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Soviet Bibliography

Books on the theme "Art, Science and Technology" published in the Soviet Union from 1917--1991 (in Russian). Compiled by Bulat M. Galeyev. Translated by Vladimir G. Chudnovsky. Listed in chronological order.

1. Balmont, K. D., Light-Sound in Nature and the Light Symphonies of Scriabin (Moscow: Rosmuzizdat, 1917) 24 pp.

2. Braudo, E. M., Bases of Material Culture in Music (Moscow: Novaya Moskva, 1924) 168 pp.

3. Gidoni, G. I., The Art of Light and Color (Leningrad: self-published, 1930) 32 pp.

4. Ioffe, I. I., The Synthetic Study of Art and Sound Cinema (Leningrad: GMNII, 1937) 412 pp.

5. Tasalov, B., The Aesthetics of Technicism: A Critical Essay (Moscow: Iskusstvo, 1960) 152 pp.

6. Leontyev, K. L., Music and Color (Moscow: Znanie, 1961) 64 pp.

7. Anfilov, G., Physics and Music (Moscow: Detgiz, 1962) 191 pp.

8. Dmitriyeva, N. A., Image and Word (Moscow: Iskusstvo, 1962) 314 pp.

9. Zaripov, R. Kh., Cybernetics and Music (Moscow: Znaniye, 1963) 56 pp.

10. Filipjev, Yu., Creativity and Cybernetics (Moscow: Nauka, 1964) 79 pp.

11. Leontjev, K. L., Color of Prometheus (Moscow: Znaniye, 1965) 128 pp.

12. Alphonsov, V., Words and Colors: Essays on the History of the Creative Communications of Poets and Artists (Moscow: Sovetsky Pisatel, 1966) 243 pp.

13. Pereverzev, L. B., Art and Cybernetics (Moscow: Iskusstvo, 1966) 136 pp.

14. Termen, L. S., Physics and Musical Art (Moscow: Znanie, 1966) 32 pp.

15. Tasalov, V., Prometheus or Orpheus: Art of the Technological Century (Moscow: Iskusstvo, 1967) 372 pp.

16. Trostnikov, V. N., The Algebra of Harmony (Moscow: Znanie, 1968) 80 pp.

17. The Concord of Sciences and the Mystery of Creativity (collection of articles) (Moscow: Iskusstvo, 1968) 450 pp.

18. Gutchin, I. B., Cybernetic Models of Creativity (Moscow: Znaniye, 1969) 62 pp.

19. Conference: "Light and Music " (conference papers) (Kazan: Kazan Aviation Institute Press, 1969) 95 pp.

20. Zaripov, R. Kh., Cybernetics and Music (Moscow: Nauka, 1971) 235 pp.

21. Meilakh, B. S., At the Borderline of Art and Science: Debates on Two Spheres of Cognition and Creativity (Leningrad: Nauka, 1971) 247 pp.

22. Yuryev, F. I., The Music of Light (Kiev: Muzychna Ukraina, 1971) 95 pp.

23. Kagan, M., The Morphology of Art: Historical and Theoretical Research on the Inner Structure of the World of Art (Leningrad: Iskusstvo, 1972) 440 pp.

24. Smolyaninov, I., Scientific and Technological Progress and Problems in Art (Leningrad: Znanie, 1972) 32 pp.

25. The Problem of Time and Art in Cinema (Moscow: VGIK, 1972) 142 pp.

26. Semiotics and Art: Modern Foreign Research (collection) (Moscow: Mir, 1972) 364 pp.

27. Precise Methods and Musical Art (symposium papers) (Rostov Univ. Press, 1972) 248 pp.

28. Artistic and Scientific Creativity (collection of articles) (Leningrad: Nauka, 1972) 336 pp.

29. Biryukov, B., and Geller, Ye., Cybernetics in the Humanities (Moscow: Nauka, 1973) 383 pp.

30. Galeyev, B. M., and Andreyev, S., Principles of the Construction of Light-Musical Devices (Moscow: Energiya, 1973) 104 pp.

31. Dzjubenko, A. G., Color-Music (Moscow: Znaniye, 1973) 64 pp.

32. Koleychuk, V., Mobile Architecture (Moscow: NIITI, 1973) 49 pp.

33. The Art of Scientific and Technical Progress (collection of articles) (Moscow: Iskusstvo, 1973) 463 pp.

34. The Art of Lighting Sounds (collection of articles) (Kazan: Kazan Aviation Institute Press, 1973) 262 pp.

35. Galeyev, B. M., Artistic and Technological Experiments of SKB "Prometei " (Kazan: Kazan Aviation Institute Press, 1974) 32 pp.

