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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Visualising Boolean Set Operations: Real & Virtual Boundaries in Contemporary Site-Specific Art | 3507 | Eugenia Fratzeskou |
PhD |
2006 |
University of Surrey / Wimbledon School of Art (London) | Naren Barfield, Prof.Judith Mottram |
Fine Art |
site-specific and digital art, space, virtual environments, computer diagramming |
| Visualizing the Environment: Exploring the Usage of Media Art in Scientific Data Visualization and Dissemination | 4150 | Mia DeBakker |
Master of Arts |
2018 |
Donau-Universität Krems | Oliver Grau, Scott Hessels |
Image Science/Media Arts Cultures |
Environmental art, data visualization, data art, media art |
| Visualizing the Temporal Space of Narratives | 3916 | Sean Yeager |
Critical Studies |
2019 |
Pacific Northwest College of Art | Shawna Lipton, Taylor Eggan, Brian McHale |
Narratology, Digital Humanities, Disability Studies |
narrative, narratology, temporality, digital humanities, natural language processing, disability studies, autism, neuroqueer |
| Visualizing Time-Oriented Data in Virtual Reality: An analysis of Star Wars check-out history at the Seattle Public Library | 3990 | Junxiang Yao |
Master of Science in Media Arts and Technology |
2019 |
University of California, Santa Barbara | George Legrady, Marko Peljhan |
Media Arts and Technology |
Time-Oriented Data Visualization, Virtual Reality, 3D User Interface |
| Vocal Empowerment for Young Egyptian Women: Increasing Contributions to Sustainable Development | 3952 | Sarah Fahmy |
Master of Arts |
2019 |
University of Colorado Boulder | Beth Osnes, Marcos Steuernagel |
Theatre and Performance Studies |
Sustainable Development, Egypt, Young Women, Vocal Empowerment, Postcolonialism |
| Voice and poetry as inspiration and material in acousmatic composition | Alejandro Albornoz |
PhD |
2020 |
University of Sheffield | Adam Stanović |
Department of Music |
Acousmatic composition, voice and sound poetry, creative methods, music analysis |
|
| Voice Interfaces in Hypermediatic Environments | 3508 | Martha Carrer Cruz Gabriel |
Master's Degree in Art |
2006 |
University of Sao Paulo, Brazil | Silvia R. Laurentiz |
School of Communications and Arts |
interface, voice, web, hypermedia, art, telecommunication, voicexml, voice recognition, speech synthesis |
| Walking with portable projections : a creative exploration into mediated perception in the environment | 3712 | Rocio von Jungenfeld |
PhD |
2016 |
University of Edinburgh | Chris Speed, Simon Biggs |
Edinburgh College of Art |
portable projections, walking, participation, portability, textures |
| Waste media pedagogy: Soundscape composition as responsive spatial practice | 3633 | Pietro Sammarco |
M.A. |
2015 |
Simon Fraser University | Stuart R. Poyntz, Barry Truax |
Communication, Art & Technology: School of Communication |
Soundscape composition, Media education, Waste management, Recording, E-waste, Listening publics |
| What are the metaphoric and spatial implications of a paranoid technological gaze? | 3509 | Martha Patricia Niño Mojica |
MA Digital Art and Technology |
2007 |
University of Plymouth, U.K. | Mike Phillips |
Media Arts |
gaze, technology, metaphor, telematic, robot |