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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Zen and the Art of Software Performance: John Cage and Lejaren A. Hiller Jr.’s HPSCHD (1967-1969) | 3742 | Tiffany Funk |
PhD |
2016 |
University of Illinois at Chicago | Hannah B Higgins, S. Elise Archias, Steve Everett, Angus Forbes, Jay Alan Yim |
Art History |
art, technology, computer art, performance art, conceptual art, digital art, john cage, lejaren hiller |
| Your love hurts down to my bones: exploring public understandings of dengue fever in Medellin, Colombia, through an anthropology-art-science investigation | 3781 | Alejandro Valencia-Tobon |
PhD in Social Anthropology with Visual Media |
2016 |
The University of Manchester | Rupert Cox, Maia Green |
Social Sciences / anthropology, art, biology |
Dengue; anthropology; art; science; ethnographic conceptualism; ethnography by design; fever; health campaigns; knowledge; mosquito; participation |
| Your Divided Attention: Ambient Media art and Looking Sideways | 3511 | Brett Phares |
MFA |
2006 |
Hunter College | Tim Portlock |
Intergrated Media Arts |
ambient media art blindness senses mass narcissism everyday |
| Years of Life Lost (before they can ossify) | 4088 | Dorsey Kaufmann |
M.F.A. |
2020 |
University of Arizona | Ellen McMahon, Mo´nica Ramírez-Andreotta, Aaron Coleman, Stacie Widdifield |
Illustration and Design |
environmental justice, systems theory, labor theory of value, Marxism, mining waste, resource extraction |
| Worldlets: Generative Studies for the Monome Norns | 3969 | Nathan Koch |
MFA |
2019 |
Parsons School of Design | Jess Irish, Danielle Jackson |
Design and Technology |
generative, procedural, sound design, synthesis, monome, simulation, electronic music |
| WORLD SENSORIUM: The THEORY, PRACTICE and SIGNIFICANCE of THE WORLD SOCIAL OLFACTORY SCULPTURE | 3510 | GAYIL NALLS |
PhD |
2007 |
University of East London, London, England | Lizbeth Goodman (Ba, MA, MLitt, PhD), Phillipa Beale, Central Saint Martins and Duncan Turner, UEL |
SMARTlab Digital Media Institute & MAGICGamelab |
aesthetics, aromatherapy, art, behaviour and olfaction, consciousness, crowd theory, culture and scent, emotion and smell, environment field collection, essential oils, ethnographic methodology, ethnographic olfactory, fragrant pharmacy, healing, mass aes |
| Working Through: Characterising and Evaluating Skill with Digital Musical Interactions | 3851 | Adnan Marquez-Borbon |
PhD |
2013 |
Queen's University Belfast | Paul Stapleton, Michael Gurevich |
Sonic Arts Research Centre |
Interactive digital music systems, interaction design, skill, human factors, qualitative research |
| Working between music and philosophy: the transforming gesture. | 3762 | Scott L. Simon |
PhD |
2016 |
University of Technology, Sydney | Ernest Edmonds, Sam Ferguson |
Engineering and IT |
practice-based research, music, composition. |
| Work Of Interface From Comparison Of Diversity And Singularity About Spacetime In Media Art | 3996 | Jisoo Park |
Ph.D course completion |
2015 |
Ewha womans university | Yu hyun jung |
Media Interaction Design |
Space and Time, Interface, Interactive installation and Architecture |
| Women Online: Is self-representation enough to tip the scales of femme visibility within dominant cultural narratives? | 3775 | Amanda Stojanov |
Master of Fine Arts |
2017 |
University of California Los Angeles | Jennifer Steinkamp, Henri Lucas, Chandler McWillaims |
Design Media Arts |
women, online, self-representation, femme, visibility, digital, narratives, narcissim, power |