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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | 3297 | Jacob Thompson-Bell |
Ph.D. |
2002 |
New York University | Benjamin Binstock, Judith R. Weissman |
Art & Art Professions, Critical Studies area |
aesthetics, computer arts, process, language, memory, mnemotechnics, volition, embodied logic |
| Finitude, Possibility, Dimensionality: Aesthetics After Complexity | Mattia Paganelli |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Centre for FIne Art Research, Birmingham School of Art |
Aesthetics, Contemporary Art, Complexity Theory, Diffraction, Dimensionality, Emergence, Feedback Loop, Finitude, Logic of Sense, Materiality, Possibility, |
|
| THE ROLE OF Interactivity IN THE ARTISTIC PROCESS OF WEB-BASED ART: CASE STUDIES OF THE DIGITAL MEDIA ART PIONEERS’ PRACTICES AND STUDIO TEACHING | 3746 | Chia-Ling Lee |
Doctor of Education in College Teaching |
2017 |
Columbia University | Richard Jochum, Lyle Yorks |
Art And Art Education |
Aesthetics, Digital art, Interactive art, Internet art, New media art, Studio teaching |
| Diagrammatic Media / Subjectivity—Ecology—Event / Generating Organizational Techniques Through Creative Practice for a Post-Medi | Garrett Johnson |
PhD |
2022 |
Arizona State University | Xin Wei Sha |
School of Arts Media and Engineering |
Aesthetics, ethics, Computer Science, Anxiety, diagram, Guattari, Interdisciplinarity, Research-Creation, slow |
|
| Aesthetics of seams. The emergence of media properties | 3623 | Alessio Chierico |
MA |
2016 |
Kunstuniversität Linz (Austria) | Christa Sommerer, Laurent Mignonneau, Martin Kaltenbrunner |
Interface Culture |
aesthetics, representation, interpretation, digital ontology, materiality, seamless, seamful |
| Diffracting Painting: 'Mattering' as Reconfiguration of its Making, Understanding and Encountering | alberto condotta |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Birmingham School of Art |
Aesthetics; Art Theory; Complexity Theory; Deconstruction; Painting; Theory and Practice of Visual Art; Art Encounters; Mattering; Practice-led Art Research; Sense of Self; Agential Realism; Diffraction; Phenomenology of Art; Radical Matter; Homage Art; Phenomenological Analysis of Art; Phenomenology of Painting |
|
| Infinitude: Investigating the Aesthetics of Complex Patterns through Printmaking | 4162 | David James Nixon |
Doctor of Philosophy |
2020 |
Griffith University | Ross Woodrow, William Platz |
Queensland College of Art / Printmaking |
Aesthetics; pattern; perception; printmaking; relief etchings; linocuts; synaesthesia; geometry; cosmology. |
| AFFECTS: Intermedial Images between Art, Philosophy, and Science | 3146 | Julainne S. Sumich |
Doctorate in Fine Arts |
2006 |
The University of Auckland, New Zealand | Carole Shepheard, Bruce MacDonald |
Fine Arts |
affect, intermedial, images of thought, autonomic response to novelty, conceptual fusion |
| Face, A Keyword Story: Metadata Prosthetics in the German Search for Facial Expression from Printed Media to Media Art | 3802 | Devon Schiller |
Master of Arts, Advanced |
2017 |
Donau-Universität Krems | Ana Peraica, Oliver Grau |
Image Science/Media Art Histories |
Affective Computing, Digital Archives, Digital Humanities, Facial Action Coding System (FACS), Facial Expression, Historical Psychology, Image Science, Metadata, Physiognomy |
| Affection Research Lab: Affection Stations & The Signal Archive | 3145 | Salvador Orara |
MFA |
2012 |
Art Center College of Design | Philip van Allen, Shannon Herbert, Elise Co, Mike Milley, Casey Anderson, and Norman Klein |
Media Design |
Affective Computing, Mythological Interaction, Sound, Noise |