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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
Unruly Bodies: Monstrous Readings of Biotechnology | 3715 | Cynthia J. Verspaget |
Doctor of Philosophy |
2015 (2017) |
Curtin University | Helen Merrick, Dr Michele Willson |
School of Media Culture and Creative Arts (Formerly Media and Information) |
BioArt, Zombies, HeLa, Art, STS, SFS, Monsters |
Microsound, spectra, and objectivity: tracing memetics in organised sound | 3711 | Vincent Giles |
Doctor of Philosophy |
2016 |
University of Melbourne | Peter Roger Alsop, Alistair Riddell |
Victorian College of the Arts |
memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art |
Curating web-based art exhibitions: mapping their migration and intergration with offline formats of production | 3650 | Marialaura Ghidini |
Doctor of Philosophy |
2015 |
University of Sunderland | Beryl Graham, Alex Moschovi, Sarah Cook |
Curatorial Studies and New Media |
Curating, Web-based art, Online Exhibitions, Platforms, Postinternet |
Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art | 3644 | Helen Gregory |
Doctor of Philosophy |
2016 |
University of Western Ontario | Bridget Elliott |
Visual Arts/Visual Culture |
Natural History, Taxidermy, Bioart, Art-science Collaboration, Museum Studies, Natural History Collections, Natural History Specimens, Taxonomy, Cabinet of Curiosities, Chimera, Genetic Manipulation, Tissue Culture |
Other-Worlds: encounters with the visual perception of lungfishes through science and art | 3626 | Audrey Appudurai |
Doctor of Philosophy |
2015 |
The University of Western Australia | Ionat Zurr, Shaun P. Collin |
School of Anatomy, Physiology & Human Biology, School of Animal Biology |
Biological arts; Dipnoi; Colour vision; Art and science; Interdisciplinary research; Visual perception; Animal studies; Human-animal studies |
Facilitating Human Computer Interaction Artworks: The Nature of Interactivity Within Architectonic Schemes | 3620 | Luba Diduch |
Doctor of Philosophy |
2015 |
Bath Spa University | Anthony Head, Julia Moszkowicz |
Digital Technologies/Interdisciplinary |
architectonics, ethnography, co-creativity, interactivity, touchpoints, configuration, agora |
Presence, Immersion and the Panorama: a theoretical, technical and artistic investigation into the nature of presence and immersion in virtual reality. | 3549 | Matthew McGinity |
Doctor of Philosophy |
2014 |
University of New South Wales | Ross Harley |
School of Media Arts / Computer Science |
immersion, presence, virtual reality, perception, Actaeon, panorama |
Felt_Space infrastructure: Hyper vigilant spatiality to valence the visceral dimension. | 3545 | Mathew Henry Emmett |
Doctor of Philosophy |
2013 |
Plymouth University UK | Martin Woolner, John Matthias & Charles Jencks |
Architecture & Situated Cognition |
Experimental architecture, situated cognition, perception, visceral space, coefficient of affordance, inference schema, cognitive tope mapping, affect, ordination, sensory space, performative, raumfindung, trigger event, eye tracking & bio feedback. |
THE OPTICS OF ANATOMY AND LIGHT: A STUDIO-BASED INVESTIGATION OF THE CONSTRUCTION OF ANATOMICAL IMAGES | 3533 | NINA SELLARS |
DOCTOR OF PHILOSOPHY |
2012 |
MONASH UNIVERSITY | ASSOCIATE ROBERT NELSON |
FINE ART |
anatomy; art; light; technology; bioart; visual culture; images; media theory |
A postcolonial critique of industrial design: A critical evaluation of the relationship of culture and hegemony to design practice and education since the late 20th century. | 3528 | Taslima Begum |
Doctor of Philosophy |
2015 |
University of Plymouth | Dr. Michael Punt, Robert Pepperell, Prof. David Smith |
Arts and Humanities, Design Philosophy |
Industrial design, technology, postcolonial studies, culture and hegemony, design history, theory, practice and education, trans-cultural, inclusivity, globalisation |