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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| TRANSDISCIPLINARY INTELLIGENCE: LINKING FACTORS OF KNOWLEDGE PRODUCTION AND THE CULTURAL DIMENSIONS OF INDUSTRIES | 4267 | Alex Garcia Topete |
PhD |
2021 |
The University of Texas at Dallas | Roger Malina, Heidi Rae Cooley, Frank Dufour, Haemin Dennis Park, Mark Cooper |
Arts, Technology, and Emerging Communication |
transdisciplinarity, interdisicplinarity, organizational behavior, organizational design |
| Media Art Practices Toward a Post-Anthropocentric Relationship with Technology | 4268 | Su Hyun Nam |
Ph.D. |
2021 |
The State University of New York at Buffalo | Dave Pape, Josephine Anstey |
Media Study |
Cognition, Embodied Knowledge, Media Art, Media Studies, Practice-based Research, Technology |
| Composing visual music: human traces, from an animator’s perspective | 4269 | Julie Watkins |
Doctor of Philosophy |
2019 |
University of Greenwich | Stephen Kennedy, Andrew Knight-Hill |
Design |
visual music, abstraction, animation, affect, immersive installation, experimental film, composing |
| Choreographic Landscapes. Towards an ecology of co-presence. | 4270 | Eugenia García-Sottile |
Ph. D. |
2016 |
Universidad Autónoma de Barcelona - Università di Bologna | Beatriz Ferrús Antón, Enrico Pitozzi |
Comparative Literature - Art |
Choreography. Installation Art. Ecological Thinking. Co-presence. Landscape. Garden. Space. Movement.Perception. |
| Drawing in Space: A holographic system to simultaneously display drawn images on a flat surface and in three dimensional space. | 4271 | Andrew T Pepper |
Doctor of Philosophy (PhD) Fine Art |
1988 |
University of Reading, UK | Martin Froy, Harald Hopkins |
Fine Art / Creative Holography |
practice-based research, drawing in space, hologram, holography, holographic, reflection hologram, spatial drawing, spatial, illusion, perception, light art, transplane, 3-D, three-dimensional, kinetic. |
| digitalization of visual artworks collections: from reproduction to visualization | 4272 | Fernanda Maria Oliveira Araujo |
Master |
2015 |
universidade Presbiteriana Mackenzie | Jane de Almeida |
Education, Art and Culture History |
Digitalization, digital images, artworks |
| OCEANIC ALCHEMY: Collaborations and Surrenderings in Film Eco-Processing | 4273 | Ana Valine |
Master of Fine Arts |
2021 |
Emily Carr University of Art + Design | Alla Gadassik, Lindsay McIntyre |
Film and Media |
film, experimental film, eco-processing, 16mm, oceanic feeling, seaweed developer, hand processing, salt water fix, shoreline |
| SciArt and Environmental Restoration: The role of intentionality in audience engagement | 4274 | Sierra Adler |
Master of Science Communication |
2019 |
University of Otago | Jenny Rock |
SciArt, Environmental Restoration, Interactivity, Art, Community Arts Practice, Intentionality |
|
| Fieldwork – a conceptual methodology linking science and art. | 4275 | Donald Fortescue |
PhD |
2019 |
Australian National University | Christopher McAuliffe |
School of Art and Design / Visual Arts |
Antarctica, neutrino, South Pole, sculpture, sound, fieldwork, noise, signal, pareidolia, artefact, instrument, transcription, transduction. |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |