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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Voice and poetry as inspiration and material in acousmatic composition | Alejandro Albornoz |
PhD |
2020 |
University of Sheffield | Adam Stanović |
Department of Music |
Acousmatic composition, voice and sound poetry, creative methods, music analysis |
|
| Laboratorio nómada medial No2somos+, un lugar pretexto para el aprendizaje significativo y el diálogo transdisciplinar | 4260 | Alejandro Araque Mendoza |
Maestría en comunicación y medios |
2020 |
Universidad Nacional de Colombia | Javier Andrade Andrade |
Comunicación |
contemporary artistic practices ; prácticas artísticas contemporáneas ; laboratorio de medios ; media laboratory ; activismo social ; social activism ; medios alternativos de comunicación ; alternative means of communication ; educación hacker ; hack |
| Your love hurts down to my bones: exploring public understandings of dengue fever in Medellin, Colombia, through an anthropology-art-science investigation | 3781 | Alejandro Valencia-Tobon |
PhD in Social Anthropology with Visual Media |
2016 |
The University of Manchester | Rupert Cox, Maia Green |
Social Sciences / anthropology, art, biology |
Dengue; anthropology; art; science; ethnographic conceptualism; ethnography by design; fever; health campaigns; knowledge; mosquito; participation |
| Fields of Interaction: From Shadow Play Theatre to Media Performance | 3246 | Aleksandra Dulic |
DOCTOR OF PHILOSOPHY |
2006 |
SIMON FRASER UNIVERSITY | Ron Wakkary, Laura Marks, Martin Gotfrit |
School of Interactive Arts and Technology, Faculty of Applied Sciences |
Computatinal Poetics; Media Perfomance; Shadow Play; Ritual; Interactive Media Art; Antecedents of Contemporary Media Art |
| Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004-2009 | 3531 | Aleksandra Kaminska |
Ph.D. |
2012 |
York University | Janine Marchessault |
Communication and Culture |
Media Art, Public Art, Site-Specific Art, Poland, Art and Politics, Nation, Europe |
| Video Activism in the Italian Centri Sociali. A Visual Ethnography | 3498 | Alessandra Caporale |
PhD in Visual Anthropology |
2003 |
Napier University, Edinburgh, Scotland | Desmond Bell, Louise Milne |
Design and Media Arts |
Ethnography, Visual Anthropology, Community Media, Social Movements, New Media, Art, Activism, Politics |
| EM - Embodied Map Tools for urban mapping and performance art practices | 3721 | Alessandro Carboni |
PhD |
2017 |
City University of Hong Kong | Jane Prophet |
School of Creative Media |
Urban Mapping, Embodiment, Performance Art, Choreography, Critical Cartography, City and Complexity, Toolkit, Mappings, |
| Interconnection, Relation, Imagination. Interactive art for a sustainable future | 4138 | Alessia Gervasone |
Master degree in Communication and Valorisation of Contemporary Art |
2018 |
Albertina Academy of Fine Art, Turin (Italy) | Balzola Andrea, Cristina Giudice |
New Media Art |
interconnection, Interactivity, Sustainability, Science, New Media Art, Experience, education, global crisis |
| Aesthetics of seams. The emergence of media properties | 3623 | Alessio Chierico |
MA |
2016 |
Kunstuniversität Linz (Austria) | Christa Sommerer, Laurent Mignonneau, Martin Kaltenbrunner |
Interface Culture |
aesthetics, representation, interpretation, digital ontology, materiality, seamless, seamful |
| Practical Applications of Difference Tones in Electronic Music Composition and Synthesis | 4285 | Alex Chechile |
Ph.D. |
2020 |
Stanford University | Chris Chafe, Jonathan Berger, Paul DeMarinis, Gerald Popelka, Brian Ferneyhough |
Music |
difference tones, auditory perception, psychoacoustics, composition, electronic music, synthesis, computer music, auditory distortion products, distortion products, Tartini tones, combination tones, summation tones, two-tone difference tones, three-tone d |