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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Computer Generated Text and Hybrid Writing: Creative and Ethical Dimensions | 4310 | Geoff Davis |
MPhil |
n/a |
University of the Arts London | Mick Grierson |
Creative Computing Institute |
Human-computer collaboration; co-creativity; generative art; writing support; natural language processing; text generation; writing tools, creativity support tools; user interface; user experience; future of jobs; employment; automation; story generator |
| Dark Design: Methodology for Ethics of Generative Modeling Practices in Biodesign Based on Machine, AI and Animal Ethics | 4311 | Matej Vakula |
Ph. D. |
2021 |
Kathryn High, Shawn Lawson, Oron Catts, Robert Nideffer |
Electronic Arts / Bioart |
bioart, biodesign, bioethics, ai ethics, machine ethics, animal ethics, generative modeling, biotechnology, organ printing, tissue printing, bioprinting, sciart, nonhuman, posthuman, anthropomorphism, correlationism, transhumanism, neural, embryonic stem |
|
| Large String Array | 4312 | Cameron Fraser |
Doctor of Philosophy |
2021 |
University of Washington | Juan Pampin |
DXARTS |
sound art, installation, automatic instrument, structure borne sound |
| Digital light as a factor in the formation of technogenic sensuality (on the example of the works of Refik Anadol) | 4313 | Olga Shchedrina |
M.A. |
2021 |
Russian State University for the Humanities (RSUH) | Irina Zakharchenko |
Cultural Studies |
media theory, media studies, digital light, technogenic sensuality, techno-human condition, light art |
| Craft Fiction | 4314 | Karen Modrei |
MFA |
2021 |
Konstfack, Stockholm | Andrea Peach |
Craft, Textiles |
craft process, dialogue, fiction, domestic knitting machine, empathy, language, technology, techno-hippie, heteroglossia |
| Real and Imaginary Places: The Experience of Sound, Memory, and Space | 4315 | Cathleen Rose Grado |
M.F.A |
2021 |
University at Buffao | Mark Shepard, Cort Lippe, Reinhard Reitzenstein |
Media Study/Sound Art |
sound art, sound experience, architecture, listening, presence, installation |
| Cyber "Space": Exploring the Potential for Cyberdelic Art to Alter Implicit Ecological Perception | 4317 | Anna Linnea Strøe |
MA Art and Science, Distinction |
2021 |
Central Saint Martins, University of the Arts London | Heather Barnett |
Art and Science, Fine Arts Pathway |
Cognitive Neuroscience, Virtual Reality, Immersive Art, Philosophy, Spatial Cognition, Altered Consciousness |
| Between Bodies | 4318 | Nina Waisman |
MFA |
2008 |
UC San Diego (UCSD) | Jordan Crandall, Sheldon Brown, Jennifer Pastor, Miller Puckette |
MFA Visual Arts / Interdisciplinary |
Interdisciplinary, new media, interactive, installation, dance, sound art, happening, Tijuana, US-Tijuana, borders, attuning, rhythm, gesture, movement |
| PHOTOGRAPHIC ABSTRACTIONS: AN EXPERIMENT OF ABSTRACT EXPRESSIONISM IN PHOTOGRAPHY | 4319 | Marcia Brito |
Master of Fine Arts (MFA) in Visual Arts |
2019 |
Jacksonville University, FL. | Bill Hill |
Fine Arts |
PHOTOGRAPHIC ABSTRACTIONS, PHOTOGRAPHIC EXPERIMENT, ABSTRACT EXPRESSIONISM, PHOTOGRAPHY |
| VERS UNE PENSÉE MUSICALE ORIENTÉE-SYSTÈME : l’œuvre musicale auto-organisante | 4321 | Phivos-Angelos Kollias |
PhD |
2017 |
UNIVERSITÉ PARIS 8 - VINCENNES – SAINT-DENIS | Horacio VAGGIONE |
Music Composition - Aesthetics & Interactive Music Technologies |
algorithmic composition, interactive composition, ecosystem composition, feedback instruments, autonomous instruments, complexity, cybernetics, system theories |