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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Application and evaluation of affective adaptive generative music for video games | Cale Plut |
PhD |
2022 |
Simon Fraser University | Philippe Pasquier |
School of Interactive Arts and Technology |
Generative music, Video games, Computational Creativity, Metacreation, Emotion, Game Music, Game Design |
|
| INTO THE VOID: EXPLORING THE EXPERIENCE OF VISION LOSS THROUGH VISUAL ART | Erica Tandori |
PhD |
2016 |
University of Melbourne | Su Baker |
Faculty of Art, Victorian College of the Arts |
vision loss, macular degeneration, stargardt's disease, visual art, digital media, painting, blindness, disability, ophthalmology |
|
| PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to Virtual Worlds | Tina Sauerlaender |
PhD |
2022 |
University of Arts | Christa Sommerer |
Interface Cultures |
Self-Representation, Visual Arts, Digital Art, Performance Art, VR Art, Performing Identities, Identity, Self-Portraiture, History of Self-Portraiture, Art History, Renaissance |
|
| Diagrammatic Media / Subjectivity—Ecology—Event / Generating Organizational Techniques Through Creative Practice for a Post-Medi | Garrett Johnson |
PhD |
2022 |
Arizona State University | Xin Wei Sha |
School of Arts Media and Engineering |
Aesthetics, ethics, Computer Science, Anxiety, diagram, Guattari, Interdisciplinarity, Research-Creation, slow |
|
| Networks of Experience: Interactive Digital Art in the 21st Century | Emily Lawhead |
PhD |
2022 |
University of Oregon | Kate Mondloch |
History of Art & Architecture |
Contemporary art; Digital art; Interactivity; Network theory; New media |
|
| COMPUTATIONAL AESTH-ETHICS: Understanding visual computation processes between the image and its context | Kristina Tica |
Master's |
2023 |
University of Art and Design (Kunstuniversität) | Manuela Naveau |
Interface Cultures |
machinic vision, image-making, image-reading, database, automated creativity, aesth-ethics, generative ideology, algorithmic thoughtlessness, algorithmic culture, demystification |
|
| Remembrance: Magma | Chanee Choi |
PhD |
2022 |
University of Washington | Afroditi Psarra |
Digital Arts and Experimental Media |
digital art, |
|
| KNOTTING THE MEMORY//ENCODING THE KHIPU_: Reuse of ancestral Andean technologies as new experimental sound interfaces in the fra | Laddy Cadavid Hinojosa |
Master's |
2022 |
Kunstuniversität Linz | Christa Sommerer |
Interface Cultures |
Decolonial aesthetics, ancient Andean technologies, Khipu, Yupana, Experimental sound performance, NIME. |
|
| KNOTTING THE MEMORY//ENCODING THE KHIPU_: Reuse of ancestral Andean technologies as new experimental sound interfaces in the fra | Laddy Cadavid Hinojosa |
Master's |
2022 |
Universitat Politècnica de València | Christa Sommerer |
Interface Cultures |
Decolonial aesthetics, ancient Andean technologies, Khipu, Yupana, Experimental sound performance, NIME. |
|
| #12OCT. Representation of the colonial unconscious of social networks in an electronic art proposal. | Laddy Cadavid Hinojosa |
Master's |
2017 |
Kunstuniversität Linz | Salomé Cuesta |
Master in Visual & Multimedia Arts - Sculpture Department |
Postcolonialism , Data visualization , #12OCT , Decolonial thinking , Interactive installation , Twitter , Arduino , Processing , Raspberry Pi , Electronic Art , World Map , October 12 , Social Networks , Post-Internet Art , Parsing , Day Specific art , Eurocentrism , Pensamiento decolonial , Instalación interactiva , Arte electrónico , Mapamundi , 12 de octubre , Redes Sociales , Arte Post-Internet , Eurocentrismo , Visualización de datos , Poscolonialismo |