Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Practical Applications of Difference Tones in Electronic Music Composition and Synthesis | 4285 | Alex Chechile |
Ph.D. |
2020 |
Stanford University | Chris Chafe, Jonathan Berger, Paul DeMarinis, Gerald Popelka, Brian Ferneyhough |
Music |
difference tones, auditory perception, psychoacoustics, composition, electronic music, synthesis, computer music, auditory distortion products, distortion products, Tartini tones, combination tones, summation tones, two-tone difference tones, three-tone d |
| Defining Data as an Art Material | 4283 | Julie Freeman |
PhD |
2018 |
Queen Mary University of London | Mark Sandler, Geraint Wiggins |
Media & Art Technology |
data, art, taxonomy, naked mole-rats, data art, data visualisation, kinetic sculpture, netart |
| Inverted Landscapes: Photomedia and the More-than-Representational | 4282 | Rebecca Najdowski |
PhD |
2020 |
Victorian College of the Arts, University of Melbourne | Kiron Robinson, Dr Katve-Kaisa Kontturi |
Visual Art |
photography; video; 3D modelling; nature; landscape; posthumanism; new materialism |
| Design Intervention in Bhuvan | 4281 | RAM RAJ VISHVAKARMA |
Master of Design |
2020 |
78 | Tripti Singh |
User Interface Design |
ISRO, Bhuvan, NRSC, Geo-Portal, Visual Communication Design, User Experience Design, User interface Design, Design Language, Design Standards, Maps, Material Design. |
| Algorithms in Art | 4280 | Magda Stanová |
PhD in Fine Arts |
2016 |
Academy of Fine Arts in Prague | Tomáš Van?k |
fine art |
creative process, perception of art, fade rate, algorithm, pleasure, fitness function, ambiguity, trigger miners, thrill combo |
| Emersive VR: An Expanded Immersive VR Practice | 4277 | Haoran Chang |
MFA |
2021 |
University of California Santa Cruz | Mark Nash, Edward Shaken, Micha Isbister, Isaac Julien, Micha Cardenas |
Digital Art and New Media |
Virtual Reality, Digital Media Art, Immersion, Emersion, contemporary art, New Media Art, |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |
| Fieldwork – a conceptual methodology linking science and art. | 4275 | Donald Fortescue |
PhD |
2019 |
Australian National University | Christopher McAuliffe |
School of Art and Design / Visual Arts |
Antarctica, neutrino, South Pole, sculpture, sound, fieldwork, noise, signal, pareidolia, artefact, instrument, transcription, transduction. |
| SciArt and Environmental Restoration: The role of intentionality in audience engagement | 4274 | Sierra Adler |
Master of Science Communication |
2019 |
University of Otago | Jenny Rock |
SciArt, Environmental Restoration, Interactivity, Art, Community Arts Practice, Intentionality |
|
| OCEANIC ALCHEMY: Collaborations and Surrenderings in Film Eco-Processing | 4273 | Ana Valine |
Master of Fine Arts |
2021 |
Emily Carr University of Art + Design | Alla Gadassik, Lindsay McIntyre |
Film and Media |
film, experimental film, eco-processing, 16mm, oceanic feeling, seaweed developer, hand processing, salt water fix, shoreline |