Graduate Abstracts Database | Page 7 | Leonardo/ISASTwith Arizona State University

Graduate Abstracts Database

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Thesis Title LABS ID Author Degree Year University Advisor(s) Department/Discipline Keywords/Fields of Study
Unruly Bodies: Monstrous Readings of Biotechnology 3715 Cynthia J. Verspaget

Doctor of Philosophy

2015 (2017)

Curtin University Helen Merrick, Dr Michele Willson

School of Media Culture and Creative Arts (Formerly Media and Information)

BioArt, Zombies, HeLa, Art, STS, SFS, Monsters

Microsound, spectra, and objectivity: tracing memetics in organised sound 3711 Vincent Giles

Doctor of Philosophy

2016

University of Melbourne Peter Roger Alsop, Alistair Riddell

Victorian College of the Arts

memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art

Curating web-based art exhibitions: mapping their migration and intergration with offline formats of production 3650 Marialaura Ghidini

Doctor of Philosophy

2015

University of Sunderland Beryl Graham, Alex Moschovi, Sarah Cook

Curatorial Studies and New Media

Curating, Web-based art, Online Exhibitions, Platforms, Postinternet

Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art 3644 Helen Gregory

Doctor of Philosophy

2016

University of Western Ontario Bridget Elliott

Visual Arts/Visual Culture

Natural History, Taxidermy, Bioart, Art-science Collaboration, Museum Studies, Natural History Collections, Natural History Specimens, Taxonomy, Cabinet of Curiosities, Chimera, Genetic Manipulation, Tissue Culture

Other-Worlds: encounters with the visual perception of lungfishes through science and art 3626 Audrey Appudurai

Doctor of Philosophy

2015

The University of Western Australia Ionat Zurr, Shaun P. Collin

School of Anatomy, Physiology & Human Biology, School of Animal Biology

Biological arts; Dipnoi; Colour vision; Art and science; Interdisciplinary research; Visual perception; Animal studies; Human-animal studies

Facilitating Human Computer Interaction Artworks: The Nature of Interactivity Within Architectonic Schemes 3620 Luba Diduch

Doctor of Philosophy

2015

Bath Spa University Anthony Head, Julia Moszkowicz

Digital Technologies/Interdisciplinary

architectonics, ethnography, co-creativity, interactivity, touchpoints, configuration, agora

Presence, Immersion and the Panorama: a theoretical, technical and artistic investigation into the nature of presence and immersion in virtual reality. 3549 Matthew McGinity

Doctor of Philosophy

2014

University of New South Wales Ross Harley

School of Media Arts / Computer Science

immersion, presence, virtual reality, perception, Actaeon, panorama

Felt_Space infrastructure: Hyper vigilant spatiality to valence the visceral dimension. 3545 Mathew Henry Emmett

Doctor of Philosophy

2013

Plymouth University UK Martin Woolner, John Matthias & Charles Jencks

Architecture & Situated Cognition

Experimental architecture, situated cognition, perception, visceral space, coefficient of affordance, inference schema, cognitive tope mapping, affect, ordination, sensory space, performative, raumfindung, trigger event, eye tracking & bio feedback.

THE OPTICS OF ANATOMY AND LIGHT: A STUDIO-BASED INVESTIGATION OF THE CONSTRUCTION OF ANATOMICAL IMAGES 3533 NINA SELLARS

DOCTOR OF PHILOSOPHY

2012

MONASH UNIVERSITY ASSOCIATE ROBERT NELSON

FINE ART

anatomy; art; light; technology; bioart; visual culture; images; media theory

A postcolonial critique of industrial design: A critical evaluation of the relationship of culture and hegemony to design practice and education since the late 20th century. 3528 Taslima Begum

Doctor of Philosophy

2015

University of Plymouth Dr. Michael Punt, Robert Pepperell, Prof. David Smith

Arts and Humanities, Design Philosophy

Industrial design, technology, postcolonial studies, culture and hegemony, design history, theory, practice and education, trans-cultural, inclusivity, globalisation