36. Rhythm, Space and Time in Art and Literature (collection of articles) (Leningrad: Nauka, 1974) 299 pp.

37. Rizhinashvili, U. I., Aesthetic Information (Tbilisi: Metsniyereba, 1975) 113 pp.

38. Literature and Music (collection of articles) (Leningrad: Leningrad Univ. Press, 1975) 227 pp.

39. Papers from the All-Union School of Young Scientists and Specialists on the Problem of Light and Music (three conferences) (Kazan: Kazan Aviation Institute Press, 1975) 284 pp.

40. Structuralism: For and Against (collection of translations) (Moscow: Progress, 1975) 468 pp.

41. Art, Image and Structure (collection of articles) (Moscow: Nauka, 1975) 231 pp.

42. Galeyev, B. M., Light-Music: The Formation and Essence of a New Art (Kazan: Tatknigoizdat, 1976) 272 pp.

43. Zhalkovsky, A K., and Scheglov, Yu. K., Mathematics and Art: The Poetics of Expression (Moscow: Znaniye, 1976) 63 pp.

44. Novikova, L. I., Aesthetics and Technology: Alternatives and Integration (Moscow: Politizdat, 1976) 286 pp.

45. Vanslov, V. V., Fine Arts and Music (Leningrad: Khudozhnik RSFSR, 1977) 400 pp.

46. Djakhaya, L. G., Science and Art (Tbilisi: Khelovnieba, 1977) 139 pp.

47. Krukovskyi, N. I., Cybernetics and the Laws of Beauty (Minsk: Belorussian Univ. Press, 1977) 256 pp.

48. Semiotics and Artistic Creativity (collection of articles) (Moscow: Nauka, 1977) 368 pp.

49. Galeyev, B. M., and Saifullin, R., Light-Musical Devices (Moscow: Energiya, 1978) 176 pp.

50. Gulyga, A. V., Art in the Scientific Century (Moscow: Nauka, 1978) 182 pp.

51. Penkin, M. S., Art and Science: Problems, Paradoxes, Searches (Moscow: Sovremennik, 1978) 302 pp.

52. Rappoport, S. Kh., From Artist to Viewer: The Construction and Function of Artworks (Moscow: Sovetsky Khudozhnik, 1978) 238 pp.

53. The Interaction and Synthesis of the Arts (collection of articles) (Leningrad: Nauka, 1978) 269 pp.

54. Muses of Twentieth-Century Art: Problems of Mass Communication (collection of articles) (Moscow: Iskusstvo, 1972) 304 pp.

55. The All-Union School of Young Scientists and Specialists on the Problem of Light and Music (collection of reports) (Kazan: Kazan Aviation Institute Press, 1979) 175 pp.

56. Art and the Exact Sciences (collection of articles) (Moscow: Nauka, 1979) 295 pp.

57. Galeyev, B. M., Singing Rainbow: Stories about Light-Music and Light-Musicians (Kazan: Tatknigoizdat, 1980) 120 pp.

58. Melnikov, L. N., Programs, Algorithms, Constructions: The Synthesis of Color and Music (Moscow: Nauka, 1980) 136 pp.

59. Mitrophanov, A. S., Cybernetics and Artistic Creativity: Philosophical Problems of Cybernetic Modeling (Moscow: Moscow Univ. Press, 1980) 216 pp.

60. Radunskaya, I., Quanta and Muses (Moscow: Sovetskaya Russia, 1980) 400 pp.

61. Raushenbach, B. V., Spatial Constructions in Painting: A Review of the Main Methods (Moscow: Nauka, 1980) 288 pp.

62. The Scientific-Technical Revolution and the Development of Creativity (collection of articles) (Leningrad: Nauka, 1980) 256 pp.

63. Artistic and Creative Work: An Interdisciplinary Study (collection of articles) (Kazan: Kazan Univ. Press, 1980) 174 pp.

64. Vanechkina, I. L., and Galeyev, B. M., Poem of Fire: An Interpretation of the Light-Musical Synthesis of A. N. Scriabin (Kazan: Kazan Univ. Press, 1981) 168 pp.

