Stefaan Van Ryssen
Retiredat Ghent University College
Masters degree in political economy from Ghent University, Gent, Belgium. Master in knowledge management and artificial intelligence from Ghent University. Lecturer of Digital marketing, International Marketing, Sociology of Music, Information Systems in Business.
Creator of a Teach the teacher programme on using ICT in (higher) education; creator of Virtual Group International Student Exchange with Susanne Godar (US)
Solo and group exhibitions in Ghent, Hasselt, Amsterdam, Bonn etc
Cartographies of Tsardom: The Land and its Meanings in Seventeenth-Century Russia by Valerie Kivelson. Cornell Univ. Press, Ithaca, NY, U.S.A., 2006. 312 pp., illus. Trade, paper. ISBN: 978-0-8014-4409-8; ISBN: 978-0-8014-7253-4
Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness
Festivals: Dutch Electronic Arts Festival'04 (Deaf'04): Affective Turbulence: The Art Of Open Systems
Making Easy Listening: Material Culture and Postwar American Recording by Tim J. Anderson. University of Minnesota Press, Minneapolis, MN, U.S.A., 2006. 280 pp., illus. Trade, paper. ISBN: 0-8166-4517-5; 0-8166-4518-3
Plants, Patents and the Historian: (Re)membering in the Age of Genetic Engineering
La planète hyper: De la pensée linéaire à la pensée en arabesque
The Atlas of Climate Change: Mapping the World's Greatest Challenge by Kirstin Dow and Thomas E. Downing. University of California Press, Berkeley, 2006. 112 pp., illus. col. ISBN: 0-520-25023-0
Cognition et Création, Explorations Cognitives des Processus de Conception
Gods in the Bazaar by Kajri Jain. Duke Univ. Press, Durham and London, 2007. 448 pp., illus. Trade, paper. ISBN: 978-0-8223-3906-9; 978-0-8223-3926-7
Artificial Life IX: Proceedings of the Ninth International Conference on the Simulation and Synthesis of Living Systems
Ohne Schnur: Kunst und Drahtlose Kommunikation Edited by Katja Kwastek. Revolver Archiv fuer Aktuelle Kunst, Frankfurt/Main and Cuxhaven Kunstverein, Cuxhaven, Germany, 2004. 228 pp., illus. ISBN: 3-86588-025-8
Digital Dragon, High-Technology Enterprises in China
An Introduction to Bioinformatics Algorithms by Neil C. Jones and Pavel A. Pevzner. MIT Press, Cambridge, MA, U.S.A., 2004. 434 pp., illus. Trade. ISBN: 0-262-10106-8.
Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal. Wesleyan Univ. Press, Middletown, Connecticut, U.S.A., 2007. 350 pp., illus. Trade, paper. ISBN: 0-8195-6571-7; 0-8195-6572-5
A History of Russian Music by Francis Maes. University of California Press, Berkeley, CA, U.S.A., 2002. Trans. from the Dutch by Arnold J. Pomerans and Erica Pomerans. 441 pp., illus. Trade. $45.00. ISBN: 0-520-21815-9
Hop on Pop, The Politics and Pleasures of Popular Culture
Setting the Record Straight: A Material History of Classical Recording by Colin Symes. Wesleyan Univ. Press, Middletown, CT, U.S.A., 2004. 340 pp., illus. Trade. ISBN: 0-8195-6721-3.
Riding the Waves: A Life in Sound, Science, and Industry by Leo Beranek. MIT Press, Cambridge, MA, 2008. 256 pp., illus. Trade. ISBN: 978-0-262-02629-1
Origins, Imitation, Conventions: Representation in the Visual Arts by James S. Ackerman. MIT Press, Cambridge, MA, U.S.A., 2002. 328 pp., illus. Trade. ISBN: 0-262-01186-7
Salmela, Architect by Thomas Fisher; preface by David Salmela. University of Minnesota Press, Minneapolis, MN, U.S.A., 2005. 184 pp., illus. Paper. ISBN: 0-8166-4257-5.
Metatron by Richard Pinhas. Cuneiform Records, Silver Spring, MD, U.S.A., 2007. 2 CDs. Cuneiform Rune 228/229. Distributor's web site: 〈www.cuneiformrecords.com/〉
Extrasensory Perceptions by Chris Chafe and Greg Niemeyer. Center for Computer Research in Music and Acoustics, Stanford University, Palo Alto, CA, U.S.A., 2002. Audio CD CCGNESP01-2
Pond by Tod Dockstader and David Lee Myers. ReR Megacorp, Thornton Heath, 2004. Audio CD, ReR TDDM1 LC-02677, UPC No. 752725019620.
Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific by Heidi Carolyn Feldman. Wesleyan University Press, Middletown, CT. U.S.A., 2006. 328 pp., illus. b/w. Hardcover ISBN: 978-0-8195-6814-4
Writings by Vilém Flusser. Edited and with an introduction by Andreas Ströhl. University of Minnesota Press, Minneapolis, MN, U.S.A. and London, U.K., 2002. 256 pp., illus. Trade. ISBN: 0-8166-3564-1
Prostranstvennaja Musica (Spatial Music) by Bulat Galeyev. Editor FAN Publishers, Kazan, Russia, 2004. 159 pp., illus. Paper. ISBN: 5-9690-001-9
CTRL[SPACE], Rhetorics of Surveillance from Bentham to Big Brother
Prints. Snapshots, Postcards, Messages and Miniatures 1987–2001
The Flower Shop by Leonard Koren. Stone Bridge Press, Berkeley, CA, U.S.A., 2005. 112 pp., illus. Paper. ISBN: 1-933330-00-7
Monstrosities: Bodies and British Romanticism by Paul Youngquist. University of Minnesota Press, Minneapolis, MN, U.S.A., 2003. 264 pp., illus. Trade, paper. ISBN: 0-8166-3979-5; ISBN: 0-8166-3980-9
The Commercial and Political Atlas and Statistical Breviary by William Playfair. Cambridge University Press, Cambridge, U.K., 2005 (1801). 204 pp., illus. Trade. ISBN: 0-521-85554-3
Wired for Sound: Engineering and Technologies in Sonic Cultures edited by Paul D. Greene and Thomas Porcello. Wesleyan University Press, Middletown, CT, U.S.A., 2005. 304 pp., illus. Trade, paper. ISBN: 0-8195-6516-4; ISBN: 0-8195-6517-2
Had Gadya: The Only Kid. Facsimile of El Lissitzky's Edition of 1919
Cybersounds: Essays on Virtual Music Culture edited by Michael D. Ayers. Peter Lang, New York, U.S.A., 2006. 282 pp. Paper. ISBN: 0-8204-7861-x
The Soundscape of Modernity: Architectural Acoustics and The Culture of Listening in America 1900–1933
Fresh Talk/Daring Gazes: Conversations on Asian American Art
Cybersounds: Essays on Virtual Music Culture edited by Michael D. Ayers. Peter Lang, New York, NY, U.S.A., 2006. 282 pp. Paper. ISBN: 978-0-8204-7861-6
Brochure: Art Lyrique Et Art NuméRique, A Propos D'une Scenographie Virtuelle Interactive De Norma Debellini. Actes De La Jounée D'études Du 17 Aoüt 2001.
Global IT Outsourcing: Software Development Across Borders