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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| An Experimental Study of the Impact of the Physical-Chemical Damage of the Albumen Prints Photographs as a Result of Display, Storage and suitable Treatment Methods – Applied on Selected Objects | 4107 | Rasha Ahmed Shaheen |
93/100 |
2017 |
Catania University, Italy | Mona Fouad Ali, Politi Giuseppe, Ahmed Belal |
Physics and Chemisrty |
Ismael Pasha, Photographs archive, Royal Vehicle Museum, Albumen photographic prints, Physical-chemical degradation, USB microscope, UV photography, Biological examination, SEM-ADX analysis, Ultraviolet-visible spectroscopy, FTIR-ATR analysis, Display and |
| An exploration of a diversity of vision in digital art projects in relation to issues of engagement | 3153 | sonja van Kerkhoff |
MSc (Media Technology) |
2008 |
Leiden Institute of Advanced Computer Science, University of Leiden, The Netherlands. | Michael S. Lew, LIACS Media Lab, Sarah Kettley, Nottingham Trent University |
Media Technology, dept. Computer Science |
Augmented reality, digital media, discourse analysis, engagement, immersion, interactive art, virtual reality |
| An Interactive Environment derived from commuters' memories of the soundscape: a case study of the London Underground. | 3738 | Ximena Alarcón-Díaz |
PhD |
2007 |
De Montfort University | Leigh Landy, Brian Brown |
Music, Technology and Innovation |
soundscape, collective memory, London Underground, sonic art, ethnography, multimedia art, commuting experience, Internet based art |
| An intricate Ensemble : The Art-Science of an Ecological Imaginary for the Anthropocene Epoch | 4051 | Alyce Santoro |
MA |
2019 |
Rhode Island School of Design | Damian White, Thomas Doran, Winifred Lambrecht |
Nature-Culture-Sustainability Studies |
environmental humanities, transdisciplinary, social imaginary, social ecology, philosophy of science, Romantic Naturalists, sci-art, Dada, Surrealism, improvisation, experimental music |
| An Investigation of Holographic Technologies Applied to Contemporary Art Practice - A new approach to define temporal aesthetics | 3864 | Yin-Ren Chang |
PhD |
2018 |
De Montfort University | Martin Richardson, Robert Chien-Chung Chen and Mr Nick Higgett |
The Faculty of Technology |
Holographic art, Time-based media art, Practice-based research, Reflection hologram, Chinese calligraphy |
| Anatomical Analogies: The Evolution of Harmony and Noise in relation to the Self and Society | 3752 | Raphael Arar |
MFA |
2014 |
California Institute of the Arts | Ajay Kapur, Mark Trayle, Tom Jennings, Norman Klein, Sara Roberts, Michael D |
Integrated Media / Music Technology: Interaction, Intelligence and Design |
Human Interaction, Data Visualization, Data Art, Interactive Art, Responsive Art, Participatory Art, Anatomy |
| Antarctic animation: gestures and lines describe a changing environment | 3154 | Lisa Roberts |
Doctor of Philosophy |
2010 |
University of New South Wales | Simon Pockley, John Hughes |
College of Fine Arts/Media Arts |
animation, artistic, Antarctica, dance, drawing, climate change, communication, gesture, improvisation, on-line, perceptions, practice-based, scientific |
| Anthemusa: sound and chance in soundart | 4257 | Nicolau Centola |
PhD |
2016 |
Unesp | Dr. Rosangela Leote |
Art |
Soundart, Chance, Art and technology, Installations (Art) |
| Application and evaluation of affective adaptive generative music for video games | Cale Plut |
PhD |
2022 |
Simon Fraser University | Philippe Pasquier |
School of Interactive Arts and Technology |
Generative music, Video games, Computational Creativity, Metacreation, Emotion, Game Music, Game Design |
|
| Applications of Generative String Substitution Systems in Computer Music | 3155 | R. Luke DuBois |
Doctor of Musical Arts |
2003 |
Columbia University | Brad Garton, Fred Lerdahl, Jonathan Kramer, Paul Lansky, Perry Cook |
Music/Algorithmic Composition |
algorithmic composition, interactive computer music, string-rewriting, generative grammars, audio-visual interaction, multimedia performance |