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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Opening the Black Box | 4328 | Leila El Dana |
Master of Fine Arts |
2021 |
Texas A&M University |
Department of Visualization |
Conscious, unconscious, mind, language, artificial intelligence, emotion, text |
|
| Sensing and making sense: Photosensitivity and light-to-sound translations in Media Art | 4327 | Graziele Lautenschlaeger |
Dr.phil |
2020 |
Humboldt-Universität zu Berlin | Dr. Wolfgang Schäffner |
Cultural Theory and History / Kulturwissenschaft |
Media Art, photosensitivity, transcreation, hybrid system, media archaeology |
| Reimagining Japanese Zen Garden with wave simulation | 4325 | Eiji Sumi |
MFA |
2021 |
King Monkut's Institute of Technology | Nigel Power |
Design and Planning |
Contemporary Art, Wave Simulation and Visualization, Art-Science, Nature and Artificiality, The modernity of Japanese Garden. |
| Immersive creations and global scientific data: how to depict the world using the rhythm of the oceans | 4324 | Javiera Tejerina-Risso |
PhD |
Aix-Marseille University | Jacques Sapiéga, Patrice Le Gal |
Art, practice-based |
Depiction, art and science, waves, transdisciplinarity, landscape, data, ecology |
|
| LA PENSEE SYSTEMIQUE ET LA MUSIQUE Les rapports de Iannis Xenakis et d’Agostino Di Scipio à la pensée systémique. La proposition d’un modèle systémique de la musique symbolique. | 4323 | Phivos-Angelos Kollias |
Master |
2007 |
UNIVERSITÉ PARIS 8 - VINCENNES À ST-DENIS | M. Horacio VAGGIONE |
Computer Assisted Composition |
Composition Algorithmique Cybernétique Di Scipio, Agostino Ecosystème Hypothèse de Sonorités de Second Ordre Interface Eco-Systémique Audible Modèle Systémique de la Musique Symbolique Musique Interactive Musique Stochastique Pensée Systémique T |
| Identification, description, classification and analysis of works based on artistic representation of brain activity data. | 4322 | Kepa Landa Maritorena |
PhD in Research in Arts and Humanities |
2016 |
University of Castilla-la Mancha, Fine Arts School of Cuenca | José Ramón Alcalá Mellado PhD |
Art |
Art and brain activity data, data visualization, BCI, Brain computer interface, bio-feedback, EEG, FMRI |
| VERS UNE PENSÉE MUSICALE ORIENTÉE-SYSTÈME : l’œuvre musicale auto-organisante | 4321 | Phivos-Angelos Kollias |
PhD |
2017 |
UNIVERSITÉ PARIS 8 - VINCENNES – SAINT-DENIS | Horacio VAGGIONE |
Music Composition - Aesthetics & Interactive Music Technologies |
algorithmic composition, interactive composition, ecosystem composition, feedback instruments, autonomous instruments, complexity, cybernetics, system theories |
| PHOTOGRAPHIC ABSTRACTIONS: AN EXPERIMENT OF ABSTRACT EXPRESSIONISM IN PHOTOGRAPHY | 4319 | Marcia Brito |
Master of Fine Arts (MFA) in Visual Arts |
2019 |
Jacksonville University, FL. | Bill Hill |
Fine Arts |
PHOTOGRAPHIC ABSTRACTIONS, PHOTOGRAPHIC EXPERIMENT, ABSTRACT EXPRESSIONISM, PHOTOGRAPHY |
| Between Bodies | 4318 | Nina Waisman |
MFA |
2008 |
UC San Diego (UCSD) | Jordan Crandall, Sheldon Brown, Jennifer Pastor, Miller Puckette |
MFA Visual Arts / Interdisciplinary |
Interdisciplinary, new media, interactive, installation, dance, sound art, happening, Tijuana, US-Tijuana, borders, attuning, rhythm, gesture, movement |
| Cyber "Space": Exploring the Potential for Cyberdelic Art to Alter Implicit Ecological Perception | 4317 | Anna Linnea Strøe |
MA Art and Science, Distinction |
2021 |
Central Saint Martins, University of the Arts London | Heather Barnett |
Art and Science, Fine Arts Pathway |
Cognitive Neuroscience, Virtual Reality, Immersive Art, Philosophy, Spatial Cognition, Altered Consciousness |