65. Zhuravljov, A. P., Sound and Sense (Moscow: Prosvescheniye, 1981) 160 pp.

66. Pukhnachev, Yu. V., Number and Thought: Four Dimensions of Art (Moscow: Znaniye, 1981) 176 pp.

67. Feinberg, E. L., Cybernetics, Logic, Art (Moscow: Radio i Svjaz, 1981) 145 pp.

68. Biryukov, B., and Gutchin, I., Machines and Creativity (Moscow: Radio Svyaz, 1982) 152 pp.

69. Galeyev, B. M., The Concord of Senses and the Synthesis of Art (Moscow: Znaniye, 1982) 64 pp.

70. Murina, E. B., Problems of the Synthesis of Spatial Arts (Moscow: Iskusstvo, 1982) 192 pp.

71. Rodtchanin, Ye. G., The Scientific and Artistic Cognition of Truth (Kiev: Vysha Shkola, 1982) 122 pp.

72. Literature and Painting (collection of articles) (Leningrad: Nauka, 1982) 288 pp.

73. Zaripov, R. Kh., The Search for Creative Variations in Computer-Aided Modeling (Moscow: Nauka, 1983) 232 pp.

74. Nigmatullina, Yu., The Study of Interdisciplinary Artistic Creativity (Kazan: Kazan Univ. Press, 1983) 104 pp.

75. Light-Music in Russia and the USSR (Bibliographical Index [1742--1982]) (Kazan: Kazan Aviation Institute, 1983) 45 pp.

76. Semiotics (collection of translations) (Moscow: Raduga, 1983) 636 pp.

77. Mass Communication and Modern Artistic Culture (collection of articles) (Moscow: Iskusstvo, 1983) 311 pp.

78. Levitin, K., Geometrical Rhapsody (Moscow: Znaniye, 1984) 176 pp.

79. Stakhov, A. P., Codes of the Golden Section (Moscow: Radio i Svyaz, 1984) 151 pp.

80. Contours of the Future: Perspectives and Trends in the Development of Mass Communication in Artistic Culture (collection of articles) (Moscow: Iskusstvo, 1984) 238 pp.

81. Biryukov, B. V., Cold Numbers, Heat and Passionless Pathos of Logic (Moscow: Znanie, 1985) 192 pp.

82. Yphimov, V. V., Light-Music? It Is Interesting! (Kiev: Radjanska Shkola, 1985) 64 pp.

83. Ruuber, G. E., On the Regularities of Visual Art Perception (Tallinn: Valgus, 1985) 344 pp.

84. Stepanov, Yu. S., The Language of Three-Dimensional Space and Semiotic Problems of Linguistics, Philosophy and Art (Moscow: Nauka, 1985) 335 pp.

85. Tarasov, L., Music in the Family of the Arts (Leningrad: Detskaya Literatura, 1985) 159 pp.

86. Artistic Reception and Germeneutics (collection of articles) (Moscow: Nauka, 1985) 288 pp.

87. Goldovskaya, M. Y., Creativity and Technology: The Experience of Screen Publication (Moscow: Iskusstvo, 1986) 191 pp.

88. Mikhalkovich, V. I., The Figurative Language of Mass Communication (Moscow: Nauka, 1986) 223 pp.

89. Popular Arts and Modern Artistic Culture (collection of articles) (Moscow: Iskusstvo, 1986) 272 pp.

90. Scientific-Technical Seminar: "Light-Musical Devices as Consumer Goods " (seminar reports) (Kazan: Kazan Aviation Institute Press, 1986) 92 pp.

91. Artistic Communication and Semiotics (collection of articles) (Moscow: Nauka, 1986) 231 pp.

92. Galeyev, B. M., Man, Art, Technology: The Problem of Synaesthesia in Art (Kazan: Kazan Univ. Press, 1987) 264 pp.

93. Galeyev, B. M., Zorin, S. M., and Saifullin, R. F., Light-Musical Instruments (Moscow: Radio i Svyaz, 1987) 128 pp.

94. Mostepanenko, Y. I., The Aesthetic Information-Bearing Role of Light in Theatre, Architecture and Painting (Moscow: Giproteatr, 1987) 108 pp.

95. Obraztzov, S. V., The Relay-Race of Art, 3rd Ed. (Moscow: Iskusstvo, 1987) 239 pp.

96. The All-Union School Festival of Light and Music, 1987 (performance catalogue) (Kazan: Kazan Aviation Institute Press, 1987) 52 pp.

97. Scientific-Technical Seminar: "Synthesis of Arts in the Era of Scientific-Technical Revolution " (seminar reports) (Kazan: Kazan Aviation Institute Press, 1987) 160 pp.

