| Leonardo/ISASTwith Arizona State University

Simon Biggs

Professorat University of South Australia
United Kingdom
Focus area: AI (Machine Learning, Neural Networks, Deep Fakes), Art Theory, Critical Theory, Augmented Reality, Body, Self, Computer Graphics, Digital Imaging, Animation, Cultural Practices, Social Practice, Dance, Choreography, Data Art, Science, Digital Art, New Media, Digital Culture, Electronic, Digital Literature, Fine Arts 2D, Fine Arts 3D, Generative Practices, Generative Art, Net Art, Performance Art, Theater Studies, Public Art, Site Specific, Place Making, Surveillance, Security, Systems, Telepresence, Video, Film, Virtual Reality, Visual Culture, Visual Studies, Writing, Literature, Poetry

Simon Biggs is a media artist, writer and curator. His work has been presented in the UK at Tate, National Film Theatre, ICA, FACT and Ikon; in Europe at the Pompidou, Academy de Kunste, Maxxi; and elsewhere at Macau Arts Museum, Walker Art Center, San Francisco Cameraworks, Total Seoul, Art Gallery of New South Wales and Adelaide and Edinburgh Festivals. Publications include Remediating the Social (ed, 2012), Autopoeisis (with James Leach, 2004), Great Wall of China (1999), Halo (1998), Magnet (1997), Book of Shadows (1996). He is Professor of Art, University of South Australia and Honorary Professor, University of Edinburgh. http://www.littlepig.org.uk/

Journal Articles:

Introduction: Abstracts from the Spectra 2018 Symposium

August 2021
Special Section: Arts and Science Research Fellowships—Arts Council England and Arts and Humanities Research Board

Making Material Culture

October 2006
Special Section: Pioneers and Pathbreakers

Exiting the Comfort Zone: From Algorithm to Interaction in the Early Work of Simon Biggs

June 2019