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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Practices of Art and Science | 3713 | Hannah Star Rogers |
PhD |
2012 |
Cornell University | Judith V. Reppy, Michael Lynch, Pheobe Sengers |
STS |
STS, Science and Technology Studies, Art and Science Studies, Art, Science, and Technology Studies, Bioart, Models for Science, Tactical Media, Public Art, Citizen Science |
| Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory | 3229 | Nicholas Knouf |
PhD |
2013 |
Cornell University | Phoebe Sengers, Tarleton Gillespie, Tim Murray, Maria Fernandez |
Information Science/Media Studies |
Noise, Finance, Sound, Voice, Information theory, Robotics |
| Virtual Art in the Museum and Beyond | 4099 | Valeria Facchin |
MA Curating the Art Museum |
2019 |
Courtauld Institute of Art | Martin Caiger-Smith |
Curating |
Keywords: Virtual Art, Museum, Collection, Digital Preservation |
| Human Resources: Artistic Labour and the Limits of Critique in North American and Western European Art of the 1990s | 3267 | Bill Roberts |
PhD |
2010 |
Courtauld Institute of Art, University of London | Julian Stallabrass |
History of Art |
Contemporary art, artistic labour, technology, 1990s, institutional critique, activism, networked art |
| Generative Music and Cellular Automata | 3261 | David M Burraston |
PhD Computing Science |
2006 |
Creativity & Cognition Studios, University of Technology, Sydney (UTS), Australia | Ernest Edmonds |
Faculty of IT / Computing Science |
Cellular Automata, Complex Systems, Generative Music, Reflective Practice, Experimental Music, Global Dynamics |
| Unruly Bodies: Monstrous Readings of Biotechnology | 3715 | Cynthia J. Verspaget |
Doctor of Philosophy |
2015 (2017) |
Curtin University | Helen Merrick, Dr Michele Willson |
School of Media Culture and Creative Arts (Formerly Media and Information) |
BioArt, Zombies, HeLa, Art, STS, SFS, Monsters |
| The Human Use of the Human Face: The Photographic Self-Portrait in the Age of the Selfie | 4024 | Karen ann Donnachie |
PhD (Art) |
2017 |
Curtin University, Western Australia | David Hawkins, Julian Goddard, Christopher Crouch, Mihai Lazarescu, Susanna C |
School of Design & Art : Electronic art |
#selfie #postphotography #selfportrait #electronicart #speculativedesign #dataviz |
| EVIDENCE OF PHYSIOLOGICAL DISRUPTION AND EFFECTS OF IVERMECTIN IN JUVENILE ATLANTIC SALMON (Salmo salar L.). | 3233 | Francisco Ucan-Marin |
Master in Science |
2004 |
Dalhousie University | Ron O' Dor |
Biology / Ecotoxicology |
Ivermectin, Endocrine disrupters, Salmo salar, Vitellogenin, Cholinesterase |
| How Do Digital Technologies Affect The Aesthetics Of Japanese Calligraphy Art And Culture? | 3807 | Hua-Chun Fan |
Master of Arts |
2017 |
Danube University Krems, Aalborg University, University of Lodz | Dr. Oliver Grau, Dr. Naoko Tosa |
Image Science / Media Arts Cultures |
Shod?, calligraphy art, Ikebana, Rimpa, Walter Benjamin, Fredric Jameson, Zen, Enso, interactive art, extended mind, handwriting, motion-copying technology, virtual reality |
| Ask Humans : A platform for inducing change: organizing, curating and fostering the discourse on society’s redesign regarding technology and human connection | 4157 | Lis Martins Neves de Oliveira |
MA International Media Cultural Work |
2017 |
Darmstadt University of Applied Sciences | Sabine Breitsameter, Valentina Petermann |
Media |
metamodernity, media literacy, objective subjectification, critical thinking, participation |