Images
Of A Complex World: The Art and Poetry
of Chaos
by Robin Chapman & Julien Clinton
Sprott
World Scientific, Hackensack, NJ, 2005
192 pp., with CD-ROM, illus. Trade, $58.00;
paper, $34.00
ISBN: 981-256-400-4; ISBN: 981-256-401-2.
Reviewed by Rob Harle (Australia)
harle@dodo.com.au
This is a lavishly illustrated coffee-table
book that will appeal to a wide general
audience. On each page the poetry of Robin
Chapman is presented, together with high-colour
fractal images and an insert by co-author
Julien Clinton Sprott, explaining one
aspect of Chaos theory, fractals or nonlinear
complex systems.
Anyone new to these scientific disciplines
will find Sprotts explanations easy
to read and considering the complexity
of the mathematics involved with fractals,
fairly easy to grasp. On the one hand,
this is an educational book; on the other,
it is intended to inspire the reader with
the art and poetry of Chaos and nature.
I was a little disappointed in respect
of the latter for a number of reasons,
which I will discuss shortly.
The book comes with a CD-ROM. It contains
"1,000 images of chaos art from which
slide shows can be generated and 100 high-resolution
posters created"; also Chapman reads
a selection of her poetry. There are seven
chapters with the following titles: Dynamical
Systems, Viewing Dynamics, Where It All
Ends, Routes To Chaos, Images of Chaos,
Chaos & Predictability, and Truth
& Beauty. The book has a pathetic
Index, a short rather incomplete list
of suggested further reading and a really
useful Appendix for "the mathematically
inclined". There is also a quiz to
test the readers understanding.
Fantastic for under twelve year old, but
I feel a trifle patronizing for educated
adults.
The first reason for my disappointment
is that Chapmans poetry is "nice",
almost to the extent of being saccharine
sweet. There is no angst, no hint of nature
being "red in tooth and claw",
nor a hint of nature being chaotically
tumultuoustsunamis or cyclones
are complex dynamical systems of special
interest to Chaos theorists. Merely lovely,
undemanding words about leaves, sunlight,
sunflowers, and birds.
The second reason is that the colour of
the fractals is almost garish, both in
the book and on the screen. Ive
noticed this colour generation style as
the default setting in many fractal creation
programs. However, with sufficient care
the fractals can be made to look a little
more subtle and complex; in the case of
this book, at least for some of the images
could have been manipulated to embrace
the hues of nature. Just because fractal
images do not exist outside the computer
is no reason not to have their colours
analogous to those in the real world.
The third reason why Images of a Complex
World: The Art and Poetry of Chaos
let my expectations down a little is that
I am yet to see a presentation where poetry
and images juxtaposed on the one page
really works. The poetry detracts from
the images, and the images tends to "suck"
the imagery out of, or at least compensate
for, a lack of imagery contained in the
poetry. If poetry needs images to support
it, then it is poor poetry indeed, for
if poetry is anything, it is about creating
imagery in the readers mind. This
latter comment does not refer at all to
Chapmans poetry as it is rich with
gentle, nature imagery.
As previously mentioned, this book is
an excellent introduction to Chaos Theory
and fractals for all young readers or
for older readers who have no prior knowledge
of the weird and wonderful world of Julia
Sets, Cellular Automata, and Strange Attractors.