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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Bay Area Experimentalism: Music and Technology in the Long 1960s | 3848 | Theodore Gordon |
PhD |
2018 |
University of Chicago | Seth Brodsky |
Music History |
experimental music, bay area, san francisco tape music center, Buchla |
| A Software-based Knowledge Management System using Narrative Texts | 3136 | Thomas Rudy McDaniel |
Ph.D. |
2004 |
University of Central Florida | Paul Dombrowski, Dan Jones, Karla Kitalong |
English: Texts and Technology |
story; narrative; knowledge management; artificial intelligence |
| Affective Enactive Systems in Art and TechnoScience: Vital Experiences of Displacement in the City | 3628 | Tiago Franklin Rodrigues Lucena |
PhD |
2013 |
University of Brasilia | Diana Maria Gallicchio Domingues, Ramesh Raskar |
Art Institute |
Art and TechnoScience. Bioart. Affective Enactive System. Displacements. Physiological Sensors. Ubiquity. |
| “Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL) | 4235 | Tianyu Jiang |
Master of Arts in Cinema Studies |
2019 |
Stockholm University | Malin Wahlberg |
Department of Media Studies |
Digital Humanities, “Frankenstein Complex”, Meta-inquiry, Media History Digital Library, Arclight, Digital archive, Data mining, Classic horror cinema, Film phenomenology, Queer phenomenology, Horror spectatorship |
| Zen and the Art of Software Performance: John Cage and Lejaren A. Hiller Jr.’s HPSCHD (1967-1969) | 3742 | Tiffany Funk |
PhD |
2016 |
University of Illinois at Chicago | Hannah B Higgins, S. Elise Archias, Steve Everett, Angus Forbes, Jay Alan Yim |
Art History |
art, technology, computer art, performance art, conceptual art, digital art, john cage, lejaren hiller |
| Becomings of Digital Poetry - the carrier of memory in slow media practice | Tiio Suorsa |
Master's |
2021 |
Universität für künstlerische und industrielle Gestaltung Linz | Christa Sommerer |
Interface Cultures |
digital poetry, video art, memory, in-betweenness, slow media |
|
| Neural Networks In New Media Art | 3328 | Tim Barrass |
Masters by research |
2005 |
Melbourne University | Peter Morse |
Arts Faculty, School of Creative Arts |
art, media, neural, network, emergence, emergent, learning, agency, agent, self-organising, self-organisation, semiotic, analyse, analysis |
| Embodied Worldmaking | 4216 | Timothy Wood |
PhD |
2021 |
University of California, Santa Barbara | JoAnn Kuchera-Morin, Marcos Novak, Marko Peljhan |
Media Arts and Technology |
performance, somatics, live coding, media arts, technology, virtual reality, embodiment, ecology |
| PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to Virtual Worlds | Tina Sauerlaender |
PhD |
2022 |
University of Arts | Christa Sommerer |
Interface Cultures |
Self-Representation, Visual Arts, Digital Art, Performance Art, VR Art, Performing Identities, Identity, Self-Portraiture, History of Self-Portraiture, Art History, Renaissance |
|
| Potentials of data sonification in visual art: Sonifying the compArt database | 3366 | Tobias Hildebrandt |
M.Sc. |
2011 |
University of Bremen | Dr. Frieder Nake, Dr. Andrea Sick |
Computer Science/Digital Media |
Data sonification, sonification, auditory display, art history, computer art, parameterized earcon, auditory icon |