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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Realtime and Accurate Musical Control of Expression in Voice Synthesis | 3380 | Nicolas d'Alessandro |
Applied Sciences |
2009 |
University of Mons | Thierry Dutoit |
Signal Processing |
realtime, voice synthesis, tablet, wacom, handsketch, performance, hci |
| Digital Capture and Visualization of Ancient Human Crania for Archaeological Interpretation | 4087 | Faye Olsgard |
Art In Science MA |
10 June 2020 |
Liverpool John Moores University | Mark Roughley, Caroline Wilkinson |
Art In Science |
digital capture, archaeology, crania, visualization, non-destructive, non-invasive |
| The Commercialisation of Space Flight will lead to a New Renaissance | 3427 | Nigel Banks |
BA Hons Fine Art |
2011 |
Plymouth, UK | Eileen Rosamond |
Fine Art |
Space Flight Commercialisation Overview Artists World Leaders New Renaissance |
| Protein Sculptures | 3370 | Julian Voss-Andreae |
BFA |
2004 |
Pacific Northwest College of Art | Chris Gander |
Sculpture |
Biology, Sculpture, Modernism, Genetics, Proteins, Technology, Biochemistry |
| Scholar: Cognitive Computing Approach for Question Answering | 3395 | Rivindu Perera |
BSc (Hons) Software Engineering |
2012 |
Informatics Institute of Technology, University of Westminster | Udayangi Perera |
Department of Computer Science |
Question answering, Natural Language Processing, Information Extraction, Knowledge management, Cognitive computing, Unsupervised knowledge acquiring |
| Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation | 3212 | Sergi Jorda |
Computer science and digital comunication |
2005 |
Universitat Pompeu Fabra | Xavier Serra |
Departament de Tecnologia / Computer music |
computer-music, hci, music instrument, improvisation |
| Visualizing the Temporal Space of Narratives | 3916 | Sean Yeager |
Critical Studies |
2019 |
Pacific Northwest College of Art | Shawna Lipton, Taylor Eggan, Brian McHale |
Narratology, Digital Humanities, Disability Studies |
narrative, narratology, temporality, digital humanities, natural language processing, disability studies, autism, neuroqueer |
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | 3796 | BEATRIZ ESCRIBANO-BELMAR |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
| Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art | Beatriz Escribano Belmar |
Cum Laude |
2017 |
University of Castilla-La Mancha, Spain | José Ramón Alcalá Mellado |
Art Department |
Historical Media Art, Media Archaeology, Media Art, Electrography, Copy Art |
|
| Modernity and the scientific uses of design: A critical investigation in the notion of art and style of the artificial with special reference to the human antiquity controversy 1858-1908 | 3320 | Assimina Kaniari |
D.Phil |
University of Oxford | Martin Kemp |
Art History |
epistemology, aesthetic theory, style of the artificial, 19th century scientific controversies, human origins, palaeolithic archaeology, boundaries between natural, artificial technological |