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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Design of virtual three-dimensional instruments for sound control | 3203 | Axel G.E. Mulder |
Ph.D. |
1998 |
Simon Fraser University | Tom Calvert, Christine MacKenzie, Barry Truax |
Kinesiology |
gestural control, virtual reality, musical instrument, input device, three-dimensional, visualization, sonification, real-time |
| <random> search | 3123 | Ayah Bdeir |
Masters of Science in Media Arts and Sciences |
2006 |
Massachusetts Institute of Technology | Chris Csikzentmihalyi |
Media Lab, School of Architecture and Planning |
metal detector, magnetometer wand, random selection, ethnic discrimination, pat down, security screening, racial profiling, Transportation Security Administration, body frisk, security theater, intrusive search, abuse of power, abiding traveler, silent bo |
| Motion Within Motion: Investigating Digital Video in Light of Substantial Motion | 3575 | Azadeh Emadi |
Doctorate of Philosophy (PhD) |
12/01/14 |
Auckland University of Technology, New Zealand | Tina Engles ShwarzPaul, Laura U.Marks (SFU-Vancouver), Dr. Geraldene Peters (AUT, New Zealand) |
Digital Media Arts and Cultural Studies (Faculty of Design and Crearive Technologies) |
Digital media; Moving image arts; Philosophy; Cultural studies; Persian Islamic philosophy; Film theory |
| Becoming Bird: Sound, Image, Movement | 3171 | B. Lea Cox |
MFA |
2008 |
University of California, Santa Cruz | Donna Hunter, Todd Newberry, Peter Elsea |
Digital Art and New Media |
birds, birdsong, music, direct experience, sound art |
| shrimpychip YouTube | 4057 | B. Wijshijer |
MFA |
2020 |
University of Waterloo | Jessica Thompson, Bojana Videkanic |
Fine Arts |
neurocapitalism, YouTube, social media, digital intimacy, performance, video, accelerationism, camp, new media, parasocial, visual art |
| Space Art + Space Science: A Polymathic Paradigm Shift in the Art/Science Dialogue | Barbara King |
Master's |
2020 |
University of Cape Town | Peter Martinez |
Engineering and the Built Environment |
Art/Science Dialogue, Multi-Disciplinary collaboration, space art, space science, disruptive New Space culture, paradigm shift, influence of Space Art. |
|
| Metaphors We Play With: A Psychological Investigation of Transfer From Game Systems | 4082 | Barrett R. Anderson |
MS |
2018 |
UC Santa Cruz | Noah Wardrip-Fruin, Elizabeth Swensen |
Computational Media |
analogical transfer, experiment, persuasive games, procedural rhetoric, psychology, rhetoric |
| Baroa belaobara: berryapple | 4335 | Bart Vandeput (Bartaku) |
Doctor of Arts |
2021 |
Aalto | Helena Sederholm, Tere Vadén |
Arts |
art, plant-art, bioart, artscience, plant signaling |
| Programmoire: refiguring the archetype of the witch for a political agency in the technocapitalist present | 4289 | Batool Desouky |
Masters of Fine Art in Computational Art |
2020 |
Goldsmiths, University of London | Helen Pritchard |
Computing |
technology, magic, tech-magic, technosolutionism, agency, archive, magic squares, combinatorics |
| THE ROLE OF VIDEOGAM E GLITCH IN ADULT LEARNING | 3870 | Beatriz Albuquerque |
Ed. D. |
2018 |
Teachers College, Columbia University, New York. | Judith Burton, Richard Jochum |
Art & Education (Technology) |
Technology, Education, Adult, Art, Education, Glitch, Learning, Videogame |