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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| A Unitary Model of Intense Aesthetic Experience in Art and Science | 3138 | Melvin L. Alexenberg |
Doctor of Education |
1969 |
New York University | Prabha Sahasrabudhe (Art), Morris H. Shamos (Physics); Prof. Janice L Gorn (Psychology) |
Interdisciplinary: Art, Science, Psychology |
art, science, psychology, creativity, aesthetics |
| THE ROLE OF Interactivity IN THE ARTISTIC PROCESS OF WEB-BASED ART: CASE STUDIES OF THE DIGITAL MEDIA ART PIONEERS’ PRACTICES AND STUDIO TEACHING | 3746 | Chia-Ling Lee |
Doctor of Education in College Teaching |
2017 |
Columbia University | Richard Jochum, Lyle Yorks |
Art And Art Education |
Aesthetics, Digital art, Interactive art, Internet art, New media art, Studio teaching |
| Optimal Design of Water Distribution Networks Using Harmony Search | 3345 | Zong Woo Geem |
Doctor of Engineering |
2000 |
Korea University | Kim JH |
Department of Civil and Environmental Engineering |
Music Improvisation; Harmony Search Algorithm; Hydraulic Network Design |
| Applications of Generative String Substitution Systems in Computer Music | 3155 | R. Luke DuBois |
Doctor of Musical Arts |
2003 |
Columbia University | Brad Garton, Fred Lerdahl, Jonathan Kramer, Paul Lansky, Perry Cook |
Music/Algorithmic Composition |
algorithmic composition, interactive computer music, string-rewriting, generative grammars, audio-visual interaction, multimedia performance |
| Large String Array | 4312 | Cameron Fraser |
Doctor of Philosophy |
2021 |
University of Washington | Juan Pampin |
DXARTS |
sound art, installation, automatic instrument, structure borne sound |
| A Relational Ecology of Photographic Practices: Towards a Non-anthropocentric Approach to Photography | 4207 | Jacqueline Knight |
Doctor of Philosophy |
2021 |
University of Plymouth | Dr Michael Punt |
School of Art, Design, and Architecture |
Photography, Contact sheet, Decisive moment, computational photography, operational images, machine seeing, relational ecology, distributed cognition, photography and cognition, photography and collaboration, new materialism, posthuman |
| Movement and Orientations: Four Interactive Installations from Latin America | 4306 | Erandy Vergara-Vargas |
Doctor of Philosophy |
2016 |
McGill University | Christine Ross, |
Art History |
Movement, interactivity, Latin America, installations, embodiment, orientations |
| Parafiction as Method and Matter | 4291 | Rebecca Smith |
Doctor of Philosophy |
2020 |
Liverpool John Moores University | Colin Fallows, Joasia Krysa, Mark Wright |
History of Art and Fine Art |
Art History, Artistic Practice, Contemporary Art, Digital, Fiction as Method, Internet, Matter, Parafiction, Technology |
| Composing visual music: human traces, from an animator’s perspective | 4269 | Julie Watkins |
Doctor of Philosophy |
2019 |
University of Greenwich | Stephen Kennedy, Andrew Knight-Hill |
Design |
visual music, abstraction, animation, affect, immersive installation, experimental film, composing |
| Manifestations of Conceptual Metaphor and Blending Theories in Science, Design, and Art | 4243 | Jack Ox |
Doctor of Philosophy |
2015 |
Swinburne University of Technology | Ken Friedman, Peter Murphy |
School of Design |
embodied cognition, mapping, analogy, metonymy, metaphor, conceptual blending |