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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| #12OCT. Representation of the colonial unconscious of social networks in an electronic art proposal. | Laddy Cadavid Hinojosa |
Master's |
2017 |
Universitat Politècnica de València | Salomé Cuesta |
Master in Visual & Multimedia Arts - Sculpture Department |
Postcolonialism , Data visualization , #12OCT , Decolonial thinking , Interactive installation , Twitter , Arduino , Processing , Raspberry Pi , Electronic Art , World Map , October 12 , Social Networks , Post-Internet Art , Parsing , Day Specific art , Eurocentrism , Pensamiento decolonial , Instalación interactiva , Arte electrónico , Mapamundi , 12 de octubre , Redes Sociales , Arte Post-Internet , Eurocentrismo , Visualización de datos , Poscolonialismo |
|
| Measuring by Measuring Against: A Consideration of Scientific Methods in Conceptual Art Practices | Sara Morawetz |
PhD |
2021 |
University of Sydney | Alexander Gawronski |
Sydney College of the Arts |
Conceptual Art |
|
| Noto, Source Han & Plex: The language of America’s Korean fonts | Michelle Devlin |
Master's |
2023 |
Royal College of Art | Emily Candela |
Research & Innovation |
Writing as Practice, digital marketing, language, decolonization, Korean fonts |
|
| Art, Drones and Hacktivism: The Invisible seen from Above | Joana Silva |
MFA |
2022 |
University of Lisbon - Faculty of Fine Arts | Mónica Mendes |
Multimedia Art |
Drone Art, Hacktivism, Counter-look, Augmented Reality, Interactive Installation |
|
| Space Art + Space Science: A Polymathic Paradigm Shift in the Art/Science Dialogue | Barbara King |
Master's |
2020 |
University of Cape Town | Peter Martinez |
Engineering and the Built Environment |
Art/Science Dialogue, Multi-Disciplinary collaboration, space art, space science, disruptive New Space culture, paradigm shift, influence of Space Art. |
|
| Techniques of Oversight and [Counter]Intelligibility 2000-2018 (A Few Small Opacities) | Abram Stern |
PhD |
2022 |
University of California, Santa Cruz | Anna Friz |
Film and Digital Media |
media theory, digital art, oversight, opacity, surveillance, media art, software studies, metadata, feminist art, government records |
|
| Abyss without Vertigo | Jack Madden |
MFA |
2022 |
Rhode Island School of Design | Shona Kitchen |
Digital+Media |
||
| In Search of the 'Anti-Environment': Breaking the ___________ distance | Harsha Biswajit |
Master of Fine Arts |
2014 |
School of Visual Arts | Bruce Wands |
MFA Computer Art |
Ecology, Art, Technology, Anti-Environment, Marshall McLuhan, Nature, Hyperobject |
|
| ECOLOGY OF ENCOUNTERS - Meeting spaces for humans and non-humans in media art | Noor Stenfert Kroese |
Master's |
2023 |
Universität für künstlerische und industrielle Gestaltung – University of Art and Design Linz | Manuela Naveau |
Interface Cultures |
Critical Posthumanism, New Materialism, Diffraction, Agential Realism, Non-Human, New Media Arts, Hybrid Art, Bio Art, Robotics, Bio-Sensors, Public Art, Interspecies, Data visualizations, Data-Storytelling, Practices of care, Intra-activity, Ecologies, Affective systems, Sensing Technologies |
|
| Refiguring Oil and/as Media: Field Notes for Future Petropractices | Elia Vargas |
PhD |
2022 |
University of California at Santa Cruz | Soraya Murray |
Film and Digital Media |
Media Praxis |