Click on a column header to sort the table in ascending or descending order
| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Claiming Places: An Exploration of People’s Use of Locative Media and the Relationship to Sense of Place | 3817 | Glen Farrelly |
Doctor of Philosophy |
2017 |
University of Toronto | David J. Phillips, Lynne C. Howarth, Dr. Martha Ladly |
Faculty of Information |
locative media, location based service, sense of place, place, mobile devices, mobile media, geographic relevance, geomedia |
| A Model of Sustainable Ecosystem for Software Development, Software Business and Music Education | 3810 | Lee Cheng |
Doctor of Philosophy |
2013 |
The Education University of Hong Kong | Samuel Leong |
Department of Cultural and Creative Arts |
software development, software business, music education |
| Designing for the Mindbody in Technology-Mediated Music-Making | 3806 | Aura Pon |
Doctor of Philosophy |
2018 |
University of Calgary | Sheelagh Carpendale, Laurie Radford, Friedemann Sallis, Anthony Tang |
Music |
Music, Music Technology, Mindbody, Interaction Design, Embodied Cognition, Digital Musical Instruments , New Interfaces for Musical Expression, Computer Music |
| "A Theoretical Model for the Design of a Transcultural Visual Communication System in a Posthuman Condition" | 3787 | Haytham Nawar |
DOCTOR OF PHILOSOPHY |
2016 |
Plymouth University | Roy Ascott, Mike Phillips |
School of Art and Media, Faculty of Arts |
linguistics, writing systems, communication theory, visual communication, pictographs, semiotic theories, cultural studies, transculturalism, multiculturalism, transhuman, transhumanism, posthuman, posthumanism, singularity, artificial intelligence, unive |
| CATCH | BOUNCE: Towards a relational ontology of the digital in art practice | 3773 | James Charlton |
Doctor of Philosophy |
2017 |
Plymouth University | Geoff Cox, Deborah Robinson, Dr Michael Bowdidge |
Visual Art |
Digital, art, practice, ontology, Heidegger, Nelson Goodman, Jack Burnham, speculative realism, new materialism. |
| Live Brain-Computer Cinema Performance | 3750 | Polina Zioga |
Doctor of Philosophy |
2017 |
Glasgow School of Art | Paul Chapman, Prof. Minhua Eunice Ma, Prof. Frank Pollick |
School of Simulation and Visualisation |
Brain-Computer Interface (BCI), Live Cinema, Performance |
| Duchamp Meets Turing: Art, Modernism, Posthuman ? | Gabriela Galati |
Doctor of Philosophy |
2016 |
Plymouth University | Pier Luigi Capucci, Roy Ascott, Prof. Derrick De Kerckhove, Prof. Antonio Caronia |
Faculty of Arts and Humanities |
difference, repetition, digitalisation, archive, event, embodiment, technological unconscious, subjectivities, modernism, readymade, posthuman |
|
| Unruly Bodies: Monstrous Readings of Biotechnology | 3715 | Cynthia J. Verspaget |
Doctor of Philosophy |
2015 (2017) |
Curtin University | Helen Merrick, Dr Michele Willson |
School of Media Culture and Creative Arts (Formerly Media and Information) |
BioArt, Zombies, HeLa, Art, STS, SFS, Monsters |
| Microsound, spectra, and objectivity: tracing memetics in organised sound | 3711 | Vincent Giles |
Doctor of Philosophy |
2016 |
University of Melbourne | Peter Roger Alsop, Alistair Riddell |
Victorian College of the Arts |
memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art |
| Curating web-based art exhibitions: mapping their migration and intergration with offline formats of production | 3650 | Marialaura Ghidini |
Doctor of Philosophy |
2015 |
University of Sunderland | Beryl Graham, Alex Moschovi, Sarah Cook |
Curatorial Studies and New Media |
Curating, Web-based art, Online Exhibitions, Platforms, Postinternet |