98. Art Synthesis (literature index), 2nd Ed. (Odessa: 1987) 56 pp.

99. Experiment in Design (methods report) (Moscow: VNIITE, 1987) 68 pp.

100. Aesthetic Culture in the Context of Scientific and Technological Progress (collection of articles) (Sverdlovski: Ural Univ. Press, 1987) 145 pp.

101. Aleksandrov, V. V., and Shneiderov, V. S., Drawing, Drafting, Painting with Computers (Leningrad: Mashinostroyeniye, 1988) 128 pp.

102. Anisimov, A. V., Informatics, Creativity, Recursion (Kiev: Naukova Dumka, 1988) 224 pp.

103. Dis, L. I., The Application of Computers to Musical Education (collection of lectures) (Kiev: Conservatory Press, 1988) 57 pp.

104. Kotov, Yu. V., How Computers Draw (Moscow: Nauka, 1988) 224 pp.

105. Nazajkinsky, Y., Music Sound World (Moscow: Nauka, 1988) 254 pp.

106. Torshilova, Y. M., Can Harmony Be Verified by Algebra? A Critical Essay on Experimental Aesthetics (Moscow: Iskusstvo, 1988) 208 pp.

107. Montage: Literature, Art, Theater, Cinema (collection of articles) (Moscow: Nauka, 1988) 238 pp.

108. A Search for Methods of Prognosis in Literature and Art (Kazan: Kazan Univ. Press, 1988) 192 pp.

109. Space and Time in Art (collection of articles) (Leningrad: LGITMiK, 1988) 170 pp.

110. System, Symmetry, Harmony (collection of articles) (Moscow: Mysl, 1988) 317 pp.

111. Functional Light-Music in Industry, Medicine and Pedagogics (seminar papers) (Kazan: Kazan Aviation Institute Press, 1988) 120 pp.

112. Problems in Computer and Musical Science (collection of papers) (Novosibirsk: Conservatory Press, 1988) 416 pp.

113. Glazychev, V. I., The Gem of Copernicus: The World of Science in Painting (Moscow: Sovetsky Khudozhnik, 1989) 416 pp.

114. Grjakalov, A. A., Structuralism in Aesthetics: A Critical Analysis (Leningrad: Leningrad Univ. Press, 1989) 175 pp.

115. Zaitsev, V. F., Biorhythms of Creativity (Leningrad: Znaniye, 1989) 32 pp.

116. Kovalev, F. V., The Golden Section in Painting (Kiev: Vysha Shkola, 1989) 143 pp.

117. Krutikov, P. G., and Printzev, N. A., The Muses of the Sciences (Leningrad: Nauka, 1989) 176 pp.

118. Yarskaya, V. N., The Time Dimension of Cultural Evolution: Philosophical Essays (Saratov: Saratov Univ. Press, 1989) 151 pp.

119. Dynamic and Kinetic Form in Design (methods report) (Moscow: VNIITE, 1989) 81 pp.

120. Light-Music on Cinema and TV Screens (seminar papers) (Kazan: Kazan Aviation Institute Press, 1989) 88 pp.

121. Suite for Personal Computer with Orchestra (collection of articles) (Moscow: Znaniye, 1989) 48 pp.

122. What Is the Language of Cinema? (collection of articles) (Moscow: Iskusstvo, 1989) 240 pp.

123. The Computer and Problems in Musical Education (collection of papers in 2 volumes) (Novosibirsk: Conservatory Press, 1989) 196 pp.

124. Barabanshikov, V. A., The Dynamics of Visual Perception (Moscow: Nauka, 1990) 240 pp.

125. Batrakova, S. P., Art and Utopia: Essays on Twentieth-Century Painting and Architectural History (Moscow: Nauka, 1990) 304 pp.

126. Vasyutinsky, N., The Divine Section (Moscow: Molodaya Gvardia, 1990) 238 pp.

127. Volkova, Ye. V., The Aesthetics of M. M. Baktin (Moscow: Znanie, 1990) 64 pp.

128. Daniel, S. M., Visual Perception in Art: The Language of Perception, Creative Features, Lines and Colors (Moscow: Iskusstvo, 1990) 223 pp.

129. Yegorov, I. M., Kasimir Malevich (Moscow: Znanie, 1990) 56 pp.

130. Yefimov, A. V., Colors of the City (Moscow: Stroyizdat, 1990) 272 pp.

131. Kandinsky, W., On Spirituality in Art (Leningrad: The Leningradskaya Galereya Foundation, 1990) 66 pp.

132. Lipkov, A. I., Problems of Artistic Influence: The Principle of Attraction (Moscow: Nauka, 1990) 239 pp.

133. Nigmatullina, Yu. G., Complex Interdisciplinary Research on Artistic Creativity (Kazan: Kazan Univ. Press, 1980) 150 pp.

