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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| A Taxonomy of Intervened Reality and its Application in Project Design Disciplines | 4204 | Miguel Oscar Grassi |
PhD |
2021 |
Universidad de Buenos Aires (UBA) | Mario Mariño, Laurence Bender |
Design |
intervened; mediated; reality; robotics; embedded; |
| Para-images: Cultural Ideas and Technical Apparatuses Beyond the Pictorial Surface | 4205 | Sheung Yiu |
MA Visual Culture, Curating and Contemporary Art |
2019 |
Aalto University | El Baroni, Bassam, Daniel Rubinstein |
Art |
Photography theory, Technical Images, CGI, Computer Vision, Simulation, Agential Realism |
| A Relational Ecology of Photographic Practices: Towards a Non-anthropocentric Approach to Photography | 4207 | Jacqueline Knight |
Doctor of Philosophy |
2021 |
University of Plymouth | Dr Michael Punt |
School of Art, Design, and Architecture |
Photography, Contact sheet, Decisive moment, computational photography, operational images, machine seeing, relational ecology, distributed cognition, photography and cognition, photography and collaboration, new materialism, posthuman |
| Towards a Feelosophy of Art | 4208 | Laura Hyunjhee Kim |
PhD |
2021 |
University of Colorado Boulder | Mark Amerika, Lori Emerson |
Intermedia Art, Writing and Performance |
Art, Emotion, Feelosophy, Performance, Remix, Speculative Nonfiction |
| Design Exploration in Interactive Sonification | 4209 | Mikael Fernström |
Ph.D. |
2012 |
University of Limerick | Liam Bannon |
Computer Science and Information Systems |
interactive sonification, auditory display, sonic browser, pseudo-haptic soft-buttons, cross-modal perception, full body gesture |
| Emergent Economies of Art & Technology: Modes of Making, Circulating and Organizing in the Contemporary Condition | 4210 | Ashley Wong |
PhD |
2020 |
City University of Hong Kong | Damien Charrieras, Linda Chui Han Lai |
School of Creative Media |
Art and Technology, Digital Culture, Creative Economy, Cultural Production, Sociomateriality, Postcritique |
| Project knole: An Autocosmic Approach To AuthoringResonant Computational Characters | 4211 | Robert Sherman |
PhD |
2021 |
Bath Spa University, UK | Kate Pullinger, Leon Watts |
Creative Writing and Human-Computer Interaction |
ai, storytelling, videogames, installation, heritage |
| How to Make Immersive Technologies More Equitable: Confronting the Medium’s Inherited Legacies and Role as Empathy Machine | 4212 | Anna Gedal |
MA in Media Studies |
2021 |
The New School | Fabiola Hanna, Amir Husak |
Media Studies |
Immersive technologies, Cultural production, Early 20th-century amusements, Colonial legacies, Antiracist allyship, Design justice |
| Visibilities and Invisibilities of Wonder: A Practice-Led Exploration of Optical Image Systems | 4213 | Deirdre Feeney |
PhD |
2019 |
Australian National University | Helen Ennis, John Debs |
School of Art & Design, and Research School of Physics |
invisibility, visibility, wonder, natural magic, optical glass, device, optics, technology, instrumentation, technological device, contemporary art, media archaeology, history of technology, philosophy of technological object |
| Eccentric Orbits | 4215 | Stephanie Rose Muscat |
MFA |
2017 |
Rhode Island School of Design | Shona Kitchen, Jocelyne Prince, Lisa Morgan |
Digital + Media |
Perception, Vision, Hypnagogia, Remote Sensing, Orbits |