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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Enhancing Sustainable Practices in Adaptive Reuse: Integrating Energy Considerations into Renovation and Design | Nooshin Rezaei |
Master's |
2025 |
Politecnico di Torino | Nooshin Rezaei |
Department of Architecture and Design ( DAD ) |
Adaptive reuse, Sustainable architecture, Energy efficiency in renovation, Heritage building conservation, Historical building retrofitting, Photovoltaic integration, Ex-Mercati Generali Torino. |
|
| Aesthetic informational systems: Towards an ontology of computer-generated aesthetic artefacts | 3833 | Rodrigo Hernandez Ramirez |
PhD |
2018 |
University of Lisbon | Victor dos Reis, Miguel Carvalhais |
Faculty of Fine Arts |
Aesthetic Informational Systems; Computer-generated Aesthetic Artefacts; Method of LoAs; Philosophy of Information; Philosophy of Technology |
| ALMOST IMMORTAL: AESTHETIC RITUAL AND BIOLOGICAL MUTATION | 3149 | Alex Metral |
MFA Critical theory and Studio. |
2004 |
Maine College of Art | George Smith, Iain Kerr, Katarina Weslien |
Philosophy, Art, Science. |
aesthetic life-extention actant immortality genetic |
| Perfect Face: Exploring aesthetic generalization in the digital age | Zhe Jin |
Master's |
2024 |
The Education University of Hong Kong | Zhe Jin |
Department of Culture and Creative Arts |
Aesthetic standard, Aesthetic generalization, Artificial intelligence, Animation |
|
| in vitero: Exploring an interspecies aesthetic of care | 3281 | Tarsh Bates |
MSc (Biological Art) |
2012 |
The University of Western Australia | Ionat Zurr |
SymbioticA/Biological Art |
aesthetics of care; interspecies; alterity; model organisms; estrangement; intimacy; performance; biological art |
| Aesthetics, Writing, Networked Computers | 3143 | Joerg Mueller |
PhD |
2005 |
European Graduate School (EGS) | Dr. Wolfgang Schirmacher, Avital Ronell, Diana Davis |
Communications |
aesthetics, aisthesis, computer, computing, intuition, cultural technology, writing, senses, sensible, complexity, logic of sensation, affection, cellular automata, Universal Turing Machine, cybernetics |
| WORLD SENSORIUM: The THEORY, PRACTICE and SIGNIFICANCE of THE WORLD SOCIAL OLFACTORY SCULPTURE | 3510 | GAYIL NALLS |
PhD |
2007 |
University of East London, London, England | Lizbeth Goodman (Ba, MA, MLitt, PhD), Phillipa Beale, Central Saint Martins and Duncan Turner, UEL |
SMARTlab Digital Media Institute & MAGICGamelab |
aesthetics, aromatherapy, art, behaviour and olfaction, consciousness, crowd theory, culture and scent, emotion and smell, environment field collection, essential oils, ethnographic methodology, ethnographic olfactory, fragrant pharmacy, healing, mass aes |
| Gaze Relations: Looking as Power | 3849 | Anthony Assi |
MFA Digital Arts and New Media |
2018 |
University of California, Santa Cruz | Edward Shanken, Elliot Anderson, Angus Forbes, Warren Sack |
Digital Arts and New Media |
Aesthetics, Art, Computer Vision, Critical Computing, Fashion, Gaze |
| Aesthetic Complexity: Practice and Perception in Art & Design | 3140 | Guy Birkin |
PhD |
2010 |
Nottingham Trent University | Judith Mottram, Terry Shave; Andrew Dunn |
Fine Art |
Aesthetics, complexity, art, perception, information theory, data compression, aesthetic measure, experimental psychology |
| Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | 3297 | Jacob Thompson-Bell |
Ph.D. |
2002 |
OCAD University | Benjamin Binstock, Judith R. Weissman |
Art & Art Professions, Critical Studies area |
aesthetics, computer arts, process, language, memory, mnemotechnics, volition, embodied logic |