The Two
Lives of Eva
by Esther
Hoffenberg
First Run/Icarus Films, Brooklyn, New
York, 2006
Video-DVD, 85 mins., color
Sale/video-DVD: $440; rental/video: $125
Distributors website: http://www.frif.com.
Reviewed by Nameera Ahmed
Pakistan
nameeraa@gmail.com
With the film The Two Lives of Eva,
Esther Hoffman takes on a personal journey
to try and unravel the hidden past of
her mother Eva Hoffman. She tries to get
to know who her mother really was before
she married her Jewish father and converted
to Judaism, before she left Poland for
Paris, and before she started suffering
from mental breakdowns, which were a source
of constant anxiety for the family. In
1978, after another breakdown and more
relapses, Esther traveled with her mother
and taped her voice, hoping to later discover
other, more obscure, aspects of her
life.
Eva started going to a medical psychology
centre after 1978, the year when Esther
taped her. Through very intimate voice-interviews
Eva reveals a bit about her early life
and childhood: She was a citizen of Poland,
of German descent. Her father Alexander
Lamprecht, a disciplinary and hardworking
man, owned a factory and villa in the
city of Sosnowiec, where Eva lived a happy
childhood. She narrates in a haunting
voice how close she was to her father
who thought Eva resembled her mother,
and they were "like two peas in a
pod", perhaps the reason for her
being his favourite child.
When World War II broke out, the German
troops started invading, and Poland was
soon crushed; Evas parents got German
citizenship, and Eva was put into a German
high school. Their best friends, the Germans,
became their worst enemies. Eva had a
traumatic experience of the war, when
she lost two of her siblings in the same
year: Nina disappeared in the snow, and
Lolek was lost in battle. Stas Hoffenberg,
Evas future husband, appeared at
this point. He seemed like someone who
could take her away from the misery of
her present life, where she felt stuck.
She went on an invitation with him to
Paris where she married him and where
he started to reveal things to Eva about
his past life in the ghettos which he
had not done before.
For many years everything in the Hoffenberg
household was presented as being normal,
but people could tell something was wrong
inside; Eva kept withdrawn from people
and events. Even though she had problems
with her German identity and her inaction
during the war, with all her complications,
Eva felt guilty for converting to Judaism.
She took a trip to see her father in 1963
but hardly ever talked about it to her
family.
Finally, her daughter Esther discovers
on her visit to Sosnowiec, that her grandfather
Alexanders house has been converted
into a museum. She learns of his will,
but Esther feels there is something wrong
when she does not find any letters in
response to so many letters her mother
Eva wrote to him over the years. He had
disowned his daughter Eva as well as his
wife Gisela.
Through the interviews, which appear intermittently
throughout the film, Esther tries to uncover
her mothers past by talking to her
cousins, now in their old age; glancing
through old black and white photographs,
they talk in a nostalgic manner about
Evas irresistible beauty, attractive
personality, and her first love affair.
The film helps us to delve into Evas
life in an intimate way. It makes a mosaic
with old photographs, memoirs, letters,
tape-recorded recollections of her past,
and home videos in an attempt to carefully
sew the pieces together of a life torn
apart. The Two Lives of Eva personifies
the historical trauma, violence, the discordance
and the dichotomy, of the destructive
war and its aftermath. Through a personal
journey, the film also goes deeper into
the historical plights of the time and
addresses the trauma, which affected the
lives of countless people, on a larger
scale.