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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Dark Room Project | 3198 | Virginia M Madsen |
Doctorate Of Creative Arts(DCA) |
2001 |
University of Technology, Sydney | Norie Neumark, Stephen Muecke |
Dept. of Media and Text, Faculty of Humanities and Social Sciences |
Theories and cultures of listening and vision, radio and audio arts, television and virtual reality, Critical theory, media theory, Paul Virilio, Michel Serres, Jean-Francois Lyotard, sound studies, media studies, phenomenology of media. |
| Movies on the hemispherical screen: Fulldome, animation and experimentation | Vitor Lacerda |
PhD |
2022 |
Universidade Federal de Minas Gerais (UFMG) | Maurício Silva Gino |
Programa de Pós-Graduação em Artes |
Fulldome; Hemispherical Screen; Expanded Cinema; Planetarium |
|
| “OPEN DÉCIMA” (OPEN TEN-LINE STANZA). Study of the relationship between the HTML computer language and the ten-line stanza poetry. | 3979 | Viviana Álvarez Chomón |
Master of Media Arts |
2017 |
UCHILE. University of Chile | Valentina Montero |
Media Arts |
code poetry, Medial archeology, HTML |
| A Speculative Assemblage: Design of Image-driven Interactive Experiences | Weidi Zhang |
PhD |
2022 |
University of California Santa Barbara | George Legrady |
Media Arts and Technology Program |
Assemblage |
|
| Musical Composition Techniques of Maurice Ravel and Toru Takemitsu To Digital Cinema | 3624 | Wen-Shing Ho |
Doctor of Science |
2013 |
Waseda University, Tokyo Japan | Kohei Ando, Takashi Kawai |
Global Information and Telecommunication Studies/Screen Image |
Cinematic Language, Musical Notation, Digital Cinema, Jazz Improvisation,French Impressionist composer , Film Music, Toru Takemitsu, Takao Dancer, Thief, Water |
| Quality of Aesthetic Experience and Implicit Modulating Factors | 3694 | Wendy Ann Mansilla |
Philosophiae Doctor |
2013 |
Norwegian University of Science and Technology | Andrew Perkis, Touradj Ebrahimi, touradj.ebrahimi@epfl.ch |
Department of Electronics and Telecommunications |
Model of Aesthetic Evaluation, Quotidian Aesthetics, Pleasure Technologies, Implicit Experiences, Emotional Use of Colour, Exposure Effect, Human-Computer Interaction |
| Biomateria--Biotextile Craft | 3670 | WhiteFeather Hunter |
MFA |
11/01/15 |
Concordia University, Montreal, Canada | Tagny Duff, Ionat Zurr |
Studio Arts: Fibres and Material Practices |
biomaterials; textiles; craft; bioart |
| One Part Art: Expanding the Topography of ArtScience in the American Cultural Sector | 3342 | Whitney Dail |
MA Arts Administration |
2012 |
Savannah College of Art and Design | Chance Farago, James Lough, Alexandria Pierce |
Arts Administration |
interdisciplinarity, steam, artscience, collaboration, advocacy, culture, cultural institutions, cultural sector, nonprofit, organizations, hybrid |
| Synaesthetic Sanctuary | 4288 | William Shaw |
Masters of Design Innovation |
2021 |
Victoria University of Wellington, School of Design | Anne Niemetz |
Media Design |
Audio-visual, bird song, New Zealand, generative design |
| The Representation of the Monstrous Feminine in the Selected Works of C.S. Lewis, Roald Dahl and Philip Pullman (PhD thesis module 2.1) | 3455 | Wing Bo TSO |
PhD |
2010 |
The University of Birmingham | Murray Knowles, Carmen Rosa Caldas-Coulthard |
School of English, Drama and American & Canadian Studies |
Abject, monstrous feminine, mythology, children's fantasy |