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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Musical agents based on self-organizing maps for audio applications | 4166 | Kıvanç Tatar |
Doctor of Philosophy (Art and Technology) |
2019 |
Simon Fraser University |
Interactive Arts and Technology |
||
| Modularity and Space Juxtaposition: Beyond Site-specificity in Art | 3321 | On Ni Wan |
Doctor of Philosophy (Digital Arts and Experimental Media) |
2012 |
University of Washington | James Coupe |
Digital Arts and Experimental Media |
Locative arts, networks of sites, modular structure, site-specific art, mobile technologies |
| Exploring Naming Behavior In Personal Digital Image Collections: The Iconology And Language Games Of Pinterest | 3530 | Tami Sutcliffe |
Doctor of Philosophy (Information Science) |
2014 |
University of North Texas | Brian C. O’Connor, Linda Schamber, Committee Member ; Dr. Shawne Miksa, Committee Member |
Department of Library and Information Sciences |
social collecting; user-curators; Pinterest; naming behavior; image attributes; language games; Panofsky, Rosch and Shatford Layne matrix; |
| Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. | 3948 | Andrea Rassell |
Doctor of Philosophy (PhD) |
2019 |
RMIT University | Jonathan Duckworth, Adrian Danks, Sharath Sriram |
Media and communications |
Nano art |
| The Composer Isn't There: A personal exploration of place in fixed media composition | 4203 | Hilary Mullaney |
Doctor of Philosophy (PhD) |
2013 |
Plymouth University | John Matthias |
School of Art and Media |
Composition, Music, Sound Art, Audio, Place, Fixed Media, Acousmatic Music, Sound Art, Experimental Music, Field Recording, Anecdotal Composition, Autoethnography, Listening, Practice based research |
| The Emergent Holographic Scene : Compositions of movement and affect using multiplexed holographic images | 4126 | Martina Mrongovius |
Doctor of Philosophy (PhD) |
2011 |
RMIT University | Pia Ednie-Brown |
Architecture + Design / Spatial Information Architecture Laboratory |
holographic, holography, multiplex, affect, virtual movement, hologram, spatial, montage, dynamics, perception, embodied cognition, extended |
| Iconicity and Network Thinking in Picasso's Guernica: A Study of Creativity Across the Boundaries | 3274 | Chiara Ambrosio |
Doctor of Philosophy (PhD) |
2007 |
University College London - University of London | Arthur I. Miller |
Science and Technology Studies |
Picasso; Guernica; Iconicity; Homomorphism; Network Thinking; Representations; Semiotics; |
| Drawing in Space: A holographic system to simultaneously display drawn images on a flat surface and in three dimensional space. | 4271 | Andrew T Pepper |
Doctor of Philosophy (PhD) Fine Art |
1988 |
University of Reading, UK | Martin Froy, Harald Hopkins |
Fine Art / Creative Holography |
practice-based research, drawing in space, hologram, holography, holographic, reflection hologram, spatial drawing, spatial, illusion, perception, light art, transplane, 3-D, three-dimensional, kinetic. |
| Aquabatics as new works of Live Art | 3156 | Sarah Jane Pell |
Doctor of Philosophy (Visual Art) |
2006 |
Edith Cowan University, Western Australia | Assoc. Domenico de Clario, Janine Schwarz, Dr. Adrian Heathfield |
Communication & Creative Arts Industries/ Contemporary Arts |
Contemporary Performance, Art & Science, Aquabatics, SubSpace Arts, Human performance, behaviour and limits in extreme environments, Live Art, BioTech Art |
| From Le Musee des Sciences to the Science Museum: fifteen years of evolving methodologies in the science/art interface | 3253 | Martha Fleming |
Doctor of Philosophy by Practice and by Published Work |
2004 |
Leeds Metropolitan University, United Kingdom | Guy Julier, Ken Arnold |
School of Art Architecture and Design |
atomism, animism, methodology, museums, practice-based research, sciart, site-work |