leon 57.2 - Primitive way country come look inside
Abstract
Leonardo
leon 57.2 - Shells: A Natural and Cultural History
leon 57.2 - Dopostoria
leon 57.2 - Resisting Normality with Cultural Accessibility and Slow Technology
Abstract
leon 57.2 - Prototyping Criptech Arts Futures
leon 57.2 - The Nexus: Augmented Thinking for a Complex World—The New Convergence of Art, Technology and Science
leon 57.2 - Exploring Past Images in a Digital Age: Reinventing the Archive
leon 57.2 - Plus noise unlock
Abstract
What happens when speech synthesis applications are incompatible with certain software? This essay considers how inaccessibility within the software and programming language Max is sonically, aesthetically, culturally, and ideologically amplified through a case study of “plus noise unlock,” which is the sound made by the author’s computer when she attempts to use a screen reader within a patcher window.
leon 57.2 - How Can It Not Know What It Is?: Remembering Disability as Part of the Whole
Abstract
How Can It Not Know What It Is? is a conversation that uses the revered sci-fi film Blade Runner (1982) as a frame to explore the role of memory and affirm disabled identity in collective human experience, specifically concerning technology, the power of self-knowledge, and how these concepts intersect with capitalism and contemporary politics. In an open conversation excerpted here, the artist-authors discuss what it means to be wholly human, navigating subjects from memory to extended cognition, from national mythology to the ethics of AI.
leon 57.1 - An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio
Abstract