134. Samokhvalova, V. I., Beauty versus Entropy: An Introduction to the Sphere of Mega-Aesthetics (Moscow: Nauka, 1990) 176 pp.

135. Serov, N. V., The Chromatization of Myth (Leningrad: Vasilyevsky Ostrov, 1990) 352 pp.

136. Smirnov, M. A., The Emotional Universe of Music (Moscow: Muzyka, 1990) 320 pp.

137. Chervatyuk, P. A., The Scientific and Methodical Foundations of Teaching Harmony as a System of Algorithms (Moscow: Sovetsky Compositor, 1990).

138. Shevelev, I. Sh., Marutayev, M. A., and Shmelev, I. P., The Golden Section: Three Views on the Nature of Harmony (Moscow: Stroyizdat, 1990) 343 pp.

139. Y. S. Lebedev, ed., Architectural Bionics (Moscow: Stroyizdat, 1990) 269 pp.

140. Integral Scherzo: Science-Fiction Tales and Stories about Music (Moscow: Muzyka, 1990) 319 pp.

141. Light and Sound in Architecture (seminar papers) (Kazan: Kazan Aviation Institute Press, 1990) 127 pp.

142. Color and Light in Art (collection of scientific papers from educational institutions) (Syktyvkar: Syktyvkar Univ. Press, 1990) 60 pp.

143. Brazhnikov, Z. V., and Karlyuk, A. S., Human Beings and Computer Creativity (Minsk: Universitetskoye, 1991) 133 pp.

144. Vinogradov, G., and Krasovskaya, E., Entertaining the Theory of Music (Moscow: Sovetsky Compositor, 1991) 191 pp.

145. Galeyev, B. M., Light-Music in the System of Arts (manual) (Kazan: Kazan Conservatory Press, 1991) 88 pp.

146. Galeyev, B. M., Dramatic Performances: "Sound and Light " under the Open Sky (manual) (Kazan: Kazan Conservatory Press, 1991) 81 pp.

147. Golitzyn, G. A., and Petrov, B. M., Information, Behavior, Creativity (Moscow: Nauka, 1991) 224 pp.

148. Gorelov, N., and Yevangalychev, V., Signs of Silent Thought: Stories of Non-Verbal Communication (Moscow: Molodaya Gvardia, 1991) 284 pp.

149. Zhukovsky, V. I., and Pivovarov, D. V., Visible Essence: Visual Thinking in the Fine Arts (Sverdlovsk: Ural Univ. Press, 1991) 284 pp.

150. Kagan, M. S., A Systemic Approach to the Humanities: Selected Articles (Leningrad: Leningrad Univ. Press, 1991) 384 pp.

151. Lukshin, I. P., "An Explanation of the Mystery of the Language of Mystery ": The Aesthetic Concept and Creativity of W. Kandinsky (Moscow: Znaniye, 1991) 64 pp.

152. Mankovskaya, N. B., Schizoanalysis instead of Psychoanalysis (Structural and Psychoanalytical Aesthetics) (Moscow: Znaniye, 1991) 64 pp.

153. Mikhailov, A. G., and Shilov, V. G., A Practical English-Russian Dictionary of Electronic and Computer Music (Moscow: "Rus, " 1991) 119 pp.

154. Norenkov, S. V., Architectonic Art (Nyzhnyi Novgorod: Volgo-Vyatskoye Knyzhnoye Izdatelstvo, 1991) 200 pp.

155. Petrov, V. M., The Forecasting of Art Culture: Problems of Methodology and Method (Moscow: Nauka, 1991) 152 pp.

156. Silichev, D. A., Semiotics and Art: A Western Conceptual Analysis (Moscow: Znaniye, 1991) 64 pp.

157. Khangildeyeva, N. I., Music, Theater, Cinema, TV (Moscow: Sovetsky Compositor, 1991) 156 pp.

158. The Noosphere and Artistic Creativity (collection of articles) (Moscow: Nauka, 1991) 280 pp.

See also the Russian Bibliography, texts through 1994, published in Leonardo 28, No. 1 (1995), and the Leonardo Bibliography of Soviet Articles.

The full texts of the special issue Prometheus: Art, Science and Technology in the Former Soviet Union can be found in Leonardo 27, No. 5 (1994), which is available through the MIT Press.

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