Curatorial Statement by M Eilo

Audio Tour

"Disability is a portal, a way of focusing our gaze and sharpening our lens on the intricacies of our humanity."

—Alice Wong, 1974-2025

The sun has set. We are wandering along a quiet creek. There are boulders where we can stop to rest. We move slowly. We think and speak slowly. There is no rush.

We built this path with our many hands and mouths and eyes and ears. Our Crip bodyminds are living instruments we “think with rather than about” (Arseli Dokumaci).

We used these instruments to crip our spacetime, finding new routes, new rhythms, new relations. Our methodology (Lateral)? We forgot. We talked in circles. We raged. We lost our way. We repeated ourselves. We misunderstood. We stopped moving forward. We tried things and threw them away. These detours drew new maps in crip time—messy, non-linear cartographies grounded in disability justice.

The landscape we chose—AI—is a tricky one, snarled by hype and hate, desiccated by water theft, and full of rabid data barons with their extraction machines. So we cripped AI. We co–created a community of disabled makers, hackers, artists, musicians, writers, and teachers from 7 different countries who "critiqued, altered, and reinvented" (Hamraie and Fritsch) the algorithm. In this barren landscape, we built resting spots where we can take a break from the rush. 

We thought through AI slowly. We slowed by using techniques like cellular automata dating back to the 1950s—the era that named AI—alongside deep learning and generative AI methods from the 2010s and 20s. We slowed by using open source models that ran locally on own machines instead of in far off data centers. We slowed by authoring algorithms from our own writings, paintings, and even medical data.

Our work was a communal act of deceleration. We weeded out expectations of speed, slowing ourselves and our algorithms down to the irregular, limping pace where conversation, collaboration, and crip culture thrive. Each project, marked by a stone, carries this core into its own medium, culture, and timezone. Together, the stones below form a path for you to follow in your own time. Pause, listen, read. Soak your feet in the stream. Let your stillness shift all our foundations.

We created:

The image shows the trails of a population of bots as they move around a circular, 2-D world. There is a dense circular network of fine lines, radiating outwards from a bright orange center into a surrounding field of green filaments. The orange area in the middle is tightly packed, suggesting a point of high, focused activity, and it pulls out as a kind of streak towards the right side, angled slightly downwards. Moving towards the edges of the image, the lines are far more often green, tangled, messy, and dispersed, forming a roughly spherical shape against a black background. The overall structure resembles a data network, particle simulation, or neural map, with a clearly gradiated density that changes from a concentrated core to a relatively diffuse outer region.

Mat Dalgleish

A simulation where crip bots map the texture of worlds with their feet

A rounded, heavy rock.
A projector showed a sound visualization of concentric circles. Two woman sit in the lower right corner. One plays a flute, the other plays a piano.
A flat, sloped rock.

Kuo-Ying Lee 李國瑛

A visualization that shifts signals from flinching ears to hungry eyes

Still from a camcorder video showing two colorful pseudomedical images of the upper cervical region displayed on a vintage X-ray viewer lightbox. The arm of a medical professional in a lab coat and pink exam gloves extends toward the images.

Zsofi Valyi-Nagy

An ad for a speculative imaging machine that can see any ailment

A rock that curves in and out.
A glitchy CT scan. The left half is green with red areas, and the right is black and white.
A round, tall rock.

An endoscope that surveils the theater of battle, be it tumor or warzone

Side view of an anime-style girl from the neck up. An x-ray of her brain is visible.

Tanya Vlach

A chorus of voices rising to sing the cacophony of life after accident

A flattish rock that slopes down to the right.
A squared rock with a jagged left side.

Lucia Grossberger Morales

A dance of brush to pixel to text and back, creating a choreography of squares

Web browser showing the CRIP chatbot in dark mode. ‘Provocation’ example mid-conversation: bot messages on the left (light blue), participant on the right (dark blue).

Christian Bayerlein, Yesica Duarte and Puneet Jain

A conversation with a poem about the visible and invisible body

A wide rock with a rounded right side and jagged left side.