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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Parafiction as Method and Matter | 4291 | Rebecca Smith |
Doctor of Philosophy |
2020 |
Liverpool John Moores University | Colin Fallows, Joasia Krysa, Mark Wright |
History of Art and Fine Art |
Art History, Artistic Practice, Contemporary Art, Digital, Fiction as Method, Internet, Matter, Parafiction, Technology |
| Composing visual music: human traces, from an animator’s perspective | 4269 | Julie Watkins |
Doctor of Philosophy |
2019 |
University of Greenwich | Stephen Kennedy, Andrew Knight-Hill |
Design |
visual music, abstraction, animation, affect, immersive installation, experimental film, composing |
| Manifestations of Conceptual Metaphor and Blending Theories in Science, Design, and Art | 4243 | Jack Ox |
Doctor of Philosophy |
2015 |
Swinburne University of Technology | Ken Friedman, Peter Murphy |
School of Design |
embodied cognition, mapping, analogy, metonymy, metaphor, conceptual blending |
| Infinitude: Investigating the Aesthetics of Complex Patterns through Printmaking | 4162 | David James Nixon |
Doctor of Philosophy |
2020 |
Griffith University | Ross Woodrow, William Platz |
Queensland College of Art / Printmaking |
Aesthetics; pattern; perception; printmaking; relief etchings; linocuts; synaesthesia; geometry; cosmology. |
| The Universe is My Laboratory | 4130 | Christopher Henschke |
Doctor of Philosophy |
2017 |
Monash University | Vince Dziekan, Mark Guglielmetti, Mark Boland |
Design |
Art Physics Philosophy |
| Kazimir Malevich: Approaching the New System | 4128 | Irina Lyubchenko |
Doctor of Philosophy |
2020 |
Ryerson University and York University | R. Bruce Elder, Linda Dalrymple Henderson, Isabel Pedersen, Seth Feldman |
Communication and Culture |
Russian avant-garde, Kazimir Malevich, mathematics, fourth dimension, infinity, set theory, imaginary numbers, Cosmism, electromagnetism, thermodynamics, film, mysticism, esotericism |
| Biochromes: Perceptions of Australian Medicinal Plants through Experimental Photography | 4105 | Renata Buziak |
Doctor of Philosophy |
2016 |
Queensland College of Art, Griffith University | Assoc. Prof Marian Drew and Dr Rosemary Hawker |
Fine Art Photography |
Photography, Aboriginal knowledge, indigenous medicinal plants, Quandamooka, Minjerribah, North Stradbaroke Island, Australia, biochromes, experimental photography, cameraless, art-science, art, fine art, works on paper, time-lapse, natural processes, nat |
| Cloud computing as digital imaginary | 4098 | Jayn Verkerk |
Doctor of Philosophy |
2020 |
Victoria University of Wellington | Assoc. Prof Sydney Shep, Anne Niemetz |
Design |
cloud computing, critical making, black boxed technology, invisible technology, digital imaginary, digital materiality, digital artefacts, physical artefacts, creative practice, data surveillance, user imaginary, Internet of things, Internet aesthetic |
| Art and Technology: coherence, connectedness, and the integrative field | 4124 | Carlos Augusto Moreira da Nóbrega |
Doctor of Philosophy |
2009 |
University of Plymouth - UK | Roy Ascott, Mike Phillips |
Faculty of Arts |
art, coherence, connectedness, field phenomenon, biophoton |
| Infinitesimal to Infinity: Ryoji Ikeda’s Data Composition and Space of Sensing | 3965 | Joo Yun Lee |
Doctor of Philosophy |
2018 |
Stony Brook University, SUNY | Zabet Patterson, Andrew V. Uroskie, Edward S. Casey, Margaret Schedel, and Lev Manovich |
Art History and Criticism |