Slew: A
Compilation of Compilation Tracks 1990-2003
by Thomas Dimuzio
ReR Megacorp, Thornton Heath, UK, 2004
CD-ROM, ReR
TD2,
£11.50
Distributors
Website: http://www.rermegacorp.com.
Reviewed
by Mike Mosher
Saginaw Valley State University
mosher@svsu.edu
A difficulty inherent in this genre of
electroacoustic musicits sources
often sine wave generator or radio wavesare
its inevitable science fiction associations.
An interesting whirring animates
"4 Poles" to suggest a black hole or collapsing
suns emitting its radio signals, and in
"Usher Substart" a tone gradually builds
to suggest the traversing of and deep
space. Much of the collection is
reminiscent of similarly generated "Music
from the Hearts of Space" on radio station
KPFA in the 1970s, perhaps that decade's
New Age equivalent to Korla Pandit's mysterious
1950s organ stylings.
Thomas Dimuzio may blame the reviewer
for dwelling on such visual associations
from his music as he also works to subvert
or re-imagining them. The sense of awe
set up in "Never Steven" gets punctured
with dynamic sweeps across the speakers.
"Zosz" sounds like experiments in breathing
and speaking underwater, or the great
snake at the end of the universe. "Radio
Traces" begins with a string quartet then
threatened by distant cloud activity until
an abrupt stop. "Yard" has a heroic centurion
theme and looped voices, while an untitled
piece with collaborator Needle suggests
rattling worry beads. Other tracks
have obscure voices, somber mood sweeping,
and the sound jetting across speakers.
Yet long passages in works like the 12'40
"Lightswitch" are uneventful and faceless
to the point of anonymity and audial invisibility.