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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Arte y precariedad. Nociones. Preceptos. Apegos. Contextos. Experiencias / Art and precariousness. Notions. Precepts. Bents. Contexts. Experiences. | 3938 | Arturo Cancio Ferruz |
Ph. D. |
2018 |
University of the Basque Country UPV/EHU | Concepción Elorza ibáñez de Gauna |
Department of Art and Technology, Faculty of Fine Arts |
Precariousness, art, labour market, economic activity, artistic practice, aesthetics of precariousness |
| Emergent Economies of Art & Technology: Modes of Making, Circulating and Organizing in the Contemporary Condition | 4210 | Ashley Wong |
PhD |
2020 |
City University of Hong Kong | Damien Charrieras, Linda Chui Han Lai |
School of Creative Media |
Art and Technology, Digital Culture, Creative Economy, Cultural Production, Sociomateriality, Postcritique |
| Interactive Living Space for Neo-Nomads: An Anticipatory Approach | 3754 | Asma Naz |
PhD |
2017 |
The University of Texas at Dallas, Texas, USA | Mihai Nadin |
Arts & Technology |
Human-space interaction, interactive architecture, affective space, neo-nomad, aesthetics, anticipation, adaptive, perception |
| Modernity and the scientific uses of design: A critical investigation in the notion of art and style of the artificial with special reference to the human antiquity controversy 1858-1908 | 3320 | Assimina Kaniari |
D.Phil |
University of Oxford | Martin Kemp |
Art History |
epistemology, aesthetic theory, style of the artificial, 19th century scientific controversies, human origins, palaeolithic archaeology, boundaries between natural, artificial technological |
|
| A Study of the use of Augmented Reality in Storytelling | 4041 | Athenkosi Musoke |
Masters in Digital Art |
2020 |
University of Witwatersrans | Ray Whitcher |
School of Digital Arts |
Augmented Reality; Storytelling; Storytelling; Comics ; Visual Digital Art; Narratives; Space; Communication |
| Other-Worlds: encounters with the visual perception of lungfishes through science and art | 3626 | Audrey Appudurai |
Doctor of Philosophy |
2015 |
The University of Western Australia | Ionat Zurr, Shaun P. Collin |
School of Anatomy, Physiology & Human Biology, School of Animal Biology |
Biological arts; Dipnoi; Colour vision; Art and science; Interdisciplinary research; Visual perception; Animal studies; Human-animal studies |
| Designing for the Mindbody in Technology-Mediated Music-Making | 3806 | Aura Pon |
Doctor of Philosophy |
2018 |
University of Calgary | Sheelagh Carpendale, Laurie Radford, Friedemann Sallis, Anthony Tang |
Music |
Music, Music Technology, Mindbody, Interaction Design, Embodied Cognition, Digital Musical Instruments , New Interfaces for Musical Expression, Computer Music |
| Synchronization of the Imaginaries. How Machine Learning is Changing the Way We See the Globe | 4112 | Aurora Bertoli |
Master |
2020 |
IUAV, University of Architecture in Venice, Italy | Emanuele Arielli |
Visual Art |
Machine learning, imaginary, synchronisation, aesthetics |
| For Money’s sake! Introducing Redefinition Design – a method to break out of the ubiquitous monetary paradigm; in the hope of finding genuine alternatives. | 3909 | Austin Houldsworth |
PhD Thesis by Practice |
2018 |
Royal College of Art | James Auger, Anthony dunne, Jonathan Edelman |
Speculative / Critical Design |
Money, Redefinition Design, Critical Design, Alternative Currency Systems |
| Time and space compression in cyberspace art | 3476 | Avi Rosen |
Ph. D. |
2010 |
Tel Aviv University | Mordechai Omer, Gila Balas, Prof, Uri Shimoni, Prof. Nitzan Ben-Shaul |
Art Histort |
Time-space compression cyberspace art philosophy science new-media |