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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Para-images: Cultural Ideas and Technical Apparatuses Beyond the Pictorial Surface | 4205 | Sheung Yiu |
MA Visual Culture, Curating and Contemporary Art |
2019 |
Aalto University | El Baroni, Bassam, Daniel Rubinstein |
Art |
Photography theory, Technical Images, CGI, Computer Vision, Simulation, Agential Realism |
| Frames | 3251 | Ethan Ham |
Master of Fine Arts in Studio Arts: Emphasis in Sculpture |
2005 |
Portland State University, Portland, Oregon, USA | Elizabeth Stanek |
Art |
Generative, stochastic, installation, interactive, film |
| Being Vulnerable: Distances of the Sublime Anthropocene | 4175 | Laura Hopes |
PhD |
2021 |
Plymouth | Geoff Cox, Heidi Morstang, Dr Thomas Baugh |
Art |
Vulnerability, Colonialism, Sublime, Anthropocene |
| Bioglyphs: generating images in collaboration with nature's events | 3175 | Daro Montag |
PhD |
2000 |
University of Hertfordshire, UK | Michael Biggs |
Art |
Art, Ecology, Reconstructive postmodern, indexical, process, event |
| Experiments in Biological Planet Formation And Plants: Nourishing Bodies, Nourishing Planets | 4259 | Jacklyn Brickman |
MFA |
2020 |
The Ohio State University | Amy Youngs, Ann Hamilton, Michael Mercil |
Art / Art and Technology |
art, installation, bioart, performance, inflatables, social engagement, speculative future, science fiction, accumulation, allium cepa, analytic heat print, climate change, fusion, growth chamber, mitosis, nebular hypothesis, nucleation, planet b, planete |
| Systemic Interaction in Evolutionary Computational Art: A-memory garden, a practical and theoretical proposal of aesthetic research. | 3927 | Marilia Lyra Bergamo |
PhD |
2015 |
Federal University of Brasilia - UnB | Suzete Venturelli |
Art / Art and Technology |
Computer Art, Complex Systems, Aesthetics, Autonomy, Agency, Interaction |
| Emergent Objects at the Human-Computer Interface (HCI) A Case Study of Artists’ Cybnernetic Relationships and Critical Consciousness | 3776 | Sherry Mayo |
Ed.D.C.T. |
2004 |
Teachers College Columbia University | Graeme Sullivan, Judith Burton |
Art & Art Education |
|
| Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | 3297 | Jacob Thompson-Bell |
Ph.D. |
2002 |
OCAD University | Benjamin Binstock, Judith R. Weissman |
Art & Art Professions, Critical Studies area |
aesthetics, computer arts, process, language, memory, mnemotechnics, volition, embodied logic |
| Language, Memoru and Volition: Toward an Aesthetics of Computer Arts | 3297 | Jacob Thompson-Bell |
Ph.D. |
2002 |
New York University | Benjamin Binstock, Judith R. Weissman |
Art & Art Professions, Critical Studies area |
aesthetics, computer arts, process, language, memory, mnemotechnics, volition, embodied logic |
| What does the Internet look like?: Models of Planetary Scale Computation | 4307 | Ekaterina Kormilitsyna |
MRes ( Master of Research) in Art and Design |
2020 |
Cardiff Metropolitan University | Stephen Thompson |
Art & Design |
digital worldbuilding; politics; aesthetics; aesthetics of politics; digital agency |