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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Imagining Responsible Data Representations - A feminist exploration of embodied techniques of representing data | 4334 | Nynne Lucca |
Master's |
2021 |
Aarhus University | Winnie Soon |
School of Communication and Culture |
data representation, intersectional feminism, imagination, it and feminism, feminist workshop, critical making, critical design, creative constraints |
| Cornelius, Nicholai, Phil and me | 4305 | Daniela Elneff |
Master of Science |
2021 |
Aarhus University | Morten Breinbjerg |
Communication and Culture |
Plant-bioacoustic, acoustic ecology, sound experiments, poetic sound composition, poetical thinking, post-phenomenology, rhythm-analysis |
| Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice | 3718 | Winnie Soon |
Ph.D |
2017 |
Aarhus University | Geoff Cox, Jane Prophet and Dr. Christian Ulrik Andersen |
Software Studies |
software; art; culture; liveness |
| Arcades, let's plays, and avant-gardes : perspectives for analysing and developing videogame exhibitions for arts audiences | 4253 | Emilie Reed |
PhD |
2019 |
Abertay University | William Huber, Robin Sloan, Clare Brennan |
School of Design and Informatics, Department of Games and Art |
Videogames, Exhibitions, Museum studies, Interactive art, Art History, Game studies |
| Algorithms in Art | 4280 | Magda Stanová |
PhD in Fine Arts |
2016 |
Academy of Fine Arts in Prague | Tomáš Van?k |
fine art |
creative process, perception of art, fade rate, algorithm, pleasure, fitness function, ambiguity, trigger miners, thrill combo |
| Extended Reality: A Redefinition of the Real Between New Technologies and Experiments on Consciousness | Michele Rinaldi |
MFA |
2023-2024 |
Academy of Fine Arts of Rome | Raffaele Gavarro |
Multimedia and Technological Arts |
extended reality, interface, consciousness, digital, posthuman, quantum physics. |
|
| Eldorado | 3785 | Edouard Beau |
Master's degree - Practise based doctorate |
2017 |
Academy of France - Casa de Velazquez- Madrid |
New technologies, deep learning, immersive systems, cognitive system, generative art piece, anthropology, sociology, territory analysis, Anti-disciplinary piece Anthropology Cognition lab Consciousness studies Deep learning Ethnocentrism paradigm shift Ex |
New technologies, deep learning, immersive systems, cognitive system, generative art piece, anthropology, sociology, territory analysis, Anti-disciplinary piece Anthropology Cognition lab Consciousness studies Deep learning Ethnocentrism paradigm shift Ex |
|
| Las Barricadas Misteriosas | 3786 | Edouard Beau |
Master's degree - Practise based doctorate |
2014 |
Academy of France, Casa de Velazquez - Madrid |
Fine Arts, History, Geography, Cognitive systems, immersive systems |
immersive, autogenerative, responsive, binaural, brain, thinking system, layers, stochastic, chaotic, narratives, archives, contemporary, flash-back, mirror effect, schrödinger effect, rogue wave effect, wave, stimuli, detection, history, memory, field s |
|
| Latent Space in Generative AI Art. A New Dialectic between the Human and the Non-Human | manuela Violi |
MFA |
2025 |
Accademia di Belle Arti di Roma (ABARoma) – Academy of Fine Arts of Rome | Raffaele Gavarro |
Scuola di Nuove Tecnologie dell’Arte - Arti multimediali e tecnologiche – Indirizzo Nuovi Linguaggi dell’Arte |
Latent Space, Generative AI, AI Art, Generative Art, Human-AI Co-Creation, Posthuman Aesthetics, Semiotics of AI, Semiotics of the Latent, Algorithmic Creativity, Computational Creativity, Hybrid Authorship, Distributed Creativity, Machine Visual Culture, Algorithmic Images, Digital Aesthetics, New Media Art, Contemporary Art, Multimedia Arts, AI Cinema, Generative Cinema, Experimental AI Filmmaking, Algorithmic Directing, Latent Montage, Text-to-Video, Creative Prompting, Prompt Engineering, Human-in-the-Loop, Nonhuman Agency, Human Agency, Digital Unconscious, Algorithmic Imagination, Embodied Aesthetics, Dataset Ethics, Algorithmic Bias, Semantic Safety, AI Transparency, Responsible AI Art. |
|
| Immersive creations and global scientific data: how to depict the world using the rhythm of the oceans | 4324 | Javiera Tejerina-Risso |
PhD |
2021 |
Aix-Marseille University | Jacques Sapiéga, Patrice Le Gal |
Art, practice-based |
Depiction, art and science, waves, transdisciplinarity, landscape, data, ecology |