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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Compositional Strategies in Electroacoustic Music | 3189 | Jorge Rodrigo Sigal Sefchovich |
PhD |
2003 |
City University, London | Dennis Smalley |
Electroacoustic Music Compostion |
rodrigo, sigal, electroacoustic, music, computer music, spectromorphology, composition |
| The design of note-based algorithmic systems through the use of mental models | Gilberto dos Santos Agostinho Filho |
PhD |
2021 |
City, University of London | Newton Armstrong |
Department of Music |
algorithmic composition, generative music, mental models, computer-aided music |
|
| Understanding the Human-Ocean Relationship in San Crisanto, Yucatán | Elle Gilchrist |
Master's |
2022 |
College of the Atlantic | Chris Petersen |
social art, collage, human-nature relationships, sense of place, ethnography |
||
| THE ROLE OF Interactivity IN THE ARTISTIC PROCESS OF WEB-BASED ART: CASE STUDIES OF THE DIGITAL MEDIA ART PIONEERS’ PRACTICES AND STUDIO TEACHING | 3746 | Chia-Ling Lee |
Doctor of Education in College Teaching |
2017 |
Columbia University | Richard Jochum, Lyle Yorks |
Art And Art Education |
Aesthetics, Digital art, Interactive art, Internet art, New media art, Studio teaching |
| Applications of Generative String Substitution Systems in Computer Music | 3155 | R. Luke DuBois |
Doctor of Musical Arts |
2003 |
Columbia University | Brad Garton, Fred Lerdahl, Jonathan Kramer, Paul Lansky, Perry Cook |
Music/Algorithmic Composition |
algorithmic composition, interactive computer music, string-rewriting, generative grammars, audio-visual interaction, multimedia performance |
| Photography as a tool for magical thinking | 4329 | Gabriel Mario Velez Salazar |
Doctor |
2005 |
Complutense University of Madrid | Aurora Fernández Polanco, Joaquin Perea |
Arts / photography |
photography, Latin America, magic |
| Neuroaesthetics as self-knowledge of the artist. Introspection as Methodology of analysis of artistic creativity. | 4181 | Vincent-Paul Lorne (Pierre d'Argyll) |
Ph. D. |
2017 |
Complutense University of Madrid | Dolores Fernández Martínez |
Painting and Restoration, School of Fine Arts |
introspection; art creativity; first-person analysis; autobiographic memory; neurophenomenology; neuroaesthetics |
| Transdisciplinary artistic production from the field of biology and technology in the second decade of the 21st century | Hamilton Mestizo |
PhD |
2023 |
Complutense University of Madrid | Jaime Munárriz |
Fine Arts |
ffff |
|
| Art as a Generator of Immersive Virtual Reality Environments: Embodied Cognition Processes in Sensory Experiences | 4337 | María Gárgoles |
PhD |
2023 |
Complutense University of Madrid (UCM) | Tonia Raquejo Grado |
Facultad de Bellas Artes |
Art, technology, embodied cognition, VR, embodiment, |
| Prototypes and archetypes of the representation of sleep paralysis: an artistic approach | 4178 | Amaia Salazar |
Ph.D. in Arts |
2021 |
Complutense University of Madrid (UCM), Spain | Tonia Raquejo Grado |
Department of Sculpture and Artistic Education / Specialization: Photography - Art History - Psychology - Anthropology |
Sleep Paralysis - Perception - Imagination - Henry Füssli - Prototypes - Sensory experiences - Photography |