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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Photography as a tool for magical thinking | 4329 | Gabriel Mario Velez Salazar |
Doctor |
2005 |
Complutense University of Madrid | Aurora Fernández Polanco, Joaquin Perea |
Arts / photography |
photography, Latin America, magic |
| Neuroaesthetics as self-knowledge of the artist. Introspection as Methodology of analysis of artistic creativity. | 4181 | Vincent-Paul Lorne (Pierre d'Argyll) |
Ph. D. |
2017 |
Complutense University of Madrid | Dolores Fernández Martínez |
Painting and Restoration, School of Fine Arts |
introspection; art creativity; first-person analysis; autobiographic memory; neurophenomenology; neuroaesthetics |
| Prototypes and archetypes of the representation of sleep paralysis: an artistic approach | 4178 | Amaia Salazar |
Ph.D. in Arts |
2021 |
Complutense University of Madrid (UCM), Spain | Tonia Raquejo Grado |
Department of Sculpture and Artistic Education / Specialization: Photography - Art History - Psychology - Anthropology |
Sleep Paralysis - Perception - Imagination - Henry Füssli - Prototypes - Sensory experiences - Photography |
| The Technologies of Creativity: Connections between Art and Science in Contemporaneity | 3468 | Paz Tornero |
PhD |
Complutense University of Madrid. Spain | Lidia Benavides, Jaime Munárriz, e-mail:munarriz@art.ucm.es |
Fine Arts |
Art and Science, Technocreativity, Bio Art, Electronic Art, Interactivity, Digital Art History, Computer Art, Space Art, Artist as a research, Art practices. |
|
| Of ice shields, oceans, and train yards: Research-creation towards meaningful contact with a feral terrain | 3987 | Lucie Lederhendler |
Masters |
2019 |
Concordia University | MJ Thompson |
Art Education |
research-creation; environmental art; urban wilderness; community engagement; post-industrial ecologies; Indigenous knowledge; fieldwork; zoetrope; augmented reality |
| Contagious Matters: The social constructs of cancer culture | 3676 | Tristan Matheson |
M.A. in Media Studies |
2016 |
Concordia University | Tagny Duff, Kim Sawchuk, Andrew Pelling |
Communication/Media Studies |
Contagion, microethnography, microculture, macroculture, vital materialism, cancer |
| (RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. | 3122 | Jennifer Willet |
PhD |
2009 |
Concordia University | Kim Sawchuk |
Interdisciplinary Humanities |
bioart, embodiment, biotechnology, art, technology, bioteknica |
| Social Practice Before the Web: Networked Media in Canadian Art | Mikhel Proulx |
PhD |
2022 |
Concordia University | Alice Ming Wai Jim |
Art History |
network art, social practice, Canadian art, mail art, telematic art, Indigenous art |
|
| Converging Art and Science: Considering the Conditions in which Women and Girls enter STEM Subjects | 3800 | Bettina Forget |
MA Art Education |
2017 |
Concordia University, Montreal, Canada | Juan Carlos Castro |
Fine Arts, Art Education |
art education, STEM subjects, gender stereotypes, restrictive gendering practices, complexity theory, gender theory, feminist standpoint theory, institutional ethnography, performativity, communities of practice |
| Biomateria--Biotextile Craft | 3670 | WhiteFeather Hunter |
MFA |
11/01/15 |
Concordia University, Montreal, Canada | Tagny Duff, Ionat Zurr |
Studio Arts: Fibres and Material Practices |
biomaterials; textiles; craft; bioart |