqueline Knight |
Doctor of Philosophy |
2021 |
University of Plymouth | Dr Michael Punt |
School of Art, Design, and Architecture |
Photography, Contact sheet, Decisive moment, computational photography, operational images, machine seeing, relational ecology, distributed cognition, photography and cognition, photography and collaboration, new materialism, posthuman |
| A Taxonomy of Intervened Reality and its Application in Project Design Disciplines | 4204 | Miguel Oscar Grassi |
PhD |
2021 |
Universidad de Buenos Aires (UBA) | Mario Mariño, Laurence Bender |
Design |
intervened; mediated; reality; robotics; embedded; |
| Art and Biotech: Bay Area Networks, 1965-85 | 4200 | Megan Hines |
PhD |
2021 |
Stony Brook University | Katy Siegel, Zabet Patterson, Andrew Uroskie, Fred Turner |
Art History and Criticism |
media art, biotechnology, video art, performance, computer art |
| Invisibilia: The Colors of Bacteria | 4190 | Felipe Leonardo Santos Shibuya |
Master of Fine Arts |
2021 |
The State University of New York at Buffalo | Paul Vanouse, John Opera; Reinhard Reitzenstein |
Department of Art, College of Arts and Sciences |
bioart; colored bacteria; invisible; microscopic; pigment; |
| Prototypes and archetypes of the representation of sleep paralysis: an artistic approach | 4178 | Amaia Salazar |
Ph.D. in Arts |
2021 |
Complutense University of Madrid (UCM), Spain | Tonia Raquejo Grado |
Department of Sculpture and Artistic Education / Specialization: Photography - Art History - Psychology - Anthropology |
Sleep Paralysis - Perception - Imagination - Henry Füssli - Prototypes - Sensory experiences - Photography |
| Being Vulnerable: Distances of the Sublime Anthropocene | 4175 | Laura Hopes |
PhD |
2021 |
Plymouth | Geoff Cox, Heidi Morstang, Dr Thomas Baugh |
Art |
Vulnerability, Colonialism, Sublime, Anthropocene |