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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| What does the Internet look like?: Models of Planetary Scale Computation | 4307 | Ekaterina Kormilitsyna |
MRes ( Master of Research) in Art and Design |
2020 |
Cardiff Metropolitan University | Stephen Thompson |
Art & Design |
digital worldbuilding; politics; aesthetics; aesthetics of politics; digital agency |
| What Goes Around Comes Around - The impact of plastic on the environment, and how artists effectively communicate environmental issues | 3755 | Hannah Scott |
MA Art and Science |
2017 |
Central Saint Martins, University of the Arts, London | Susan Aldworth |
Fine Art Programme |
Climate Change, Plastic Pollution, Microplastics, Environmental Art, Hannah Scott |
| WHAT TOUCHES US, WHAT WE TOUCH: EMERGENT MATERIALS TO THE TEST OF CONTEMPORARY ART. | 3525 | Dominique GONIN PEYSSON |
PhD |
2014 |
Paris 1 Pantheon Sorbone | Olga Kisseleva |
Contemporary art |
emergent materials, smart materials, responsive materials, physics, shape, hylemorphism, tangible, interactivity, complexity, matter and life, ethics, |
| When CRISPR Meets Art. The Experience of Relationality Through the Affective Agency of Matter | 3728 | Lotte Pet |
MA |
2016 |
Leiden University | dr. Robert Zwijnenberg, Amalia Kallergi |
Arts and Culture / Contemporary Art and World Art Studies |
bioart; CRISPR; human enhancement; genetic engineering; relationality; affect; agency of matter |
| Whimsical Bodies: Agency and Playfulness in Robotic Art | 3677 | Treva Michelle Pullen |
MA |
04/01/16 |
OCAD University | Selmin Kara, Caroline Langill, Kathy Kiloh, Nell Tenhaaf |
Art History |
art, robot, agency, play, nonhuman, wonder, enchantment, curate, whimsy, media |
| Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. | 3948 | Andrea Rassell |
Doctor of Philosophy (PhD) |
2019 |
RMIT University | Jonathan Duckworth, Adrian Danks, Sharath Sriram |
Media and communications |
Nano art |
| Women Online: Is self-representation enough to tip the scales of femme visibility within dominant cultural narratives? | 3775 | Amanda Stojanov |
Master of Fine Arts |
2017 |
University of California Los Angeles | Jennifer Steinkamp, Henri Lucas, Chandler McWillaims |
Design Media Arts |
women, online, self-representation, femme, visibility, digital, narratives, narcissim, power |
| Work Of Interface From Comparison Of Diversity And Singularity About Spacetime In Media Art | 3996 | Jisoo Park |
Ph.D course completion |
2015 |
Ewha womans university | Yu hyun jung |
Media Interaction Design |
Space and Time, Interface, Interactive installation and Architecture |
| Working between music and philosophy: the transforming gesture. | 3762 | Scott L. Simon |
PhD |
2016 |
University of Technology, Sydney | Ernest Edmonds, Sam Ferguson |
Engineering and IT |
practice-based research, music, composition. |
| Working Through: Characterising and Evaluating Skill with Digital Musical Interactions | 3851 | Adnan Marquez-Borbon |
PhD |
2013 |
Queen's University Belfast | Paul Stapleton, Michael Gurevich |
Sonic Arts Research Centre |
Interactive digital music systems, interaction design, skill, human factors, qualitative research |