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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Prácticas divergentes de preservación del arte de los medios. Recordar y olvidar en la cultura digital [Divergent Practices of Media Art Preservation. Remembering and Forgetting in the Digital Culture] | 3651 | Vanina Yael Hofman |
PhD |
2016 |
Universitat Oberta de Catalunya | Pau Alsina, Natàlia Cantó Milà |
Internet Interdisciplinary Institute (IN3) |
Ecology of practices, Preservation, Archive, Media Arts, Argentina |
| From interaction to post-participation: the disappearing role of the active participant | 4053 | Varvara Guljajeva |
PhD |
2018 |
Estonian Academy of Arts | Raivo Kelomees, Pau Waelder |
Art and Design, Doctoral School |
Interactive art, post-participation, surveillance, interactive systems, hybrid art, practice-based research, post-digital |
| The Phantasmagoric Dispositif – an Approach to Uncanniness | Vera Wittkowsky |
Master's |
2021 |
The University of Art and Design Linz | Christa Sommerer |
Philosophy of Technology, Media Archaeology, and Media Theory |
phantasmagoria, art of projection, magic lantern, media archaeology, media theory, theories on the uncanny, cinematic, multimedia techniques, dispositif, dispositive, immersive, dark ride, phantasmagoric artworks |
|
| may the mice bite me if it is not true | 3311 | verena kaminiarz |
MSc Biological Art |
2008 |
University Of Western Australia | Ionat Zurr |
SymbioticA, School of Anatomy and Human Biology |
Biological Art, |
| Three-dimensional computer animation : Between tradition and artistic innovation | 3475 | Verónica CAMACHO CAMACHO |
PhD |
2004 |
UNIVERSITÉ PARIS 8 — VINCENNES SAINT-DENIS | Edmond COUCHOT |
Aesthetics, Sciences and Technologies of Arts |
Three-dimensional computer animation, numerical technologies, simulation, cinema |
| A Road Map for a City of the Future | 3840 | Vicente Esteban Perez (Vinny Montag) |
Information Experience Design (MA) |
2017 |
Royal College of Art | Monika Parrinder |
Design. School of Communication |
design think tank future cadiz urban organic smart employment |
| Tropism-oriented generative design: analogical models for heterogeneous goal integration | 3490 | Victor Bunster |
Master of Philosophy (MPhil) |
2011 |
The University of Melbourne | Bharat Dave, Stanislav Roudavsky |
Architecture |
generative architecture, design computation, tropism analogy, goal integration, social housing |
| Languages of Russian and Chinese narrative video art | 3544 | Victoria Marchenkova |
PhD in arts |
2013 |
RSUH | Kolotaev, Vladimir Alexeevich |
TV-, film and other Screen arts |
video art, contemporary art, Chinese art, Russian art, media, cross-cultural analysis, post-socialism, narrative |
| Microsound, spectra, and objectivity: tracing memetics in organised sound | 3711 | Vincent Giles |
Doctor of Philosophy |
2016 |
University of Melbourne | Peter Roger Alsop, Alistair Riddell |
Victorian College of the Arts |
memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art |
| Neuroaesthetics as self-knowledge of the artist. Introspection as Methodology of analysis of artistic creativity. | 4181 | Vincent-Paul Lorne (Pierre d'Argyll) |
Ph. D. |
2017 |
Complutense University of Madrid | Dolores Fernández Martínez |
Painting and Restoration, School of Fine Arts |
introspection; art creativity; first-person analysis; autobiographic memory; neurophenomenology; neuroaesthetics |